Difference between revisions of "Marquetry"

From CAMEO
Jump to: navigation, search
m (Text replace - "== Authority ==" to "== Sources Checked for Data in Record ==")
m (Text replace - "\[http:\/\/cameo\.mfa\.org\/materials\/fullrecord\.asp\?name=([^\s]+)\s(.*)\]" to "$2")
 
Line 2: Line 2:
 
== Description ==
 
== Description ==
  
A decorative inlaid pattern made from thin layers of [http://cameo.mfa.org/materials/fullrecord.asp?name=wood wood], [http://cameo.mfa.org/materials/fullrecord.asp?name=ivory ivory], [http://cameo.mfa.org/materials/fullrecord.asp?name=metal metal], [http://cameo.mfa.org/materials/fullrecord.asp?name=mother-of-pearl mother-of-pearl], [http://cameo.mfa.org/materials/fullrecord.asp?name=straw straw], or [http://cameo.mfa.org/materials/fullrecord.asp?name=tortoiseshell tortoiseshell], veneered to another surface, usually furniture. Wood marquetry techniques were developed in Antwerp in the early 17th century then imported to France where elaborate luxury pieces were made with very intricate patterns. By the 18th century, workshops in northern Europe and England were known for this specialized technique. The simplest marquetry uses two different color sheets of veneer, temporarily fastened together then cut into a pattern with a fine saw. This created two contrasting panels of identical design (in French called partie and contre-partie, "part" and "counterpart").  Marquetry using colored straw was a specialty of some European spa resorts from the end of the 18th century.  
+
A decorative inlaid pattern made from thin layers of [[wood|wood]], [[ivory|ivory]], [[metal|metal]], [[mother-of-pearl|mother-of-pearl]], [[straw|straw]], or [[tortoiseshell|tortoiseshell]], veneered to another surface, usually furniture. Wood marquetry techniques were developed in Antwerp in the early 17th century then imported to France where elaborate luxury pieces were made with very intricate patterns. By the 18th century, workshops in northern Europe and England were known for this specialized technique. The simplest marquetry uses two different color sheets of veneer, temporarily fastened together then cut into a pattern with a fine saw. This created two contrasting panels of identical design (in French called partie and contre-partie, "part" and "counterpart").  Marquetry using colored straw was a specialty of some European spa resorts from the end of the 18th century.  
  
See also [http://cameo.mfa.org/materials/fullrecord.asp?name=niello niello], and [http://cameo.mfa.org/materials/fullrecord.asp?name=pietre%20dure pietre dure].
+
See also [[niello|niello]], and [[pietre%20dure|pietre dure]].
  
 
[[File:2001.562.jpg|thumb|Straw marquetry]]
 
[[File:2001.562.jpg|thumb|Straw marquetry]]

Latest revision as of 13:16, 9 May 2016

1996.216-CR9702-d1.jpg

Description

A decorative inlaid pattern made from thin layers of wood, ivory, metal, mother-of-pearl, straw, or tortoiseshell, veneered to another surface, usually furniture. Wood marquetry techniques were developed in Antwerp in the early 17th century then imported to France where elaborate luxury pieces were made with very intricate patterns. By the 18th century, workshops in northern Europe and England were known for this specialized technique. The simplest marquetry uses two different color sheets of veneer, temporarily fastened together then cut into a pattern with a fine saw. This created two contrasting panels of identical design (in French called partie and contre-partie, "part" and "counterpart"). Marquetry using colored straw was a specialty of some European spa resorts from the end of the 18th century.

See also niello, and pietre dure.

Straw marquetry

Synonyms and Related Terms

inlay; intarsia; marqueterie (Fr.); mfurniturearketierte (Deut.); markieteria (Pol.); marquetería (Esp.); tarsia (It.)

Additional Information

° P.Ramond, R. Bonnefond, 'La marqueterie' Metiers d'art, 27 (no. 26), October 1984.° Patrick Edwards, 'Current trends in conservation of marquetry surfaces' Postprints of the Wooden Artifacts Group (AIC), 1997.

Additional Images


Sources Checked for Data in Record

  • Hermann Kuhn, Conservation and Restoration of Works of Art and Antiquities, Butterworths, London, 1986
  • Random House, Webster's Encyclopedic Unabridged Dictionary of the English Language, Grammercy Book, New York, 1997
  • The American Heritage Dictionary or Encarta, via Microsoft Bookshelf 98, Microsoft Corp., 1998