Difference between revisions of "Plaster of Paris"

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== Description ==
 
== Description ==
  
A fine white powder composed a [http://cameo.mfa.org/materials/fullrecord.asp?name=calcium%20sulfate%2C%20hemihydrate calcium sulfate hemihydrate]. Plaster of Paris obtained its named because it was primarily prepared from [http://cameo.mfa.org/materials/fullrecord.asp?name=gypsum gypsum] quarried in the Montmartre district of Paris. Gypsum, calcium sulfate dihydrate, is roasted or calcined at temperatures below 250C to drive off some of the water of crystallization. Calcium sulfate hemihydrate is stable in air, but readily combines with water to form a paste that rapidly sets to an impenetrable solid. It generates heat with setting and may expand slightly. Setting can be accelerated by the addition of small amounts of salts ([http://cameo.mfa.org/materials/fullrecord.asp?name=aluminum%20sulfate aluminum sulfate], [http://cameo.mfa.org/materials/fullrecord.asp?name=potassium%20sulfate potassium sulfate]) or retarded by the addition of organic materials ([http://cameo.mfa.org/materials/fullrecord.asp?name=blood blood], [http://cameo.mfa.org/materials/fullrecord.asp?name=glue glue], [http://cameo.mfa.org/materials/fullrecord.asp?name=casein casein]). Plaster of Paris has long been used for molds, sculpture, and casts.
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A fine white powder composed a [[calcium%20sulfate%2C%20hemihydrate|calcium sulfate hemihydrate]]. Plaster of Paris obtained its named because it was primarily prepared from [[gypsum|gypsum]] quarried in the Montmartre district of Paris. Gypsum, calcium sulfate dihydrate, is roasted or calcined at temperatures below 250C to drive off some of the water of crystallization. Calcium sulfate hemihydrate is stable in air, but readily combines with water to form a paste that rapidly sets to an impenetrable solid. It generates heat with setting and may expand slightly. Setting can be accelerated by the addition of small amounts of salts ([[aluminum%20sulfate|aluminum sulfate]], [[potassium%20sulfate|potassium sulfate]]) or retarded by the addition of organic materials ([[blood|blood]], [[glue|glue]], [[casein|casein]]). Plaster of Paris has long been used for molds, sculpture, and casts.
  
 
== Synonyms and Related Terms ==
 
== Synonyms and Related Terms ==
  
calcium sulfate hemihydrate; calcined gypsum; calcined plaster; burnt gypsum; partially dehydrated gypsum; plaster; escayola (Esp.); plâtre de Paris (Fr.); Plaster of Paris, Stuckgips (Deut.)
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calcium sulfate hemihydrate; bassanite; calcined gypsum; calcined plaster; burnt gypsum; partially dehydrated gypsum; plaster; escayola (Esp.); plâtre de Paris (Fr.); Plaster of Paris, Stuckgips (Deut.)
  
== Authority ==
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== Sources Checked for Data in Record ==
  
 
* R. J. Gettens, G.L. Stout, ''Painting Materials, A Short Encyclopaedia'', Dover Publications, New York, 1966
 
* R. J. Gettens, G.L. Stout, ''Painting Materials, A Short Encyclopaedia'', Dover Publications, New York, 1966

Revision as of 08:58, 8 June 2018

MFA Acc. #: 81.192

Description

A fine white powder composed a calcium sulfate hemihydrate. Plaster of Paris obtained its named because it was primarily prepared from Gypsum quarried in the Montmartre district of Paris. Gypsum, calcium sulfate dihydrate, is roasted or calcined at temperatures below 250C to drive off some of the water of crystallization. Calcium sulfate hemihydrate is stable in air, but readily combines with water to form a paste that rapidly sets to an impenetrable solid. It generates heat with setting and may expand slightly. Setting can be accelerated by the addition of small amounts of salts (Aluminum sulfate, Potassium sulfate) or retarded by the addition of organic materials (Blood, Glue, Casein). Plaster of Paris has long been used for molds, sculpture, and casts.

Synonyms and Related Terms

calcium sulfate hemihydrate; bassanite; calcined gypsum; calcined plaster; burnt gypsum; partially dehydrated gypsum; plaster; escayola (Esp.); plâtre de Paris (Fr.); Plaster of Paris, Stuckgips (Deut.)

Sources Checked for Data in Record

  • R. J. Gettens, G.L. Stout, Painting Materials, A Short Encyclopaedia, Dover Publications, New York, 1966
  • G.S.Brady, Materials Handbook, McGraw-Hill Book Co., New York, 1971 Comment: p. 386
  • Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
  • Susan E. Schur, Conservation Terminology: A review of Past & Current Nomenclature of Materials, Technology and Conservation, Spring (p.34-39); Summer (p.35-38); Fall (p.25-36), 1985
  • Dictionary of Building Preservation, Ward Bucher, ed., John Wiley & Sons, Inc., New York City, 1996
  • Marie Svoboda, Conservation Survey Index, unpublished, 1997

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