Difference between revisions of "Lake"

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== Description ==
 
== Description ==
  
An organic pigment prepared by precipitation of a dye on a powdered, inorganic substrate. Because of its transparency, [http://cameo.mfa.org/materials/fullrecord.asp?name=alumina%20trihydrate alumina trihydrate], is the most commonly used substrate or carrier. Baryte ([http://cameo.mfa.org/materials/fullrecord.asp?name=barium%20sulfate barium sulfate]), produces an opaque lake pigment. Other compounds used as carriers are: [http://cameo.mfa.org/materials/fullrecord.asp?name=chalk chalk], [http://cameo.mfa.org/materials/fullrecord.asp?name=clay clay], [http://cameo.mfa.org/materials/fullrecord.asp?name=gypsum gypsum], [http://cameo.mfa.org/materials/fullrecord.asp?name=zinc%20oxide zinc oxide], [http://cameo.mfa.org/materials/fullrecord.asp?name=white%20earth white earth], and [http://cameo.mfa.org/materials/fullrecord.asp?name=green%20earth green earth]. Often a mordant, such as [http://cameo.mfa.org/materials/fullrecord.asp?name=tannic%20acid tannic acid], [http://cameo.mfa.org/materials/fullrecord.asp?name=lactic%20acid lactic acid], or [http://cameo.mfa.org/materials/fullrecord.asp?name=sodium%20phosphate%2C%20dibasic sodium phosphate], is used to fix the dye to the substrate. Many natural dyes were made into lake pigments, such as [http://cameo.mfa.org/materials/fullrecord.asp?name=cochineal cochineal], [http://cameo.mfa.org/materials/fullrecord.asp?name=kermes kermes], [http://cameo.mfa.org/materials/fullrecord.asp?name=madder madder], and [http://cameo.mfa.org/materials/fullrecord.asp?name=lac%20dye lac] for use in oil painting. Some modern synthetic dyes, such as [http://cameo.mfa.org/materials/fullrecord.asp?name=aniline%20dye aniline dyes], are also prepared in this manner for use as paint pigments. Lake pigments are used in painting, printing inks, plastic colorants, and coated fabrics.
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An organic pigment prepared by precipitation of a dye on a powdered, inorganic substrate. Because of its transparency, [[alumina trihydrate]], is the most commonly used substrate or carrier. Baryte ([[barium sulfate]]), produces an opaque lake pigment. Other compounds used as carriers are: [[chalk]], [[clay]], [[gypsum]], [[zinc oxide]], [[white earth]], and [[green earth]]. Often a mordant, such as [[tannic acid]], [[lactic acid]], or [[sodium phosphate, dibasic|sodium phosphate]], is used to fix the dye to the substrate. Many natural dyes were made into lake pigments, such as [[cochineal]], [[kermes]], [[madder]], and [[lac dye|lac]] for use in oil painting. Some modern synthetic dyes, such as [[aniline dye|aniline dyes]], are also prepared in this manner for use as paint pigments. Lake pigments are used in painting, printing inks, plastic colorants, and coated fabrics.
  
 
== Synonyms and Related Terms ==
 
== Synonyms and Related Terms ==

Revision as of 11:22, 21 January 2014

Description

An organic pigment prepared by precipitation of a dye on a powdered, inorganic substrate. Because of its transparency, Alumina trihydrate, is the most commonly used substrate or carrier. Baryte (Barium sulfate), produces an opaque lake pigment. Other compounds used as carriers are: Chalk, Clay, Gypsum, Zinc oxide, White earth, and Green earth. Often a mordant, such as Tannic acid, Lactic acid, or sodium phosphate, is used to fix the dye to the substrate. Many natural dyes were made into lake pigments, such as Cochineal, Kermes, Madder, and lac for use in oil painting. Some modern synthetic dyes, such as aniline dyes, are also prepared in this manner for use as paint pigments. Lake pigments are used in painting, printing inks, plastic colorants, and coated fabrics.

Synonyms and Related Terms

lakes; lake pigments; laca (Esp., Port.)

Authority

  • Reed Kay, The Painter's Guide To Studio Methods and Materials, Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983
  • Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
  • ASTM, "Standard Terminology Relating to Paint, Varnish, Lacquer and Related Products", Annual Book of ASTM Standards, Section 6, Paints, Related Coatings and Aromatics, ASTM, D16, 7-Jan, Jul-96
  • R.D. Harley, Artists' Pigments c. 1600-1835, Butterworth Scientific, London, 1982
  • Matt Roberts, Don Etherington, Bookbinding and the Conservation of Books: a Dictionary of Descriptive Terminology, U.S. Government Printing Office, Washington DC, 1982
  • Dictionary of Building Preservation, Ward Bucher, ed., John Wiley & Sons, Inc., New York City, 1996

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