Difference between pages "Celastic" and "Celestial blue"

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== Description ==
 
== Description ==
  
[Schenz Theatrical Supply] A textile impregnated with [[cellulose nitrate]].  Celastic becomes moldable when activated with heat and tacky when activated with solvent ([[acetone]] or [[methyl ethyl ketone|MEK]]). When dry and cool, it forms a stiff, lightweight shell.  It was used by model makers, taxidermists, and orthopedists for lightweight support.  Celastic has been used for reinforcing joins on fragmentary archaeological vessels.  In recent years, Celastic has been replaced in favor of less toxic materials including [[Varaform]], Wonderflex, and Fosshape.
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A variety of [[Prussian blue]] often mixed with [[barium sulfate]] (Mayer 1969). It was also called Brunswick blue and daylight blue.
  
 
== Synonyms and Related Terms ==
 
== Synonyms and Related Terms ==
  
FORM-FAST®
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daylight blue; Brunswick blue; blu celestiale (It.); azul celeste (Port.)
 
 
==Physical and Chemical Properties==
 
 
 
Celastic is soluble in acetone and MEK
 
  
 
==Resources and Citations==
 
==Resources and Citations==
  
* Schenz website:  [http://www.schenz.com/fm_celastic.html Celastic]
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* Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)
  
* Chris White, Arizona State Museum, Submitted information, March 2008.
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* B. Berrie, S.Q. Lomax, 'Azo Pigments: Their History, Synthesis, Properties and Use in Artists' Materials', ''Studies in the History of Art'' , National Gallery of Art, Washington DC, No. 57, 1997
  
  
  
 
[[Category:Materials database]]
 
[[Category:Materials database]]

Latest revision as of 09:12, 24 May 2022

Description

A variety of Prussian blue often mixed with Barium sulfate (Mayer 1969). It was also called Brunswick blue and daylight blue.

Synonyms and Related Terms

daylight blue; Brunswick blue; blu celestiale (It.); azul celeste (Port.)

Resources and Citations

  • Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
  • B. Berrie, S.Q. Lomax, 'Azo Pigments: Their History, Synthesis, Properties and Use in Artists' Materials', Studies in the History of Art , National Gallery of Art, Washington DC, No. 57, 1997

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