Difference between revisions of "Category:Madder: Ukiyo-e colorant"

From CAMEO
Jump to navigation Jump to search
(42 intermediate revisions by 3 users not shown)
Line 1: Line 1:
For ukiyo-e woodblock prints, ''Rubia tinctorum'' and/or ''Rubia akane'' was the primary red colorant used consistently for all of the time periods and printing methods.
 
  
[[Madder]] - akane
+
[[File:SC169506.jpg|right|200px|link=Kuniyoshi, The Ninth Hour: Noon; Woman Playing with Cat, Fishmonger and Dog, from the series Sundial of Modern Tradesmen, 11.15955|The Ninth Hour... by Utagawa Kuniyoshi]]
A natural red dye extracted from the roots of any of several species of the genus ''Rubia''. The most commonly used plants include: ''Rubia tinctorum'' L., native to the Middle East and eastern Mediterranean, but cultivated across Europe and introduced into the Far East, America, and Africa; ''Rubia cordifolia'' L., native to India and southeast Asia, but very widespread; and ''Rubia akane'' Nagai, found in Japan and also China, Korea and Taiwan. Madder has been used as a colorant for dyeing textiles since ancient times in India, Persia, and Egypt.
 
  
Red regions containing madder were usually seen as brightly fluorescent during the preliminary examination of the prints with a hand-held UV light. Thus, it was no surprise that the EEM fluorescence technique provided a unique and definitive pattern for madder, but it was fortunate for our study, that the madder pattern was distinctively different than the EEM pattern for safflower
+
<font size="3">'''[[Madder]]'''</font> 茜(''akane''): A red dye extracted from the roots of any of several species of the genus ''Rubia''. The most commonly used plants include: ''Rubia tinctorum'' L., native to the Middle East and eastern Mediterranean; ''Rubia cordifolia'' L., native to India and Southeast Asia; and ''Rubia akane'' Nagai, found in East Asia. It is currently unknown which species was used for ''ukiyo-e'' prints.
  
 +
Similar to [[:Category:Safflower: Ukiyo-e colorant|safflower]], madder can range from pink to a deep red. Madder and safflower are the most commonly found red before the introduction of aniline dyes in the 1860's. Safflower and madder are found as a single colorant or as a mixture of the two. Although the visual difference between red safflower or madder used alone and a mixture of the two is currently difficult to discern, madder may have been used to extend the safflower, which was known to be expensive. In some prints from the mid-1800's, [[:Category:Vermilion: Ukiyo-e colorant|vermilion]] was also mixed with madder. The pink color of madder also appears opaque when compared to the ethereal pink of safflower. The opacity of pink madder may indicate that the colorant may have been laked onto a mineral white, such as [[:Category:Calcium carbonate: Ukiyo-e colorant|calcium carbonate]] during its formulation.
 +
 +
Although not traditionally listed as a printing colorant thought to have been used for Japanese woodblock printing, madder has been detected extensively in our analysis. Research of red colorants is ongoing.
 +
 +
'''For more information see:''' [[Madder]], [[Madder (Rubia tinctorum) LC]], [[Madder (Indian madder, Rubia cordifolia) LC]], [[Madder (Rubia akane) LC]]
 +
<br>
 +
 +
== Examples of Madder in Ukiyo-e Prints ==
 +
 +
{| class="wikitable" style="display: inline-table;font-size:90%;text-align:center;width:15%"
 +
|[[File:dyed indigo.jpg|200px|link=Kuniyoshi, The Ninth Hour: Noon; Woman Playing with Cat, Fishmonger and Dog, from the series Sundial of Modern Tradesmen, 11.15955]]
 +
|-
 +
|
 +
[[File:Indigo FORS.JPG|200px]]<br>[[Kuniyoshi, The Ninth Hour: Noon; Woman Playing with Cat, Fishmonger and Dog, from the series Sundial of Modern Tradesmen, 11.15955|The Ninth Hour... by Utagawa Kuniyoshi]]
 +
|}
 +
{| class="wikitable" style="display: inline-table;font-size:90%;text-align:center;width:15%"
 +
|[[File:dyed indigo.jpg|200px|link=Kiyonaga, The Brine Maidens, from the series Current Manners in Eastern Brocade, 11.13880]]
 +
|-
 +
|
 +
[[File:Indigo FORS.JPG|200px]]<br>[[Kiyonaga, The Brine Maidens, from the series Current Manners in Eastern Brocade, 11.13880|The Brine Maidens by Torii Kiyonaga]]
 +
|}
 +
{| class="wikitable" style="display: inline-table;font-size:90%;text-align:center;width:15%"
 +
|[[File:dyed indigo.jpg|200px|link=Harunobu, Kojima Bingo no Saburô Takanori, 11.19633]]
 +
|-
 +
|
 +
[[File:Indigo FORS.JPG|200px]]<br>[[Harunobu, Kojima Bingo no Saburô Takanori, 11.19633|Kojima Bingo... by Suzuki Harunobu]]
 +
|}
 +
{| class="wikitable" style="display: inline-table;font-size:90%;text-align:center;width:15%"
 +
|[[File:dyed indigo.jpg|200px|link=Kiyohiro, The Attributes of the Seven Gods of Good Fortune, 11.19089]]
 +
|-
 +
|
 +
[[File:Indigo FORS.JPG|200px]]<br>[[Kiyohiro, The Attributes of the Seven Gods of Good Fortune, 11.19089|The Attributes of the Seven Gods of Good Fortune by Torii Kiyohiro]]
 +
|}
 +
{| class="wikitable" style="display: inline-table;font-size:90%;text-align:center;width:15%"
 +
|[[File:dyed indigo.jpg|200px|link=Utamaro I, Courtesan Asajiu of the Daimonjiya and Nanatsu-ume Sake by Momenya, from the series Aristocrats of Sake Compared to Courtesans of Six Selected Houses, 11.14267]]
 +
|-
 +
|
 +
[[File:Indigo FORS.JPG|200px]]<br>[[Utamaro I, Courtesan Asajiu of the Daimonjiya and Nanatsu-ume Sake by Momenya, from the series Aristocrats of Sake Compared to Courtesans of Six Selected Houses, 11.14267|Courtesan Asajiu... by Kitagawa Utamaro I]]
 +
|}
 +
 +
Add Beauties of the Yoshiwara, madder
 +
 +
== Analysis ==
 +
Excitation Emission Matrix (EEM) spectroscopy can easily identify the organic reds: [[:Category:Safflower: Ukiyo-e colorant|safflower]], madder, and [[:Category:Sappanwood: Ukiyo-e colorant|sappanwood]]. Madder fluoresces brightly under UVA radiation and produces a unique EEM pattern that helps differentiate it from safflower, which also fluoresces.
 +
 +
 +
<gallery mode="packed" heights="200px" style="text-align:left">
 +
Madder EEM ref.jpg|<center>EEM plot for Madder</center>
 +
Red EEM plots.jpg|<center>3D EEM plots for Red references</center>
 +
Red EmEx curves.jpg|<center>Overlay of EEM curves for Red references</center>
 +
FORS of reds.jpg|<center>Overlay of FORS spectra for Red references</center>
 +
Madder_emission1.jpg|<center>Overlay of Emission curves for Madder</center>
 +
Madder_excitation1.jpg|<center>Overlay of Excitation curves for Madder</center>
 +
Red UVVis images.jpg|<center>Visible light and UVA for Red references</center>
 +
</gallery>
 +
 +
 +
==Other Images of Madder ==
 
<gallery>
 
<gallery>
Madder emission.JPG|Overlay of madder emission curves
+
rubiatintoriaPD1.jpg|Madder plant ''Rubia tinctorum'' L.
Madder excitation.jpg|Overlay of madder excitation curves
+
madder_root_1.jpg|Madder root
 +
02 akane_madder.jpg|Madder, akane
 +
madder_powder_2.jpg|Madder powder  (''Rubia tinctorum'')
 +
34732496 madder 4up.jpg|Madder lakes
 +
04_Madder comp.jpg|Dye mixtures from madder on paper
 
</gallery>
 
</gallery>
  
  
[[Category:Ukiyo-e Colorants]]
+
==List of Prints ==
 +
Below is a list of prints where madder was detected.

Revision as of 00:15, 27 July 2020

The Ninth Hour... by Utagawa Kuniyoshi

Madder 茜(akane): A red dye extracted from the roots of any of several species of the genus Rubia. The most commonly used plants include: Rubia tinctorum L., native to the Middle East and eastern Mediterranean; Rubia cordifolia L., native to India and Southeast Asia; and Rubia akane Nagai, found in East Asia. It is currently unknown which species was used for ukiyo-e prints.

Similar to safflower, madder can range from pink to a deep red. Madder and safflower are the most commonly found red before the introduction of aniline dyes in the 1860's. Safflower and madder are found as a single colorant or as a mixture of the two. Although the visual difference between red safflower or madder used alone and a mixture of the two is currently difficult to discern, madder may have been used to extend the safflower, which was known to be expensive. In some prints from the mid-1800's, vermilion was also mixed with madder. The pink color of madder also appears opaque when compared to the ethereal pink of safflower. The opacity of pink madder may indicate that the colorant may have been laked onto a mineral white, such as calcium carbonate during its formulation.

Although not traditionally listed as a printing colorant thought to have been used for Japanese woodblock printing, madder has been detected extensively in our analysis. Research of red colorants is ongoing.

For more information see: Madder, Madder (Rubia tinctorum) LC, Madder (Indian madder, Rubia cordifolia) LC, Madder (Rubia akane) LC

Examples of Madder in Ukiyo-e Prints

Dyed indigo.jpg

Indigo FORS.JPG
The Ninth Hour... by Utagawa Kuniyoshi

Dyed indigo.jpg

Indigo FORS.JPG
The Brine Maidens by Torii Kiyonaga

Dyed indigo.jpg

Indigo FORS.JPG
Kojima Bingo... by Suzuki Harunobu

Dyed indigo.jpg

Indigo FORS.JPG
The Attributes of the Seven Gods of Good Fortune by Torii Kiyohiro

Dyed indigo.jpg

Indigo FORS.JPG
Courtesan Asajiu... by Kitagawa Utamaro I

Add Beauties of the Yoshiwara, madder

Analysis

Excitation Emission Matrix (EEM) spectroscopy can easily identify the organic reds: safflower, madder, and sappanwood. Madder fluoresces brightly under UVA radiation and produces a unique EEM pattern that helps differentiate it from safflower, which also fluoresces.



Other Images of Madder


List of Prints

Below is a list of prints where madder was detected.

Pages in category "Madder: Ukiyo-e colorant"

The following 80 pages are in this category, out of 80 total.

K