Difference between revisions of "Fome-Cor"

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== Description ==
 
== Description ==
  
[Monsanto Co., St. Louis, MO] A registered trademark for an acid-free laminated foam. Fome-Cor® is made from a rigid polystyrene core laminated with paper or plastic on both sides. The rigid, strong, flat panels are water-resistant and dimensionally stable. Direct sunlight will cause bleaching and degradation of any unprotected foam. Even though the foam is acid-free, the wood fiber paper may emit small amounts of organic acids, such as acetic acid. Fome-Cor® has been used as a protective backing for paintings.
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[3A Composites formerly Monsanto Co., St. Louis, MO] A registered trademark for an acid-free laminated foam. Fome-Cor® is made from a rigid polystyrene core laminated with paper or plastic on both sides. The rigid, strong, flat panels are water-resistant and dimensionally stable. Direct sunlight will cause bleaching and degradation of any unprotected foam. Even though the foam is acid-free, the wood fiber paper may emit small amounts of organic acids, such as acetic acid. Fome-Cor® has been used as a protective backing for paintings.
  
 
== Synonyms and Related Terms ==
 
== Synonyms and Related Terms ==
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[[File:FomeCore2.jpg|thumb|Fome-Cor]]
 
[[File:FomeCore2.jpg|thumb|Fome-Cor]]
== Hazards and Safety ==
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== Personal Risk ==
  
Combustible, producing styrene and carbon monoxide. Deteriorates when exposed to ultraviolet radiation.
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Combustible, producing styrene and carbon monoxide.
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== Working Properties ==
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3A Composites Fabrication guide: [[https://d371dyuip757b1.cloudfront.net/downloads/FOMECORFabguide-112019.pdf]]
  
 
== Additional Information ==
 
== Additional Information ==
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== Sources Checked for Data in Record ==
 
== Sources Checked for Data in Record ==
  
* Pam Hatchfield, Pam Hatchfield, ''Pollutants in the Museum Environment'', Archetype Press, London, 2002
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* Pam Hatchfield, ''Pollutants in the Museum Environment'', Archetype Press, London, 2002
  
* Reed Kay, Reed Kay, ''The Painter's Guide To Studio Methods and Materials'', Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983  Comment: p. 90
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* Reed Kay, ''The Painter's Guide To Studio Methods and Materials'', Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983  Comment: p. 90
  
* Book and Paper Group, Book and Paper Group, ''Paper Conservation Catalog'', AIC, 1984, 1989
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* Book and Paper Group, ''Paper Conservation Catalog'', AIC, 1984, 1989
  
* External source or communication, External source or communication  Comment: Submitted information: Christine Bird, November 2007
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* External source or communication  Comment: Submitted information: Christine Bird, November 2007
  
* http://www.getty.edu/research/tools/vocabulary/aat/, Art and Architecture Thesaurus Online, http://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000
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* http://www.getty.edu/research/tools/vocabulary/aat/, Art and Architecture Thesaurus Online, J. Paul Getty Trust, Los Angeles, 2000
  
  
  
 
[[Category:Materials database]]
 
[[Category:Materials database]]

Revision as of 09:29, 25 November 2019

Fome-Cor

Description

[3A Composites formerly Monsanto Co., St. Louis, MO] A registered trademark for an acid-free laminated foam. Fome-Cor® is made from a rigid polystyrene core laminated with paper or plastic on both sides. The rigid, strong, flat panels are water-resistant and dimensionally stable. Direct sunlight will cause bleaching and degradation of any unprotected foam. Even though the foam is acid-free, the wood fiber paper may emit small amounts of organic acids, such as acetic acid. Fome-Cor® has been used as a protective backing for paintings.

Synonyms and Related Terms

FomeCor (sp); Foam Cor (sp); Foam Core (sp); mounting board; polystyrene core board; foamboard

Fome-Cor

Personal Risk

Combustible, producing styrene and carbon monoxide.

Working Properties

3A Composites Fabrication guide: [[1]]

Additional Information

Fome-cor: Website

Sources Checked for Data in Record

  • Pam Hatchfield, Pollutants in the Museum Environment, Archetype Press, London, 2002
  • Reed Kay, The Painter's Guide To Studio Methods and Materials, Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983 Comment: p. 90
  • Book and Paper Group, Paper Conservation Catalog, AIC, 1984, 1989
  • External source or communication Comment: Submitted information: Christine Bird, November 2007

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