Difference between pages "Chromolithograph" and "Sepia"

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[[File:2002.1388-SC58598.jpg|thumb|Color lithograph<br>MFA# 2002.1388]]
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[[File:MFA59795.jpg|thumb|Lithograph of Stonehenge<br>MFA# 59.795]]
 
== Description ==
 
== Description ==
[[File:60.1068-C26338CR-d1.jpg|thumb|Chromolithograph<br>MFA# 60.1068]]
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[[File:48.375-SC31223.jpg|thumb|Sepia wash<br>MFA# 48.375]]
[[File:62.77-SC26090.jpg|thumb|Hand-colored lithograph<br>MFA# 62.77]]
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1) The dark brown-black liquid secreted by the cuttlefish, ''Sepia officinalis'' or other Cephalopoda. The ink sacs and fluid are removed from the squid and sun-dried; then the color is extracted with alkali and precipitated with acid. Sepia was used for inks since antiquity. It was first introduced as a watercolor pigment mixed with [[gum arabic]] about 1780 by Jacob Seydelmann in Dresden. Sepia is a natural organic acid that is fairly permanent, except in strong sunlight.
An early color [[lithograph]] prepared using a separate plates for each color. First developed in the early 1800s, chromolithography was used commercially as a color reproduction technique until the end of the 19th century.
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2) A dark, warm black color resembling the tone obtained from cuttlefish ink. Other pigment mixtures of [[burnt umber]], [[Vandyke brown]], and [[lampblack]] are also sold under the name sepia.
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3) (not common) A powder composed of ground cuttlefish bones. Sepia powder, also called [[sepiolite]], is composed of [[calcium carbonate]] and [[calcium phosphate]]. It is used as a polishing agent.
  
 
== Synonyms and Related Terms ==
 
== Synonyms and Related Terms ==
  
chromolithography; chromo-lithography; chromo; oleograph; color lithograph; chromolithografie (Ned.); chromolithographie (Fr., Deut.); Farblithografie (Deut.); Farbensteindruck (Deut.); cromolitografia (It., Esp.), färglitografi (Sven.)
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1) Warm Black; cuttlefish ink; sepiomelanin; Natural Brown 9; sépia (Fr., Port.) 
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3) cuttlefish bone; cuttlebone; sepiolite;
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[[[SliderGallery rightalign|Sepia, Kremer Pigments.PNG~FTIR (MFA)]]]
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== Physical and Chemical Properties ==
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* Soluble in ammonium hydroxide, alkalis. Insoluble in acids, water, ethanol.
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* Decolorized by nitric acid and chlorine bleaches.
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* Fishy odor. 
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* Fugitive in ultraviolet light.
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== Resources and Citations ==
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* R. J. Gettens, G.L. Stout, ''Painting Materials, A Short Encyclopaedia'', Dover Publications, New York, 1966
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* Helmut Schweppe, Schweppe color collection index and information book
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* G.S.Brady, ''Materials Handbook'', McGraw-Hill Book Co., New York, 1971  Comment: p. 609
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* Reed Kay, ''The Painter's Guide To Studio Methods and Materials'', Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983
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* Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)
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* Richard S. Lewis, ''Hawley's Condensed Chemical Dictionary'', Van Nostrand Reinhold, New York, 10th ed., 1993
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* Hermann Kuhn, ''Conservation and Restoration of Works of Art and Antiquities'', Butterworths, London, 1986
  
==Resources and Citations==
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* R.D. Harley, ''Artists' Pigments c. 1600-1835'', Butterworth Scientific, London, 1982
  
* ''Encyclopedia Britannica'', http://www.britannica.com  Comment: "oleograph." - "pioneered in the 1830s"  Accessed 3 Feb. 2005 .
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* Matt Roberts, Don Etherington, ''Bookbinding and the Conservation of Books: a Dictionary of Descriptive Terminology'', U.S. Government Printing Office, Washington DC, 1982
  
* Luis Nadeau, ''Encyclopedia of Printing, Photographic, and Photomechanical Processes'', Atelier, New Brunswick, 1997 Comment: "Senefelder seems to have been the first, published color print in 1817....another source mentions Michele de Serres as the inventor in 1814"
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* Random House, ''Webster's Encyclopedic Unabridged Dictionary of the English Language'', Grammercy Book, New York, 1997
  
* ''The Bullfinch Guide to Art History'', Shearer West (ed.), Bullfinch Press, Boston, 1996
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* ''The Merck Index'', Martha Windholz (ed.), Merck Research Labs, Rahway NJ, 10th edition, 1983  Comment: entry 8601
  
* Wikipedia: http://en.wikipedia.org/wiki/Chromolithograph - "first commercialized in 1830s by Godefrey Engleman of France"
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* ''The American Heritage Dictionary'' or ''Encarta'', via Microsoft Bookshelf 98, Microsoft Corp., 1998
  
* B. Gascoigne, ''How to Identify Prints'', Thames & Hudson, London, 2004
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* ''Encyclopedia Britannica'', http://www.britannica.com  Comment: "sepia." (Accessed 7 Apr. 2005).
  
* Multilingual Glossary for Art Librarians at http://www.ifla.org/VII/s30/pub/mgl.htm
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* ''The Dictionary of Art'', Grove's Dictionaries Inc., New York, 1996  Comment: 'Pigment'
  
  
  
 
[[Category:Materials database]]
 
[[Category:Materials database]]

Latest revision as of 14:05, 30 May 2022

Lithograph of Stonehenge
MFA# 59.795

Description

Sepia wash
MFA# 48.375

1) The dark brown-black liquid secreted by the cuttlefish, Sepia officinalis or other Cephalopoda. The ink sacs and fluid are removed from the squid and sun-dried; then the color is extracted with alkali and precipitated with acid. Sepia was used for inks since antiquity. It was first introduced as a watercolor pigment mixed with Gum arabic about 1780 by Jacob Seydelmann in Dresden. Sepia is a natural organic acid that is fairly permanent, except in strong sunlight.

2) A dark, warm black color resembling the tone obtained from cuttlefish ink. Other pigment mixtures of Burnt umber, Vandyke brown, and Lampblack are also sold under the name sepia.

3) (not common) A powder composed of ground cuttlefish bones. Sepia powder, also called Sepiolite, is composed of Calcium carbonate and Calcium phosphate. It is used as a polishing agent.

Synonyms and Related Terms

1) Warm Black; cuttlefish ink; sepiomelanin; Natural Brown 9; sépia (Fr., Port.)

3) cuttlefish bone; cuttlebone; sepiolite;

FTIR (MFA)

Sepia, Kremer Pigments.PNG


Physical and Chemical Properties

  • Soluble in ammonium hydroxide, alkalis. Insoluble in acids, water, ethanol.
  • Decolorized by nitric acid and chlorine bleaches.
  • Fishy odor.
  • Fugitive in ultraviolet light.

Resources and Citations

  • R. J. Gettens, G.L. Stout, Painting Materials, A Short Encyclopaedia, Dover Publications, New York, 1966
  • Helmut Schweppe, Schweppe color collection index and information book
  • G.S.Brady, Materials Handbook, McGraw-Hill Book Co., New York, 1971 Comment: p. 609
  • Reed Kay, The Painter's Guide To Studio Methods and Materials, Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983
  • Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
  • Richard S. Lewis, Hawley's Condensed Chemical Dictionary, Van Nostrand Reinhold, New York, 10th ed., 1993
  • Hermann Kuhn, Conservation and Restoration of Works of Art and Antiquities, Butterworths, London, 1986
  • R.D. Harley, Artists' Pigments c. 1600-1835, Butterworth Scientific, London, 1982
  • Matt Roberts, Don Etherington, Bookbinding and the Conservation of Books: a Dictionary of Descriptive Terminology, U.S. Government Printing Office, Washington DC, 1982
  • Random House, Webster's Encyclopedic Unabridged Dictionary of the English Language, Grammercy Book, New York, 1997
  • The Merck Index, Martha Windholz (ed.), Merck Research Labs, Rahway NJ, 10th edition, 1983 Comment: entry 8601
  • The American Heritage Dictionary or Encarta, via Microsoft Bookshelf 98, Microsoft Corp., 1998
  • The Dictionary of Art, Grove's Dictionaries Inc., New York, 1996 Comment: 'Pigment'