Difference between revisions of "Metal point"

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== Description ==
 
== Description ==
  
A metal rod used for drawing on a [[paper]] or [[parchment]] support which has been covered by a [[ground]].  As the point moves across the ground, it leaves behind a thin layer of metal.  The thin metal quickly oxidizes, for example, silver point becomes the brownish grey of tarnished silver.  Metal points are often prepared from soft metal such as [[silver]] and [[gold]], but may also be made from [[lead]], [[copper]], or [[aluminium]]. They have been used since the 15th century and are still used by contemporary artists.   
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A metal tool used for drawing on a [[paper]] or [[parchment]] support which has been covered by a [[ground]].  As the point moves across the ground, it leaves behind a thin layer of metal.  The thin metal quickly oxidizes, for example, silver point becomes the brownish grey of tarnished silver.  Metal points are often prepared from soft metal such as [[silver]] and [[gold]], but may also be made from [[lead]], [[copper]], or [[aluminium]]. They have been used since the 15th century and are still used by contemporary artists.   
  
  

Revision as of 09:36, 29 July 2014

School of Filippino Lippi, about 1457–1504. MFA acc# 36.417


Description

A metal tool used for drawing on a paper or parchment support which has been covered by a ground. As the point moves across the ground, it leaves behind a thin layer of metal. The thin metal quickly oxidizes, for example, silver point becomes the brownish grey of tarnished silver. Metal points are often prepared from soft metal such as silver and gold, but may also be made from lead, copper, or aluminium. They have been used since the 15th century and are still used by contemporary artists.


Metal point drawing using a variety of metals. Susan Schwalb, MFA acc# 2003.627

Synonyms and Related Terms

metalpoint

Additional Information

Thea Burns. The Luminous Trace: Drawing and Writing in Metalpoint. London: Archetype Publications, 2012.

Additional Images


Authority

  • Italian Renaissance Drawings: Technical Examination and Analysis. Janet Ambers, Catherine Higgitt and David Saunders (ed.), The British Museum, 2010.
  • Media & Techniques of Works of Art on Paper, New York University, New York, 1999
  • The Bullfinch Guide to Art History, Shearer West (ed.), Bullfinch Press, Boston, 1996
  • James Watrous. The Craft of Old-Master Drawings, University of Wisconsin Press, 1957.

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