Difference between revisions of "Colored pencil"
| (2 intermediate revisions by 2 users not shown) | |||
| Line 1: | Line 1: | ||
| − | [[File: | + | [[File:Block 2009 1245.jpg|thumb|Kenneth Paul Block<br>MFA# 2009.1245]] |
== Description == | == Description == | ||
| Line 5: | Line 5: | ||
[[File:colored_pencil.jpg|thumb|Colored pencils]] | [[File:colored_pencil.jpg|thumb|Colored pencils]] | ||
| − | + | [[File:colored_pencil_det.jpg|thumb|Colored pencils detail]] | |
== Synonyms and Related Terms == | == Synonyms and Related Terms == | ||
crayon; colored crayon pencil; art pencil; marking pencil; creta levis; Prismacolor [Berol]; Stabilo [Schwan]; coloured pencil (Br.) | crayon; colored crayon pencil; art pencil; marking pencil; creta levis; Prismacolor [Berol]; Stabilo [Schwan]; coloured pencil (Br.) | ||
| − | + | == Risks == | |
| − | == | ||
| − | |||
| − | |||
| − | |||
| − | |||
Bloom may form on surface. | Bloom may form on surface. | ||
| − | == | + | ==Physical and Chemical Properties== |
| − | + | Most are soluble in petroleum hydrocarbons and chlorinated hydrocarbons, but some may be soluble in water. | |
| − | |||
| − | |||
| − | |||
| − | |||
== Comparisons == | == Comparisons == | ||
| Line 30: | Line 21: | ||
[[media:download_file_549.pdf|Websites of pastel, pencil, and marker manufacturers]] | [[media:download_file_549.pdf|Websites of pastel, pencil, and marker manufacturers]] | ||
| − | + | ==Resources and Citations== | |
| − | |||
| + | * M.Holben Ellis, M.Brigitte Yeh, "Categories of Wax-based Drawing Media" WAAC Newsletter, Vol. 19(3), 1997. | ||
| − | + | * M.Holben Ellis, "Colored Pencil" in ''Media and Techniques of Works of Art on Paper'', New York University Conservation Center of the Institute of Fine Arts, New York, 1999. | |
* Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing) | * Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing) | ||
Latest revision as of 14:33, 2 July 2022
Description
A colored drawing stick encased in a shaft or peel-away paper casing. Colored pencils, often called marking pencils, were first produced in 1835 by J.S. Staetler. These early pencils were composed of a few selected pigments (Prussian blue, Chrome yellow, Chrome green, etc.) dispersed in Clay then baked to form a hard stick. Starting in the 1920s, the number and intensity of the colors were increased and marketing was directed to artists. The colored core of the pencils contain a colorant (pigment or dye) bound with a synthetic resin and some wax. Emulsifiers and dispersion aids were sometimes included. Fillers, such as Kaolin, Talc, or Chalk were also added for opacity and color dilution. The composition of colored pencils is very similar to colored crayons. It can be difficult if not impossible to determine which has been used. Colored pencils are available in both water-soluble and solvent soluble forms. Many of the colors contain organic dyes that are not lightfast.
Synonyms and Related Terms
crayon; colored crayon pencil; art pencil; marking pencil; creta levis; Prismacolor [Berol]; Stabilo [Schwan]; coloured pencil (Br.)
Risks
Bloom may form on surface.
Physical and Chemical Properties
Most are soluble in petroleum hydrocarbons and chlorinated hydrocarbons, but some may be soluble in water.
Comparisons
Websites of pastel, pencil, and marker manufacturers
Resources and Citations
- M.Holben Ellis, M.Brigitte Yeh, "Categories of Wax-based Drawing Media" WAAC Newsletter, Vol. 19(3), 1997.
- M.Holben Ellis, "Colored Pencil" in Media and Techniques of Works of Art on Paper, New York University Conservation Center of the Institute of Fine Arts, New York, 1999.
- Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
- Hermann Kuhn, Conservation and Restoration of Works of Art and Antiquities, Butterworths, London, 1986
- A Glossary of Paper Conservation Terms, Margaret Ellis (ed.), Conservation Center of the Institute of Fine Arts, New York City, 1998