<?xml version="1.0"?>
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	<id>https://cameo.mfa.org/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=MicheleDerrick</id>
	<title>CAMEO - User contributions [en]</title>
	<link rel="self" type="application/atom+xml" href="https://cameo.mfa.org/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=MicheleDerrick"/>
	<link rel="alternate" type="text/html" href="https://cameo.mfa.org/wiki/Special:Contributions/MicheleDerrick"/>
	<updated>2026-08-28T16:45:50Z</updated>
	<subtitle>User contributions</subtitle>
	<generator>MediaWiki 1.39.4</generator>
	<entry>
		<id>https://cameo.mfa.org/index.php?title=CI_16255,New_Coccine,_Acid_Red_18,_LC&amp;diff=104755</id>
		<title>CI 16255,New Coccine, Acid Red 18, LC</title>
		<link rel="alternate" type="text/html" href="https://cameo.mfa.org/index.php?title=CI_16255,New_Coccine,_Acid_Red_18,_LC&amp;diff=104755"/>
		<updated>2026-01-29T15:23:40Z</updated>

		<summary type="html">&lt;p&gt;MicheleDerrick: MicheleDerrick moved page CI 16255,New Coccine, Acid Red 18, LC to CI 16255, New Coccine, Acid Red 18, LC&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[CI 16255, New Coccine, Acid Red 18, LC]]&lt;/div&gt;</summary>
		<author><name>MicheleDerrick</name></author>
	</entry>
	<entry>
		<id>https://cameo.mfa.org/index.php?title=Ponceau_4R,_Acid_Red_18,_CI_16255,_LC&amp;diff=104754</id>
		<title>Ponceau 4R, Acid Red 18, CI 16255, LC</title>
		<link rel="alternate" type="text/html" href="https://cameo.mfa.org/index.php?title=Ponceau_4R,_Acid_Red_18,_CI_16255,_LC&amp;diff=104754"/>
		<updated>2026-01-29T15:23:40Z</updated>

		<summary type="html">&lt;p&gt;MicheleDerrick: MicheleDerrick moved page CI 16255,New Coccine, Acid Red 18, LC to CI 16255, New Coccine, Acid Red 18, LC&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Usage History ==&lt;br /&gt;
&lt;br /&gt;
[https://en.wikipedia.org/wiki/Ponceau_4R New Coccine, Acid Red 18]&lt;br /&gt;
&lt;br /&gt;
== Synonyms ==&lt;br /&gt;
&lt;br /&gt;
C.I. 16230; Ponceau 4R; Cochineal Red A; C.I. Acid Red 18; Brilliant Scarlet 3R; Brilliant Scarlet 4R; New Coccine.&lt;br /&gt;
&lt;br /&gt;
== Molecular Information ==&lt;br /&gt;
&lt;br /&gt;
Molecular Formula	C20H11N2Na3O10S3&lt;br /&gt;
&lt;br /&gt;
Molecular Weight	604.46 g/mol&lt;br /&gt;
&lt;br /&gt;
[[File:Acid red 18 structure.JPG|center|frame|CI 16255,New Coccine, Acid Red 18]]&lt;br /&gt;
&lt;br /&gt;
== Analytical instrumentation and procedures ==&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;Extraction&#039;&#039;&#039;:  The extraction was carried out as follows: a small sample of thread was extracted with the TFA 2M in 1.5ml eppendorfs for 30 min, in 60ºC water bath, with constant agitation. After extraction, each extract was dried in a vacuum system, where the resulting dry residues were reconstituted with 50 μl H2O: MeOH (80:20,v/v). &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;HPLC system&#039;&#039;&#039;: The dye analyses were performed in a Thermofinnigan Surveyor HPLC-DAD system with a Thermofinnigan Surveyor PDA 5 diode array detector (Thermofinnigan, USA), an autosampler and a pump. The samples were injected onto the column via a Rheodyne injector with a 25μl loop. &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;HPLC Column&#039;&#039;&#039;: The separations were performed in Zorbax Eclipse Plus C18 (Agilent, USA) with 5μm particle size column (2.1 mm x 150 mm). The column was kept at controlled temperature (35ºC). &lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;LC program&#039;&#039;&#039;: A solvent gradient of (A) TEA pH= 6,4 3mM and (B) pure methanolwas used at a flow rate of 0.3 mL/min; 0-0,01min A:B (95:5) isocratic, 5 min A:B (90:10) isocratic, 10 min A:B (70:30) isocratic, 15 min A:B (50:50) isocratic, 30 min A:B (45:55) isocratic, 35 min A:B (30:70) isocratic, 45-55 min A:B (5:95) linear, 60-70 min A:B (95:5) linear.&lt;br /&gt;
&lt;br /&gt;
&#039;&#039;&#039;LC-DAD-MSn&#039;&#039;&#039;: The analyses of dyes were performed on a LC-MS with ProStar 410 autosampler, two 212-LC chromatography pumps, a ProStar 335 diode array detector and a 500-MS ion trap mass spectrometer with an electrospray ionization (ESI) ion source (Varian, Palo Alto, CA, USA). Data acquisition and processing were performed using Varian MS Control 6.9 software.The separations were carried out using a Zorbax Eclipse Plus (Agilent, USA) with 5 μm particle size column (2.1 mm x 150 mm). The column was kept at controlled temperature (35ºC). The samples were injected onto the column via a Rheodyne injector with a 20 μL loop. The gradient adapted from and described in 2.3.1 was used at a flow rate of 0.2 mL/min. The mass spectra were acquired in negative and positive mode depending on the structures. The optimized parameters were as follows: ion spray voltage,  4,8 kV; capillary voltage, 20 V; RF loading 80%. Nitrogen was used as nebulising and drying gas, at a pressure of 35 and 15 psi; drying gas temperature, 300ºC. The multistage MS (MSn) spectra were obtained with an isolation window of 2.0 Da, excitation energy values of 0,9 to 1,5 V and an excitation time of 10 ms.&lt;br /&gt;
&lt;br /&gt;
[1]&lt;br /&gt;
&lt;br /&gt;
= Chromatograms =&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[File:Acid red 18 LC.JPG|center|frame|CI 16255,New Coccine, Acid Red 18 at 513nm (mAU) By Cátia Souto, University of Lisbon, Portugal 2010 [1]]]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Results ==&lt;br /&gt;
&lt;br /&gt;
[[File:Acid red 18 result.JPG|center|frame|compounds identified]]&lt;br /&gt;
&lt;br /&gt;
== References ==&lt;br /&gt;
&lt;br /&gt;
[1] Cátia Susana da Costa Nogueira Souto, &amp;quot;Analysis of Early Synthetic Dyes with HPLC-DAD-MS An important database for analysis of colorants used in cultural heritage&amp;quot;, Thesis, Master Degree in Conservation and Restoration of Textiles. UNIVERSIDADE NOVA DE LISBOA, 2010. &lt;br /&gt;
&lt;br /&gt;
[[Category:Dye Analysis]]&lt;br /&gt;
[[Category:Reference Materials]]&lt;br /&gt;
[[Category:Synthetic Dyes]]&lt;/div&gt;</summary>
		<author><name>MicheleDerrick</name></author>
	</entry>
	<entry>
		<id>https://cameo.mfa.org/index.php?title=1900-909,_grey_silk_beaded_gown,_stiffened_wool_dust_ruffle&amp;diff=104753</id>
		<title>1900-909, grey silk beaded gown, stiffened wool dust ruffle</title>
		<link rel="alternate" type="text/html" href="https://cameo.mfa.org/index.php?title=1900-909,_grey_silk_beaded_gown,_stiffened_wool_dust_ruffle&amp;diff=104753"/>
		<updated>2026-01-29T15:16:03Z</updated>

		<summary type="html">&lt;p&gt;MicheleDerrick: MicheleDerrick moved page 1900-909, grey silk beaded gown, stiffened wool dust ruffle to 1900-1909, grey silk beaded gown, stiffened wool dust ruffle&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;#REDIRECT [[1900-1909, grey silk beaded gown, stiffened wool dust ruffle]]&lt;/div&gt;</summary>
		<author><name>MicheleDerrick</name></author>
	</entry>
	<entry>
		<id>https://cameo.mfa.org/index.php?title=Wool_Fiber,_1900-1909,_grey_silk_beaded_gown,_stiffened_wool_dust_ruffle:_FRIL&amp;diff=104752</id>
		<title>Wool Fiber, 1900-1909, grey silk beaded gown, stiffened wool dust ruffle: FRIL</title>
		<link rel="alternate" type="text/html" href="https://cameo.mfa.org/index.php?title=Wool_Fiber,_1900-1909,_grey_silk_beaded_gown,_stiffened_wool_dust_ruffle:_FRIL&amp;diff=104752"/>
		<updated>2026-01-29T15:16:03Z</updated>

		<summary type="html">&lt;p&gt;MicheleDerrick: MicheleDerrick moved page 1900-909, grey silk beaded gown, stiffened wool dust ruffle to 1900-1909, grey silk beaded gown, stiffened wool dust ruffle&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Source: Ohio State University Historic Costume &amp;amp; Textiles Collection,http://fashion2fiber.osu.edu/items/show/1358&lt;br /&gt;
{| &lt;br /&gt;
|[[FILE: 271-1988.398.2-11-09-10-BF-400X-MM-wool stiffened dust ruffle.jpg|300px]]&lt;br /&gt;
271-1988.398.2-11-09-10-BF-400X-MM-wool stiffened dust ruffle &lt;br /&gt;
||&lt;br /&gt;
{| Class=&amp;quot;wikitable&amp;quot; border=&amp;quot;1&amp;quot; style=&amp;quot;border-collapse:collapse;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Source&lt;br /&gt;
|| animal&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Accession Number&lt;br /&gt;
|| HCT.1988.398.2&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Title&lt;br /&gt;
|| Wool fiber, bright field, 400X&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Image Identification information&lt;br /&gt;
|| 271-1988.398.2-11-09-10-BF-400X-MM-wool stiffened dust ruffle&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Date of image capture&lt;br /&gt;
|| 11/09/10&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Microscopist&lt;br /&gt;
|| L. Crawford&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Microscope&lt;br /&gt;
|| Zeiss Axioplan&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Mounting agent and RI&lt;br /&gt;
|| Meltmount, RI =1.539&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Fiber size&lt;br /&gt;
|| wide fiber diameter&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Scales&lt;br /&gt;
|| scales apparent&lt;br /&gt;
|}&lt;br /&gt;
|}&lt;br /&gt;
{| &lt;br /&gt;
|[[FILE: 272-1988.398.2-11-09-10-DF-400X-MM-wool-stiffened dust ruffle.jpg|300px]]&lt;br /&gt;
272-1988.398.2-11-09-10-DF-400X-MM-wool-stiffened dust ruffle &lt;br /&gt;
||&lt;br /&gt;
{| Class=&amp;quot;wikitable&amp;quot; border=&amp;quot;1&amp;quot; style=&amp;quot;border-collapse:collapse;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Source&lt;br /&gt;
|| animal&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Accession Number&lt;br /&gt;
|| HCT 1988.398.2&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Title&lt;br /&gt;
|| Wool fiber, darkfield, 400X&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Image Identification information&lt;br /&gt;
|| 272-1988.398.2-11-09-10-DF-400X-MM-wool-stiffened dust ruffle&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Date of image capture&lt;br /&gt;
|| 11/09/10&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Microscopist&lt;br /&gt;
|| L. Crawford&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Microscope&lt;br /&gt;
|| Zeiss Axioplan&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Mounting agent and RI&lt;br /&gt;
|| Melt mount RI 1.539&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Fiber size&lt;br /&gt;
|| wide fiber diameter&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Scales&lt;br /&gt;
|| scales apparent&lt;br /&gt;
|}&lt;br /&gt;
|}&lt;br /&gt;
{| &lt;br /&gt;
|[[FILE: 273-1988.398.2-11-09-10-POL-400X-MM-wool stiffened dust ruffle.jpg|300px]]&lt;br /&gt;
273-1988.398.2-11-09-10-POL-400X-MM-wool stiffened dust ruffle &lt;br /&gt;
||&lt;br /&gt;
{| Class=&amp;quot;wikitable&amp;quot; border=&amp;quot;1&amp;quot; style=&amp;quot;border-collapse:collapse;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Source&lt;br /&gt;
|| animal&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Accession Number&lt;br /&gt;
|| HCT.1988.398.2&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Title&lt;br /&gt;
|| Wool fiber, polarized light, 400X&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Image Identification information&lt;br /&gt;
|| 273-1988.398.2-11-09-10-POL-400X-MM-wool stiffened dust ruffle&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Date of image capture&lt;br /&gt;
|| 11/09/10&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Microscopist&lt;br /&gt;
|| L. Crawford&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Microscope&lt;br /&gt;
|| Zeiss Axioplan&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Mounting agent and RI&lt;br /&gt;
|| Melt mount RI 1.539&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Fiber size&lt;br /&gt;
|| wide fiber diameter&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Scales&lt;br /&gt;
|| scales not apparent&lt;br /&gt;
|}&lt;br /&gt;
|}&lt;br /&gt;
{| &lt;br /&gt;
|[[FILE: 274-1988.398.2-11-09-10-DIC-400X-MM-wool stiffened dust ruffle.jpg|300px]]&lt;br /&gt;
274-1988.398.2-11-09-10-DIC-400X-MM-wool stiffened dust ruffle &lt;br /&gt;
||&lt;br /&gt;
{| Class=&amp;quot;wikitable&amp;quot; border=&amp;quot;1&amp;quot; style=&amp;quot;border-collapse:collapse;&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Source&lt;br /&gt;
|| animal&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Accession Number&lt;br /&gt;
|| HCT.1988.398.2&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Title&lt;br /&gt;
|| Wool fiber, differential interference contrast, 400X&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Image Identification information&lt;br /&gt;
|| 274-1988.398.2-11-09-10-DIC-400X-MM-wool stiffened dust ruffle &lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Date of image capture&lt;br /&gt;
|| 11/09/10&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Microscopist&lt;br /&gt;
|| L. Crawford&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Microscope&lt;br /&gt;
|| Zeiss Axioplan&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Mounting agent and RI&lt;br /&gt;
|| Melt mount RI 1.539&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Fiber size&lt;br /&gt;
|| wide fiber diameter&lt;br /&gt;
|-&lt;br /&gt;
!scope=&amp;quot;row&amp;quot; style=&amp;quot;text-align:left;&amp;quot; | Scales&lt;br /&gt;
|| scales  not apparent&lt;br /&gt;
|}&lt;br /&gt;
|}&lt;br /&gt;
{| &lt;br /&gt;
 [[Category:FRIL]]&lt;br /&gt;
[[Category: FRIL: Sheep&#039;s Wool]]&lt;br /&gt;
[[Category: FRIL: Animal Fibers]]&lt;/div&gt;</summary>
		<author><name>MicheleDerrick</name></author>
	</entry>
	<entry>
		<id>https://cameo.mfa.org/index.php?title=Dayflower_blue&amp;diff=103925</id>
		<title>Dayflower blue</title>
		<link rel="alternate" type="text/html" href="https://cameo.mfa.org/index.php?title=Dayflower_blue&amp;diff=103925"/>
		<updated>2025-09-04T20:43:43Z</updated>

		<summary type="html">&lt;p&gt;MicheleDerrick: /* Description */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:dayflowerbpd1.jpg|thumb|Asiatic dayflower (&#039;&#039;Commelina communis&#039;&#039;)]]&lt;br /&gt;
== Description ==&lt;br /&gt;
[[File:dayflower blue.jpg|thumb|Paper dyed with dayflower blue]]&lt;br /&gt;
A blue dye extracted from the petals of the &#039;&#039;Commelina communis&#039;&#039; lily plant native to Asia. Dayflower is a hardy, herbaceous annual plant that sprawls along the ground like a vine, often rooting at the nodes.  The flowers bloom only for a day, emerging one at a time. For centuries, Japanese farmers raised dayflowers as a crop and harvested the tiny blue petals to make blue dye. Called &#039;dewflowers&#039; presumably because the flowers were picked just after dawn when the dew was still on them, the blue petals are crushed, then washed to release the colorant.  The primary blue colorant, commelinin, can be extracted more efficiently in alcohol (such as ethanol or isopropyl) or by boiling the petals in water. The plant&#039;s chlorophyll should be kept away from the blue pigment to prevent a muddy brown color.&lt;br /&gt;
&lt;br /&gt;
The plant is considered invasive in the United States and it is resistant to many herbicides. &lt;br /&gt;
&lt;br /&gt;
* See also [[https://cameo.mfa.org/wiki/Category:Uemura_dye_archive &#039;&#039;&#039;Uemera Dye Archive&#039;&#039;&#039; (Tsuki kusa)]]&lt;br /&gt;
&lt;br /&gt;
== Synonyms and Related Terms ==&lt;br /&gt;
&lt;br /&gt;
tsuyukusa (Jap.); aigami (Jap.); commelinin; &#039;&#039;Commelina communis&#039;&#039; (Asiatic dayflower); &#039;&#039;Commelina virginica&#039;&#039; (Virginia dayflower); mouse ears&lt;br /&gt;
[[File:Dayflower blue_dyed paper2.jpg|thumb|Paper dyed with dayflower blue]]&lt;br /&gt;
[[[SliderGallery rightalign|Dayflower_FORS.JPG~FORS]]]&lt;br /&gt;
== Physical and Chemical Properties ==&lt;br /&gt;
* Flowers contain commelinin, an anthocyanin complexed with magnesium ions (metalloanthocyanin)&lt;br /&gt;
* Leaves = alternate, narrowly ovate to lance-shaped&lt;br /&gt;
* Stamens = 3 on short stems (sterile) and 3 on long stems producing pollen&lt;br /&gt;
* Blooms = May-October&lt;br /&gt;
* The pH of the extraction liquid affects the color.&lt;br /&gt;
* The dye is water-soluble&lt;br /&gt;
* The color fades with exposure to light and moisture.&lt;br /&gt;
&lt;br /&gt;
==Colorant Extraction==&lt;br /&gt;
The small, short-lived, blue petals are collected, crushed, then washed to release the colorant that is traditionally used in Japan for painting and printing.  The primary blue colorant, commelinin, can be extracted more efficiently in alcohol (such as ethanol or isopropyl) or by boiling the petals in water. To preserve the color, it is absorbed onto thin absorbent paper (e.g., Japanese Kozo paper), then kept in a dry, dark location.  The plant&#039;s chlorophyll should be kept away from the blue pigment to prevent a muddy brown color.  The blue color is water-soluble and light sensitive.&lt;br /&gt;
&lt;br /&gt;
== Resources and Citations ==&lt;br /&gt;
* L. Young, &#039;How the Humble Asiatic Dayflower Revealed Clues to Blue Hues&#039; Science Friday, 2021 [https://www.sciencefriday.com/articles/dayflower-blue-chemistry/ Dayflower Blue Chemistry]&lt;br /&gt;
* S.Shimoyama, Y.Noda, S.Katshuhara, &amp;quot;Non-Destructive Analysis of Ukiyo-E Prints&amp;quot; &#039;&#039;Dyes in History and Archaeology&#039;&#039;, No.15, Paper presented in Manchester England, Nov. 1996.&lt;br /&gt;
* R.Feller, M.Curran, C.Bailie, &#039;Identification of Traditional Organic Colorants Employed in Japanese Prints and Determination of their Rates of Fading&#039;, &#039;&#039;Japanese Woodblock Prints&#039;&#039;, Allen Memorial Art Museum, Oberlin College, Oberlin, 1984&lt;br /&gt;
* Shiho Sasaki, Elizabeth I. Coombs, &#039;Dayflower blue: its appearance and lightfastness in traditional Japanese prints&#039; in &amp;quot;Scientific research on the pictorial arts of Asia:proceedings of the second Forbes Symposium at the Freer Gallery of Art, 2005&amp;quot; [https://aata.getty.edu/permalink/f/1kjitv/GETTY_AATA107225 AATA Getty]&lt;br /&gt;
* Missouri Department of Conservation: [https://mdc.mo.gov/discover-nature/field-guide/common-dayflower Common Dayflower]&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Materials database]]&lt;/div&gt;</summary>
		<author><name>MicheleDerrick</name></author>
	</entry>
	<entry>
		<id>https://cameo.mfa.org/index.php?title=Limestone&amp;diff=103131</id>
		<title>Limestone</title>
		<link rel="alternate" type="text/html" href="https://cameo.mfa.org/index.php?title=Limestone&amp;diff=103131"/>
		<updated>2025-07-20T18:30:38Z</updated>

		<summary type="html">&lt;p&gt;MicheleDerrick: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:13.4352-SC66701.jpg|thumb|Mastaba chapel wall&amp;lt;br&amp;gt;MFA# 13.4352]]&lt;br /&gt;
== Description ==&lt;br /&gt;
[[File:27.1132-E2000CR-d1.jpg|thumb|Lintel of Kameni&amp;lt;br&amp;gt;MFA# 27.1132]]&lt;br /&gt;
A fine-grain, sedimentary rock. Limestone is composed primarily of [[calcium carbonate]] in the form of [[calcite]] or [[aragonite]]. Trace amounts of [[dolomite]], [[ferric oxide|iron oxide]], [[quartz]], [[clay]], or organic particles can also be present. Due to these impurities, limestone can vary in color from a cream to yellow to pink to brown to dark gray. Limestone is formed from compressed and cemented [[seashell|seashells]] and marine animal skeletons (reefs) or reprecipitation (stalactites, stalagmites). It is softer and more easily worked than marble. [[Chalk]] is a soft, porous, fine-grain limestone. [[Coquina]] is a porous, soft limestone made up of visible shell fragments. Limestone is used as a building stone and for sculpture as well as in the manufacture of [[lime]], [[carbon dioxide]], and [[cement]].&lt;br /&gt;
&lt;br /&gt;
== Synonyms and Related Terms ==&lt;br /&gt;
&lt;br /&gt;
quina; caliza (Esp.); calcaire (Fr.); calcário (Port.); Kalkstein (Deut.); kalksteen (Ned.)&lt;br /&gt;
&lt;br /&gt;
[[[SliderGallery rightalign|CALCITE1.jpg~XRD (MFA)|Calcite XRF.png~XRF (MFA)]]]&lt;br /&gt;
== Risks ==&lt;br /&gt;
&lt;br /&gt;
* No significant hazard. Noncombustible.&lt;br /&gt;
* Arlweb: [https://arlweb.msha.gov/REGS/complian/guides/hazcom/msds/LimestoneMSDS.pdf SDS]&lt;br /&gt;
== Physical and Chemical Properties ==&lt;br /&gt;
* Composition = CaCO3&lt;br /&gt;
* Mohs Hardness = 2.0 - 4.0&lt;br /&gt;
* Density = 1.5-2.7 g/ml&lt;br /&gt;
* Soluble in acids with the evolution of carbon dioxide gas.&lt;br /&gt;
* Most limestones contain sand sized grains&lt;br /&gt;
&lt;br /&gt;
==Resources and Citations==&lt;br /&gt;
* Wikipedia: [https://en.wikipedia.org/wiki/Limestone Limestone] Accessed March 2025. Density = 1.5 to 2.7 g/cm3; Mohs hardness = 2 to 4&lt;br /&gt;
* B.Aston, J.Harrell, I.Shaw, &amp;quot;Stone&amp;quot; in &#039;&#039;Ancient Egyptian Materials and Technology&#039;&#039;, P.Nicholson, I.Shaw (eds.), Cambridge University Press, 2000, p. 40-43.&lt;br /&gt;
* &#039;&#039;Encyclopedia Britannica&#039;&#039;, http://www.britannica.com  Comment: &amp;quot;limestone&amp;quot; [Accessed January 22, 2002]&lt;br /&gt;
* G.S.Brady, &#039;&#039;Materials Handbook&#039;&#039;, McGraw-Hill Book Co., New York, 1971  Comment: Limestone density = 1.164 - 2.483; Calcite density = 2.71&lt;br /&gt;
* &#039;&#039;Dictionary of Building Preservation&#039;&#039;, Ward Bucher, ed., John Wiley &amp;amp; Sons, Inc., New York City, 1996&lt;br /&gt;
* C.W.Chesterman, K.E.Lowe, &#039;&#039;Audubon Society Field Guide to North American Rocks and Minerals&#039;&#039;, Alfred A. Knopf, New York, 1979&lt;br /&gt;
* Michael McCann, &#039;&#039;Artist Beware&#039;&#039;, Watson-Guptill Publications, New York City, 1979&lt;br /&gt;
* Thomas C. Jester (ed.), &#039;&#039;Twentieth-Century Building Materials&#039;&#039;, McGraw-Hill Companies, Washington DC, 1995&lt;br /&gt;
* &#039;&#039;Ancient Egyptian Materials and Technologies&#039;&#039;, Paul Nicholson, Ian Shaw (eds.), Cambridge University Press, Cambridge, 2000  Comment: B.Aston, J.Harrell, I.Shaw, &amp;quot;Stone&amp;quot;&lt;br /&gt;
* &#039;&#039;Van Nostrand&#039;s Scientific Encyclopedia&#039;&#039;, Douglas M. Considine (ed.), Van Nostrand Reinhold, New York, 1976&lt;br /&gt;
* &#039;&#039;The American Heritage Dictionary&#039;&#039; or &#039;&#039;Encarta&#039;&#039;, via Microsoft Bookshelf 98, Microsoft Corp., 1998&lt;br /&gt;
* Marble Institute: [http://www.marble-institute.com http://www.marble-institute.com]&lt;br /&gt;
* &#039;&#039;CRC Handbook of Chemistry and Physics&#039;&#039;, Robert Weast (ed.), CRC Press, Boca Raton, Florida, v. 61, 1980  Comment: density=2.68-2.76&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Materials database]]&lt;/div&gt;</summary>
		<author><name>MicheleDerrick</name></author>
	</entry>
	<entry>
		<id>https://cameo.mfa.org/index.php?title=Calcium_carbonate&amp;diff=103129</id>
		<title>Calcium carbonate</title>
		<link rel="alternate" type="text/html" href="https://cameo.mfa.org/index.php?title=Calcium_carbonate&amp;diff=103129"/>
		<updated>2025-07-20T18:28:58Z</updated>

		<summary type="html">&lt;p&gt;MicheleDerrick: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:Calcium white - Kremer Pigmente.jpg|thumb|Calcium white powder]]&lt;br /&gt;
== Description ==&lt;br /&gt;
[[File:Calcite C100x.jpg|thumb|Calcite]]&lt;br /&gt;
A white powder that can occur in three crystalline forms: [[calcite]] (hexagonal-rhombohedral), [[aragonite]] (orthorhombic) and [[vaterite]]. Calcium carbonate is a common component of [[chalk]], [[limestone]], [[marble]], [[seashell|sea shells]] and [[Pearl|pearls]]. It can be found worldwide and ranges in color (because of impurities) from white to gray to yellow. A white pigment of calcium carbonate is prepared by grinding limestone, chalk or shells with water then using levigation to separate the coarser material. Artificial chalk, also known as precipitated chalk, is whiter and more homogeneous than natural chalk. Pearl white is made from calcined oyster shells.&lt;br /&gt;
[[File:mcalcite plmp.jpg|thumb|Plane polarized light micrograph of calcite]]&lt;br /&gt;
== Synonyms and Related Terms ==&lt;br /&gt;
&lt;br /&gt;
chalk; carbonate de calcium (Fr.); Kalziumkarbonat (Deut.); carbonato cálcico (Esp.); carbonato de calcio (Esp.); calciumcarbonaat (Ned.); gofun (Jap.); aragonite; pearl white; oystershell white; shell white; marble; limestone, whiting; lime white; marl; travertine; Pigment White 18; white earth; English white; Paris white; drop chalk&lt;br /&gt;
&lt;br /&gt;
[[[SliderGallery rightalign|calciteRS.jpg~Raman|Calciteitaly1.jpg~Raman|aaiCACO3.jpg~FTIR|CALCITE1.jpg~XRD (MFA)|Calcite XRF.png~XRF (MFA)|fwhitingsem.jpg~SEM|fwhitingedsbw.jpg~EDS|calcium carbonate.jpg~Chemical structure]]]&lt;br /&gt;
== Risks ==&lt;br /&gt;
* No significant hazards.  &lt;br /&gt;
* ThermoFisher: [https://beta-static.fishersci.com/content/dam/fishersci/en_US/documents/programs/education/regulatory-documents/sds/chemicals/chemicals-c/S25220.pdf SDS]&lt;br /&gt;
== Physical and Chemical Properties ==&lt;br /&gt;
* Composition = CaCO3 (mol. wt. = 100.09)&lt;br /&gt;
* CAS = 471-34-1&lt;br /&gt;
* Density = 2.7-2.95 g/ml&lt;br /&gt;
* Refractive Index = 1.510; 1.645&lt;br /&gt;
* Particle size = 0.1-10 micrometers. &lt;br /&gt;
* Insoluble in water. &lt;br /&gt;
* May fluoresce a medium purple color in ultraviolet light.  &lt;br /&gt;
* Reacts with acids to evolve carbon dioxide.&lt;br /&gt;
&lt;br /&gt;
== Comparisons ==&lt;br /&gt;
&lt;br /&gt;
[[media:download_file_210.pdf|Properties of Common Abrasives]]&lt;br /&gt;
&lt;br /&gt;
[[media:download_file_512.pdf|Characteristics of Common White Pigments]]&lt;br /&gt;
&lt;br /&gt;
==Resources and Citations==&lt;br /&gt;
* R. Gettens, E. West Fitzhugh, R.Feller, &amp;quot;Calcium Carbonate Whites&amp;quot;, &#039;&#039;Artists Pigments&#039;&#039;, Vol. 2., A. Roy ed. Oxford University Press, Oxford, 1993.&lt;br /&gt;
* Nicholas Eastaugh, Valentine Walsh, Tracey Chaplin, Ruth Siddall, &#039;&#039;Pigment Compendium&#039;&#039;, Elsevier Butterworth-Heinemann, Oxford, 2004  Comment: Refractive index: 1.64-1.66; 1.486&lt;br /&gt;
* Thomas Gregory, &#039;&#039;The Condensed Chemical Dictionary&#039;&#039;, Reinhold Publishing, New York, 3rd ed., 1942&lt;br /&gt;
* &#039;&#039;Van Nostrand&#039;s Scientific Encyclopedia&#039;&#039;, Douglas M. Considine (ed.), Van Nostrand Reinhold, New York, 1976&lt;br /&gt;
* Wikipedia: [https://en.wikipedia.org/wiki/Calcium_carbonate Calcium carbonate] Accessed March 2025&lt;br /&gt;
* &#039;&#039;The Merck Index&#039;&#039;, Martha Windholz (ed.), Merck Research Labs, Rahway NJ, 10th edition, 1983&lt;br /&gt;
* R. J. Gettens, G.L. Stout, &#039;&#039;Painting Materials, A Short Encyclopaedia&#039;&#039;, Dover Publications, New York, 1966  Comment: density = 2.70 and ref. index = 1.510; 1.645&lt;br /&gt;
* Matt Roberts, Don Etherington, &#039;&#039;Bookbinding and the Conservation of Books: a Dictionary of Descriptive Terminology&#039;&#039;, U.S. Government Printing Office, Washington DC, 1982&lt;br /&gt;
* Reed Kay, &#039;&#039;The Painter&#039;s Guide To Studio Methods and Materials&#039;&#039;, Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983&lt;br /&gt;
* Michael McCann, &#039;&#039;Artist Beware&#039;&#039;, Watson-Guptill Publications, New York City, 1979&lt;br /&gt;
* R.D. Harley, &#039;&#039;Artists&#039; Pigments c. 1600-1835&#039;&#039;, Butterworth Scientific, London, 1982&lt;br /&gt;
* Thomas B. Brill, &#039;&#039;Light Its Interaction with Art and Antiquities&#039;&#039;, Plenum Press, New York City, 1980  Comment: ref. index = 1.66; 1.44&lt;br /&gt;
* Book and Paper Group, &#039;&#039;Paper Conservation Catalog&#039;&#039;, AIC, 1984, 1989&lt;br /&gt;
* Art and Architecture Thesaurus Online, http://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000&lt;br /&gt;
* Website: www.hants.org.uk/museums - conservation termlist&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Materials database]]&lt;/div&gt;</summary>
		<author><name>MicheleDerrick</name></author>
	</entry>
	<entry>
		<id>https://cameo.mfa.org/index.php?title=Calcite&amp;diff=103128</id>
		<title>Calcite</title>
		<link rel="alternate" type="text/html" href="https://cameo.mfa.org/index.php?title=Calcite&amp;diff=103128"/>
		<updated>2025-07-20T18:28:02Z</updated>

		<summary type="html">&lt;p&gt;MicheleDerrick: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:11.1157-SC27372.jpg|thumb|Egyptian dish&amp;lt;br&amp;gt;MFA# 11.1157]]&lt;br /&gt;
== Description ==&lt;br /&gt;
[[File:Calcite crystal pendants.jpg|thumb|Crystal pendant&amp;lt;br&amp;gt;MFA# 13.3516]]&lt;br /&gt;
The most common crystalline form of [[calcium%20carbonate|calcium carbonate]]. Calcite is widely distributed throughout the world as [[chalk|chalk]], [[limestone|limestone]], and [[marble|marble]]. Major deposits were formed from ancient sea beds and hard water deposits (e.g., stalactites). Iceland is famous for producing large clear birefractive calcite crystals that are used in optical systems ([[Iceland%20spar|Iceland spar]]). In addition to clear colorless crystals, calcite may also appear white or pale shades of other colors depending on the crystal size and the presence of impurities. Marble is limestone that has been metamorphosed to form compact crystals of calcite. Calcite has been gathered or mined since Paleolithic times. In the form of chalk, calcite was powdered for use as a [[pigment]] and as an ingredient in the manufacture of [[steel]], [[cement]], and [[glass]]. Limestone and marble are used for sculpture and buildings.&lt;br /&gt;
[[File:calcite.jpg|thumb|Calcite]]&lt;br /&gt;
== Synonyms and Related Terms ==&lt;br /&gt;
&lt;br /&gt;
calcium carbonate; marble; limestone; Iceland spar; dogtooth spar; dog-tooth spar; nailhead spar; satin spar; calcareous spar; calc spar; calcspar; calcite (It., Fr., Port.); Kalzit, Calcit  (Deut.); calcita (Esp.); calciet (Ned.); calcium salt of carbonic acid; Pigment White 18; CI 7720&lt;br /&gt;
[[[SliderGallery rightalign|Calcite (Egyptian limestone).TIF~FTIR (MFA)|Calcite marble, 50X, laser 532 nm copy.tif~Raman (MFA)|CALCITE1.jpg~XRD (MFA)|Calcite XRF.png~XRF (MFA)]]]&lt;br /&gt;
== Risks ==&lt;br /&gt;
* ThermoFisher [https://www.fishersci.com/store/msds?partNumber=AC423510025&amp;amp;productDescription=CALCIUM+CARBONATE+99%2BACS+2.5KG&amp;amp;vendorId=VN00032119&amp;amp;countryCode=US&amp;amp;language=en SDS]&lt;br /&gt;
&lt;br /&gt;
== Physical and Chemical Properties ==&lt;br /&gt;
&lt;br /&gt;
* Trigonal crystal system with granular, stalatitic, massive or rhombohedral crystals&lt;br /&gt;
* Perfect cleavage in three directions &lt;br /&gt;
* Fracture = conchoidal &lt;br /&gt;
* Luster = vitreous to pearly&lt;br /&gt;
* Streak = white&lt;br /&gt;
* Can doubly refract light &lt;br /&gt;
* Fluorescence = aged surfaces of calcite may fluoresce purple or blue in ultraviolet light; freshly cleaved surfaces are white to yellow; may be phosphorescent &lt;br /&gt;
* Reacts with acids to evolve carbon dioxide. &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;row&amp;quot;| Composition&lt;br /&gt;
| CaCO3&lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;row&amp;quot;| CAS&lt;br /&gt;
| 471-34-1&lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;row&amp;quot;| Mohs Hardness&lt;br /&gt;
| 3.0&lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;row&amp;quot;| Density&lt;br /&gt;
| 2.71-2.72 g/ml&lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;row&amp;quot;| Molecular Weight&lt;br /&gt;
| mol. wt. = 100.09&lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;row&amp;quot;| Refractive Index&lt;br /&gt;
| 1.486; 1.658; (1.566)&lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;row&amp;quot;| Birefringence&lt;br /&gt;
| 0.154 - 0.174 (very high)&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Comparisons ==&lt;br /&gt;
&lt;br /&gt;
[[media:download_file_209.pdf|Properties of Common Abrasives]]&lt;br /&gt;
&lt;br /&gt;
== Additional Images ==&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
File:Calcite C100x.jpg|Calcite at 100x (visible light left; UV light right)&lt;br /&gt;
File:mcalcite plmp.jpg|Plane polarized light micrograph of calcite&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Resources and Citations ==&lt;br /&gt;
* Gem Identification Lab Manual, Gemological Institute of America, 2016.&lt;br /&gt;
* R. Gettens, E. West Fitzhugh, R.Feller, &amp;quot;Calcium Carbonate Whites&amp;quot;, &#039;&#039;Artists Pigments&#039;&#039;, Vol. 2., A. Roy ed. Oxford University Press, Oxford, 1993. &lt;br /&gt;
* Mineralogy Database: [http://www.webmineral.com/data/Calcite.shtml Calcite]&lt;br /&gt;
* &#039;&#039;Encyclopedia Britannica&#039;&#039;, http://www.britannica.com  Comment: &amp;quot;calcite&amp;quot; [Accessed December 4, 2001]&lt;br /&gt;
* R. J. Gettens, G.L. Stout, &#039;&#039;Painting Materials, A Short Encyclopaedia&#039;&#039;, Dover Publications, New York, 1966&lt;br /&gt;
* G.S.Brady, &#039;&#039;Materials Handbook&#039;&#039;, McGraw-Hill Book Co., New York, 1971  Comment: p. 138, Mohs=3&lt;br /&gt;
* C.W.Chesterman, K.E.Lowe, &#039;&#039;Audubon Society Field Guide to North American Rocks and Minerals&#039;&#039;, Alfred A. Knopf, New York, 1979&lt;br /&gt;
* Thomas Gregory, &#039;&#039;The Condensed Chemical Dictionary&#039;&#039;, Reinhold Publishing, New York, 3rd ed., 1942  Comment: Mohs =2&lt;br /&gt;
* &#039;&#039;Van Nostrand&#039;s Scientific Encyclopedia&#039;&#039;, Douglas M. Considine (ed.), Van Nostrand Reinhold, New York, 1976  Comment: Mohs=3&lt;br /&gt;
* Wikipedia: [https://en.wikipedia.org/wiki/Calcite Calcite] (Accessed Sept 2 2005 and Dec 2022) hardness = 3, sp = 2.7&lt;br /&gt;
* Jack Odgen, &#039;&#039;Jewellery of the Ancient World&#039;&#039;, Rizzoli International Publications Inc., New York City, 1982&lt;br /&gt;
* A.Lucas, J.R.Harris, &#039;&#039;Ancient Egyptian Materials and Industries&#039;&#039;, Edward Arnold Publishers Ltd., London, 4th edition, 1962&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Materials database]]&lt;/div&gt;</summary>
		<author><name>MicheleDerrick</name></author>
	</entry>
	<entry>
		<id>https://cameo.mfa.org/index.php?title=Calcite&amp;diff=103127</id>
		<title>Calcite</title>
		<link rel="alternate" type="text/html" href="https://cameo.mfa.org/index.php?title=Calcite&amp;diff=103127"/>
		<updated>2025-07-20T18:27:38Z</updated>

		<summary type="html">&lt;p&gt;MicheleDerrick: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;[[File:11.1157-SC27372.jpg|thumb|Egyptian dish&amp;lt;br&amp;gt;MFA# 11.1157]]&lt;br /&gt;
== Description ==&lt;br /&gt;
[[File:Calcite crystal pendants.jpg|thumb|Crystal pendant&amp;lt;br&amp;gt;MFA# 13.3516]]&lt;br /&gt;
The most common crystalline form of [[calcium%20carbonate|calcium carbonate]]. Calcite is widely distributed throughout the world as [[chalk|chalk]], [[limestone|limestone]], and [[marble|marble]]. Major deposits were formed from ancient sea beds and hard water deposits (e.g., stalactites). Iceland is famous for producing large clear birefractive calcite crystals that are used in optical systems ([[Iceland%20spar|Iceland spar]]). In addition to clear colorless crystals, calcite may also appear white or pale shades of other colors depending on the crystal size and the presence of impurities. Marble is limestone that has been metamorphosed to form compact crystals of calcite. Calcite has been gathered or mined since Paleolithic times. In the form of chalk, calcite was powdered for use as a [[pigment]] and as an ingredient in the manufacture of [[steel]], [[cement]], and [[glass]]. Limestone and marble are used for sculpture and buildings.&lt;br /&gt;
[[File:calcite.jpg|thumb|Calcite]]&lt;br /&gt;
== Synonyms and Related Terms ==&lt;br /&gt;
&lt;br /&gt;
calcium carbonate; marble; limestone; Iceland spar; dogtooth spar; dog-tooth spar; nailhead spar; satin spar; calcareous spar; calc spar; calcspar; calcite (It., Fr., Port.); Kalzit, Calcit  (Deut.); calcita (Esp.); calciet (Ned.); calcium salt of carbonic acid; Pigment White 18; CI 7720&lt;br /&gt;
[[[SliderGallery rightalign|Calcite (Egyptian limestone).TIF~FTIR (MFA)|Calcite marble, 50X, laser 532 nm copy.tif~Raman (MFA)|CALCITE1.jpg~XRD (MFA)|Calcite XRF.png.png~XRF (MFA)]]]&lt;br /&gt;
== Risks ==&lt;br /&gt;
* ThermoFisher [https://www.fishersci.com/store/msds?partNumber=AC423510025&amp;amp;productDescription=CALCIUM+CARBONATE+99%2BACS+2.5KG&amp;amp;vendorId=VN00032119&amp;amp;countryCode=US&amp;amp;language=en SDS]&lt;br /&gt;
&lt;br /&gt;
== Physical and Chemical Properties ==&lt;br /&gt;
&lt;br /&gt;
* Trigonal crystal system with granular, stalatitic, massive or rhombohedral crystals&lt;br /&gt;
* Perfect cleavage in three directions &lt;br /&gt;
* Fracture = conchoidal &lt;br /&gt;
* Luster = vitreous to pearly&lt;br /&gt;
* Streak = white&lt;br /&gt;
* Can doubly refract light &lt;br /&gt;
* Fluorescence = aged surfaces of calcite may fluoresce purple or blue in ultraviolet light; freshly cleaved surfaces are white to yellow; may be phosphorescent &lt;br /&gt;
* Reacts with acids to evolve carbon dioxide. &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;row&amp;quot;| Composition&lt;br /&gt;
| CaCO3&lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;row&amp;quot;| CAS&lt;br /&gt;
| 471-34-1&lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;row&amp;quot;| Mohs Hardness&lt;br /&gt;
| 3.0&lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;row&amp;quot;| Density&lt;br /&gt;
| 2.71-2.72 g/ml&lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;row&amp;quot;| Molecular Weight&lt;br /&gt;
| mol. wt. = 100.09&lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;row&amp;quot;| Refractive Index&lt;br /&gt;
| 1.486; 1.658; (1.566)&lt;br /&gt;
|-&lt;br /&gt;
! scope=&amp;quot;row&amp;quot;| Birefringence&lt;br /&gt;
| 0.154 - 0.174 (very high)&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Comparisons ==&lt;br /&gt;
&lt;br /&gt;
[[media:download_file_209.pdf|Properties of Common Abrasives]]&lt;br /&gt;
&lt;br /&gt;
== Additional Images ==&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
File:Calcite C100x.jpg|Calcite at 100x (visible light left; UV light right)&lt;br /&gt;
File:mcalcite plmp.jpg|Plane polarized light micrograph of calcite&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
== Resources and Citations ==&lt;br /&gt;
* Gem Identification Lab Manual, Gemological Institute of America, 2016.&lt;br /&gt;
* R. Gettens, E. West Fitzhugh, R.Feller, &amp;quot;Calcium Carbonate Whites&amp;quot;, &#039;&#039;Artists Pigments&#039;&#039;, Vol. 2., A. Roy ed. Oxford University Press, Oxford, 1993. &lt;br /&gt;
* Mineralogy Database: [http://www.webmineral.com/data/Calcite.shtml Calcite]&lt;br /&gt;
* &#039;&#039;Encyclopedia Britannica&#039;&#039;, http://www.britannica.com  Comment: &amp;quot;calcite&amp;quot; [Accessed December 4, 2001]&lt;br /&gt;
* R. J. Gettens, G.L. Stout, &#039;&#039;Painting Materials, A Short Encyclopaedia&#039;&#039;, Dover Publications, New York, 1966&lt;br /&gt;
* G.S.Brady, &#039;&#039;Materials Handbook&#039;&#039;, McGraw-Hill Book Co., New York, 1971  Comment: p. 138, Mohs=3&lt;br /&gt;
* C.W.Chesterman, K.E.Lowe, &#039;&#039;Audubon Society Field Guide to North American Rocks and Minerals&#039;&#039;, Alfred A. Knopf, New York, 1979&lt;br /&gt;
* Thomas Gregory, &#039;&#039;The Condensed Chemical Dictionary&#039;&#039;, Reinhold Publishing, New York, 3rd ed., 1942  Comment: Mohs =2&lt;br /&gt;
* &#039;&#039;Van Nostrand&#039;s Scientific Encyclopedia&#039;&#039;, Douglas M. Considine (ed.), Van Nostrand Reinhold, New York, 1976  Comment: Mohs=3&lt;br /&gt;
* Wikipedia: [https://en.wikipedia.org/wiki/Calcite Calcite] (Accessed Sept 2 2005 and Dec 2022) hardness = 3, sp = 2.7&lt;br /&gt;
* Jack Odgen, &#039;&#039;Jewellery of the Ancient World&#039;&#039;, Rizzoli International Publications Inc., New York City, 1982&lt;br /&gt;
* A.Lucas, J.R.Harris, &#039;&#039;Ancient Egyptian Materials and Industries&#039;&#039;, Edward Arnold Publishers Ltd., London, 4th edition, 1962&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[Category:Materials database]]&lt;/div&gt;</summary>
		<author><name>MicheleDerrick</name></author>
	</entry>
	<entry>
		<id>https://cameo.mfa.org/index.php?title=File:Calcite_XRF.png&amp;diff=103126</id>
		<title>File:Calcite XRF.png</title>
		<link rel="alternate" type="text/html" href="https://cameo.mfa.org/index.php?title=File:Calcite_XRF.png&amp;diff=103126"/>
		<updated>2025-07-20T18:27:05Z</updated>

		<summary type="html">&lt;p&gt;MicheleDerrick: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;XRF spectrum of calcite&lt;br /&gt;
&lt;br /&gt;
Analyzed at the MFA, Boston Scientific Lab using a Bruker X-ray fluorescence spectrometer using Artax software with an acquisition time of 120 seconds at 40 kV and 700 microamps.&lt;/div&gt;</summary>
		<author><name>MicheleDerrick</name></author>
	</entry>
	<entry>
		<id>https://cameo.mfa.org/index.php?title=FORS_analysis_of_Ukiyo-e_prints&amp;diff=103099</id>
		<title>FORS analysis of Ukiyo-e prints</title>
		<link rel="alternate" type="text/html" href="https://cameo.mfa.org/index.php?title=FORS_analysis_of_Ukiyo-e_prints&amp;diff=103099"/>
		<updated>2025-07-19T18:18:42Z</updated>

		<summary type="html">&lt;p&gt;MicheleDerrick: /* Overview */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
FORS reflectance spectra can readily distinguish between three common blue colorants used in Japanese woodblock prints (dayflower, indigo, and Prussian blue).  Spectra for the three common blues are shown below, along with spectra of each blue from a print. The paper used in the prints typically has a slight yellowish tint, thus for the FORS analysis, an area of bare paper is used to acquire a background spectrum, which is then subtracted from the spectrum of the colored area. In principle, this gives spectra which should be more directly comparable between standards prepared in the lab and areas on prints.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|[[File:Dayflower FORS MFA.png|thumb|FORS spectrum of Dayflower reference]]&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:1126691-Pt5-FORS.jpg|180px]]&amp;lt;br&amp;gt;[[Eisen, Geisha at Night under Plum Blossoms, 11.26691-2|Pt 5: Printed&amp;lt;br&amp;gt;Keisai Eisen, 11.26691-2]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|[[File:Indigo FORS MFA.png|thumb|FORS spectrum of Indigo reference]]&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:11.19657 FORS Pt6 Feb 20 2019.jpg|180px]]&amp;lt;br&amp;gt;[[Hokusai, Ferry Boat, 11.19657|Pt 6: Printed&amp;lt;br&amp;gt;Katsushika Hokusai, 11.19657]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|[[File:Prussian blue FORS MFA.png|thumb|FORS spectrum of Prussian blue reference]]&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:21.9254-Pt3.jpg|180px]]&amp;lt;br&amp;gt;[[Shigenobu I, Urashima Tarô, from the series A Set of Five Examples of Longevity, 21.9254|Pt 3: Printed&amp;lt;br&amp;gt;Yanagawa Shigenobu I, 21.9254]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
The table below shows reference FORS spectra for many of the Edo period colorants, organic as well as inorganic. Spectra from some mixtures are also shown.  Data was acquired over a period of time, and the displays of results are not consistently formatted but are representative of the colorants.  It should be stressed that for various reasons, these spectra may not exactly match spectra prepared and analyzed by other researchers, and also will not necessarily match spectra of the same colorants in prints.&lt;br /&gt;
&lt;br /&gt;
==FORS Reference Spectra==&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! Blues&lt;br /&gt;
! Greens&lt;br /&gt;
! Yellows &lt;br /&gt;
! Reds&lt;br /&gt;
|-&lt;br /&gt;
|[[[SliderGallery Leftalign|Indigo FORS.JPG~Indigo|Dayflower FORS.JPG~Dayflower|Prussian blue FORS.jpg~Prussian blue|Azurite-FORS.png~Azurite|Ultramarine-FORS.png~Ultramarine]]]&lt;br /&gt;
|[[[SliderGallery center|Orpiment-Indigo-FORS.png~Orpiment/Indigo|Orpiment-Prussian blue-FORS.png~Orpiment/Prussian Blue|Turmeric-Dayflower FORS.png~Turmeric/Dayflower|Malachite reference FORS.png~Malachite|Verdigris-FORS.png~Verdigris]]]&lt;br /&gt;
|[[[SliderGallery center|Orpiment-FORS.png~Orpiment|Turmeric-FORS.png~Turmeric|Pagoda Tree FORS.png~Pagoda Tree|Rice plant FORS.png~Rice Plant|Yellowwood FORS.png~Yellowwood]]]&lt;br /&gt;
|[[[SliderGallery center|Madder R.Tinctorium-FORS.png~Madder|Safflower-FORS.png~Safflower|Iron oxide red-FORS.png~Iron Oxide Red|Red lead-FORS.png~Red Lead|Vermilion-FORS.png~Vermilion]]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Analysis==&lt;br /&gt;
Greens were usually made from a combination of a blue and a yellow colorant, while purples were usually made from a combination of a blue and a red colorant. The blue colorants in these mixtures can usually be determined by FORS analysis. FORS is not usually useful for identifying yellow colorants but can sometimes be useful for the organic reds.&lt;/div&gt;</summary>
		<author><name>MicheleDerrick</name></author>
	</entry>
	<entry>
		<id>https://cameo.mfa.org/index.php?title=FORS_analysis_of_Ukiyo-e_prints&amp;diff=103098</id>
		<title>FORS analysis of Ukiyo-e prints</title>
		<link rel="alternate" type="text/html" href="https://cameo.mfa.org/index.php?title=FORS_analysis_of_Ukiyo-e_prints&amp;diff=103098"/>
		<updated>2025-07-19T18:18:33Z</updated>

		<summary type="html">&lt;p&gt;MicheleDerrick: /* Overview */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
FORS reflectance spectra can readily distinguish between three common blue colorants used in Japanese woodblock prints (dayflower, indigo, and Prussian blue).  Spectra for the three common blues are shown below, along with spectra of each blue from a print. The paper used in the prints typically has a slight yellowish tint, thus for the FORS analysis, an area of bare paper is used to acquire a background spectrum, which is then subtracted from the spectrum of the colored area. In principle, this gives spectra which should be more directly comparable between standards prepared in the lab and areas on prints.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|[[File:Dayflower FORS MFA.png|thumb|FORS spectrum of Dayflower reference]]&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:1126691-Pt5-FORS.jpg|180px]]&amp;lt;br&amp;gt;[[Eisen, Geisha at Night under Plum Blossoms, 11.26691-2|Pt 5: Printed&amp;lt;br&amp;gt;Keisai Eisen, 11.26691-2]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|[[File:Indigo FORS MFA.png|thumb|FORS spectrum of Indigo reference]]&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:11.19657 FORS Pt6 Feb 20 2019.jpg|180px]]&amp;lt;br&amp;gt;[[Hokusai, Ferry Boat, 11.19657|Pt 6: Printed&amp;lt;br&amp;gt;Katsushika Hokusai, 11.19657]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|[[File:Prussian blue FORS MFA.png|thumb|FORS spectrum of Prussian blue reference]]&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:21.9254-Pt3.jpg|1800px]]&amp;lt;br&amp;gt;[[Shigenobu I, Urashima Tarô, from the series A Set of Five Examples of Longevity, 21.9254|Pt 3: Printed&amp;lt;br&amp;gt;Yanagawa Shigenobu I, 21.9254]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
The table below shows reference FORS spectra for many of the Edo period colorants, organic as well as inorganic. Spectra from some mixtures are also shown.  Data was acquired over a period of time, and the displays of results are not consistently formatted but are representative of the colorants.  It should be stressed that for various reasons, these spectra may not exactly match spectra prepared and analyzed by other researchers, and also will not necessarily match spectra of the same colorants in prints.&lt;br /&gt;
&lt;br /&gt;
==FORS Reference Spectra==&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! Blues&lt;br /&gt;
! Greens&lt;br /&gt;
! Yellows &lt;br /&gt;
! Reds&lt;br /&gt;
|-&lt;br /&gt;
|[[[SliderGallery Leftalign|Indigo FORS.JPG~Indigo|Dayflower FORS.JPG~Dayflower|Prussian blue FORS.jpg~Prussian blue|Azurite-FORS.png~Azurite|Ultramarine-FORS.png~Ultramarine]]]&lt;br /&gt;
|[[[SliderGallery center|Orpiment-Indigo-FORS.png~Orpiment/Indigo|Orpiment-Prussian blue-FORS.png~Orpiment/Prussian Blue|Turmeric-Dayflower FORS.png~Turmeric/Dayflower|Malachite reference FORS.png~Malachite|Verdigris-FORS.png~Verdigris]]]&lt;br /&gt;
|[[[SliderGallery center|Orpiment-FORS.png~Orpiment|Turmeric-FORS.png~Turmeric|Pagoda Tree FORS.png~Pagoda Tree|Rice plant FORS.png~Rice Plant|Yellowwood FORS.png~Yellowwood]]]&lt;br /&gt;
|[[[SliderGallery center|Madder R.Tinctorium-FORS.png~Madder|Safflower-FORS.png~Safflower|Iron oxide red-FORS.png~Iron Oxide Red|Red lead-FORS.png~Red Lead|Vermilion-FORS.png~Vermilion]]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Analysis==&lt;br /&gt;
Greens were usually made from a combination of a blue and a yellow colorant, while purples were usually made from a combination of a blue and a red colorant. The blue colorants in these mixtures can usually be determined by FORS analysis. FORS is not usually useful for identifying yellow colorants but can sometimes be useful for the organic reds.&lt;/div&gt;</summary>
		<author><name>MicheleDerrick</name></author>
	</entry>
	<entry>
		<id>https://cameo.mfa.org/index.php?title=FORS_analysis_of_Ukiyo-e_prints&amp;diff=103097</id>
		<title>FORS analysis of Ukiyo-e prints</title>
		<link rel="alternate" type="text/html" href="https://cameo.mfa.org/index.php?title=FORS_analysis_of_Ukiyo-e_prints&amp;diff=103097"/>
		<updated>2025-07-19T18:18:11Z</updated>

		<summary type="html">&lt;p&gt;MicheleDerrick: /* Overview */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
FORS reflectance spectra can readily distinguish between three common blue colorants used in Japanese woodblock prints (dayflower, indigo, and Prussian blue).  Spectra for the three common blues are shown below, along with spectra of each blue from a print. The paper used in the prints typically has a slight yellowish tint, thus for the FORS analysis, an area of bare paper is used to acquire a background spectrum, which is then subtracted from the spectrum of the colored area. In principle, this gives spectra which should be more directly comparable between standards prepared in the lab and areas on prints.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|[[File:Dayflower FORS MFA.png|thumb|FORS spectrum of Dayflower reference]]&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:1126691-Pt5-FORS.jpg|180px]]&amp;lt;br&amp;gt;[[Eisen, Geisha at Night under Plum Blossoms, 11.26691-2|Pt 5: Printed&amp;lt;br&amp;gt;Keisai Eisen, 11.26691-2]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|[[File:Indigo FORS MFA.png|thumb|FORS spectrum of Indigo reference]]&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:11.19657 FORS Pt6 Feb 20 2019.jpg|180px]]&amp;lt;br&amp;gt;[[Hokusai, Ferry Boat, 11.19657|Pt 6: Printed&amp;lt;br&amp;gt;Katsushika Hokusai, 11.19657]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|[[File:Prussian blue FORS MFA.png|thumb|FORS spectrum of Prussian blue reference]]&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:21.9254-Pt3.jpg|200px]]&amp;lt;br&amp;gt;[[Shigenobu I, Urashima Tarô, from the series A Set of Five Examples of Longevity, 21.9254|Pt 3: Printed&amp;lt;br&amp;gt;Yanagawa Shigenobu I, 21.9254]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
The table below shows reference FORS spectra for many of the Edo period colorants, organic as well as inorganic. Spectra from some mixtures are also shown.  Data was acquired over a period of time, and the displays of results are not consistently formatted but are representative of the colorants.  It should be stressed that for various reasons, these spectra may not exactly match spectra prepared and analyzed by other researchers, and also will not necessarily match spectra of the same colorants in prints.&lt;br /&gt;
&lt;br /&gt;
==FORS Reference Spectra==&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! Blues&lt;br /&gt;
! Greens&lt;br /&gt;
! Yellows &lt;br /&gt;
! Reds&lt;br /&gt;
|-&lt;br /&gt;
|[[[SliderGallery Leftalign|Indigo FORS.JPG~Indigo|Dayflower FORS.JPG~Dayflower|Prussian blue FORS.jpg~Prussian blue|Azurite-FORS.png~Azurite|Ultramarine-FORS.png~Ultramarine]]]&lt;br /&gt;
|[[[SliderGallery center|Orpiment-Indigo-FORS.png~Orpiment/Indigo|Orpiment-Prussian blue-FORS.png~Orpiment/Prussian Blue|Turmeric-Dayflower FORS.png~Turmeric/Dayflower|Malachite reference FORS.png~Malachite|Verdigris-FORS.png~Verdigris]]]&lt;br /&gt;
|[[[SliderGallery center|Orpiment-FORS.png~Orpiment|Turmeric-FORS.png~Turmeric|Pagoda Tree FORS.png~Pagoda Tree|Rice plant FORS.png~Rice Plant|Yellowwood FORS.png~Yellowwood]]]&lt;br /&gt;
|[[[SliderGallery center|Madder R.Tinctorium-FORS.png~Madder|Safflower-FORS.png~Safflower|Iron oxide red-FORS.png~Iron Oxide Red|Red lead-FORS.png~Red Lead|Vermilion-FORS.png~Vermilion]]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Analysis==&lt;br /&gt;
Greens were usually made from a combination of a blue and a yellow colorant, while purples were usually made from a combination of a blue and a red colorant. The blue colorants in these mixtures can usually be determined by FORS analysis. FORS is not usually useful for identifying yellow colorants but can sometimes be useful for the organic reds.&lt;/div&gt;</summary>
		<author><name>MicheleDerrick</name></author>
	</entry>
	<entry>
		<id>https://cameo.mfa.org/index.php?title=FORS_analysis_of_Ukiyo-e_prints&amp;diff=103096</id>
		<title>FORS analysis of Ukiyo-e prints</title>
		<link rel="alternate" type="text/html" href="https://cameo.mfa.org/index.php?title=FORS_analysis_of_Ukiyo-e_prints&amp;diff=103096"/>
		<updated>2025-07-19T18:17:55Z</updated>

		<summary type="html">&lt;p&gt;MicheleDerrick: /* Overview */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
FORS reflectance spectra can readily distinguish between three common blue colorants used in Japanese woodblock prints (dayflower, indigo, and Prussian blue).  Spectra for the three common blues are shown below, along with spectra of each blue from a print. The paper used in the prints typically has a slight yellowish tint, thus for the FORS analysis, an area of bare paper is used to acquire a background spectrum, which is then subtracted from the spectrum of the colored area. In principle, this gives spectra which should be more directly comparable between standards prepared in the lab and areas on prints.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|[[File:Dayflower FORS MFA.png|thumb|FORS spectrum of Dayflower reference]]&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:1126691-Pt5-FORS.jpg|180px]]&amp;lt;br&amp;gt;[[Eisen, Geisha at Night under Plum Blossoms, 11.26691-2|Pt 5: Printed&amp;lt;br&amp;gt;Keisai Eisen, 11.26691-2]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|[[File:Indigo FORS MFA.png|thumb|FORS spectrum of Indigo reference]]&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:11.19657 FORS Pt6 Feb 20 2019.jpg|1800px]]&amp;lt;br&amp;gt;[[Hokusai, Ferry Boat, 11.19657|Pt 6: Printed&amp;lt;br&amp;gt;Katsushika Hokusai, 11.19657]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|[[File:Prussian blue FORS MFA.png|thumb|FORS spectrum of Prussian blue reference]]&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:21.9254-Pt3.jpg|200px]]&amp;lt;br&amp;gt;[[Shigenobu I, Urashima Tarô, from the series A Set of Five Examples of Longevity, 21.9254|Pt 3: Printed&amp;lt;br&amp;gt;Yanagawa Shigenobu I, 21.9254]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
The table below shows reference FORS spectra for many of the Edo period colorants, organic as well as inorganic. Spectra from some mixtures are also shown.  Data was acquired over a period of time, and the displays of results are not consistently formatted but are representative of the colorants.  It should be stressed that for various reasons, these spectra may not exactly match spectra prepared and analyzed by other researchers, and also will not necessarily match spectra of the same colorants in prints.&lt;br /&gt;
&lt;br /&gt;
==FORS Reference Spectra==&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! Blues&lt;br /&gt;
! Greens&lt;br /&gt;
! Yellows &lt;br /&gt;
! Reds&lt;br /&gt;
|-&lt;br /&gt;
|[[[SliderGallery Leftalign|Indigo FORS.JPG~Indigo|Dayflower FORS.JPG~Dayflower|Prussian blue FORS.jpg~Prussian blue|Azurite-FORS.png~Azurite|Ultramarine-FORS.png~Ultramarine]]]&lt;br /&gt;
|[[[SliderGallery center|Orpiment-Indigo-FORS.png~Orpiment/Indigo|Orpiment-Prussian blue-FORS.png~Orpiment/Prussian Blue|Turmeric-Dayflower FORS.png~Turmeric/Dayflower|Malachite reference FORS.png~Malachite|Verdigris-FORS.png~Verdigris]]]&lt;br /&gt;
|[[[SliderGallery center|Orpiment-FORS.png~Orpiment|Turmeric-FORS.png~Turmeric|Pagoda Tree FORS.png~Pagoda Tree|Rice plant FORS.png~Rice Plant|Yellowwood FORS.png~Yellowwood]]]&lt;br /&gt;
|[[[SliderGallery center|Madder R.Tinctorium-FORS.png~Madder|Safflower-FORS.png~Safflower|Iron oxide red-FORS.png~Iron Oxide Red|Red lead-FORS.png~Red Lead|Vermilion-FORS.png~Vermilion]]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Analysis==&lt;br /&gt;
Greens were usually made from a combination of a blue and a yellow colorant, while purples were usually made from a combination of a blue and a red colorant. The blue colorants in these mixtures can usually be determined by FORS analysis. FORS is not usually useful for identifying yellow colorants but can sometimes be useful for the organic reds.&lt;/div&gt;</summary>
		<author><name>MicheleDerrick</name></author>
	</entry>
	<entry>
		<id>https://cameo.mfa.org/index.php?title=FORS_analysis_of_Ukiyo-e_prints&amp;diff=103095</id>
		<title>FORS analysis of Ukiyo-e prints</title>
		<link rel="alternate" type="text/html" href="https://cameo.mfa.org/index.php?title=FORS_analysis_of_Ukiyo-e_prints&amp;diff=103095"/>
		<updated>2025-07-19T18:16:30Z</updated>

		<summary type="html">&lt;p&gt;MicheleDerrick: /* Overview */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
FORS reflectance spectra can readily distinguish between three common blue colorants used in Japanese woodblock prints (dayflower, indigo, and Prussian blue).  Spectra for the three common blues are shown below, along with spectra of each blue from a print. The paper used in the prints typically has a slight yellowish tint, thus for the FORS analysis, an area of bare paper is used to acquire a background spectrum, which is then subtracted from the spectrum of the colored area. In principle, this gives spectra which should be more directly comparable between standards prepared in the lab and areas on prints.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|[[File:Dayflower FORS MFA.png|thumb|FORS spectrum of Dayflower reference]]&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:1126691-Pt5-FORS.jpg|200px]]&amp;lt;br&amp;gt;[[Eisen, Geisha at Night under Plum Blossoms, 11.26691-2|Pt 5: Printed&amp;lt;br&amp;gt;Keisai Eisen, 11.26691-2]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|[[File:Indigo FORS MFA.png|thumb|FORS spectrum of Indigo reference]]&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:1126691-Pt5-FORS.jpg|200px]]&amp;lt;br&amp;gt;[[Eisen, Geisha at Night under Plum Blossoms, 11.26691-2|Pt 5: Printed&amp;lt;br&amp;gt;Keisai Eisen, 11.26691-2]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|[[File:Prussian blue FORS MFA.png|thumb|FORS spectrum of Prussian blue reference]]&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:21.9254-Pt3.jpg|200px]]&amp;lt;br&amp;gt;[[Shigenobu I, Urashima Tarô, from the series A Set of Five Examples of Longevity, 21.9254|Pt 3: Printed&amp;lt;br&amp;gt;Yanagawa Shigenobu I, 21.9254]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
The table below shows reference FORS spectra for many of the Edo period colorants, organic as well as inorganic. Spectra from some mixtures are also shown.  Data was acquired over a period of time, and the displays of results are not consistently formatted but are representative of the colorants.  It should be stressed that for various reasons, these spectra may not exactly match spectra prepared and analyzed by other researchers, and also will not necessarily match spectra of the same colorants in prints.&lt;br /&gt;
&lt;br /&gt;
==FORS Reference Spectra==&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! Blues&lt;br /&gt;
! Greens&lt;br /&gt;
! Yellows &lt;br /&gt;
! Reds&lt;br /&gt;
|-&lt;br /&gt;
|[[[SliderGallery Leftalign|Indigo FORS.JPG~Indigo|Dayflower FORS.JPG~Dayflower|Prussian blue FORS.jpg~Prussian blue|Azurite-FORS.png~Azurite|Ultramarine-FORS.png~Ultramarine]]]&lt;br /&gt;
|[[[SliderGallery center|Orpiment-Indigo-FORS.png~Orpiment/Indigo|Orpiment-Prussian blue-FORS.png~Orpiment/Prussian Blue|Turmeric-Dayflower FORS.png~Turmeric/Dayflower|Malachite reference FORS.png~Malachite|Verdigris-FORS.png~Verdigris]]]&lt;br /&gt;
|[[[SliderGallery center|Orpiment-FORS.png~Orpiment|Turmeric-FORS.png~Turmeric|Pagoda Tree FORS.png~Pagoda Tree|Rice plant FORS.png~Rice Plant|Yellowwood FORS.png~Yellowwood]]]&lt;br /&gt;
|[[[SliderGallery center|Madder R.Tinctorium-FORS.png~Madder|Safflower-FORS.png~Safflower|Iron oxide red-FORS.png~Iron Oxide Red|Red lead-FORS.png~Red Lead|Vermilion-FORS.png~Vermilion]]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Analysis==&lt;br /&gt;
Greens were usually made from a combination of a blue and a yellow colorant, while purples were usually made from a combination of a blue and a red colorant. The blue colorants in these mixtures can usually be determined by FORS analysis. FORS is not usually useful for identifying yellow colorants but can sometimes be useful for the organic reds.&lt;/div&gt;</summary>
		<author><name>MicheleDerrick</name></author>
	</entry>
	<entry>
		<id>https://cameo.mfa.org/index.php?title=FORS_analysis_of_Ukiyo-e_prints&amp;diff=103094</id>
		<title>FORS analysis of Ukiyo-e prints</title>
		<link rel="alternate" type="text/html" href="https://cameo.mfa.org/index.php?title=FORS_analysis_of_Ukiyo-e_prints&amp;diff=103094"/>
		<updated>2025-07-19T18:16:05Z</updated>

		<summary type="html">&lt;p&gt;MicheleDerrick: /* Overview */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
FORS reflectance spectra can readily distinguish between three common blue colorants used in Japanese woodblock prints (dayflower, indigo, and Prussian blue).  Spectra for the three common blues are shown below, along with spectra of each blue from a print. The paper used in the prints typically has a slight yellowish tint, thus for the FORS analysis, an area of bare paper is used to acquire a background spectrum, which is then subtracted from the spectrum of the colored area. In principle, this gives spectra which should be more directly comparable between standards prepared in the lab and areas on prints.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|[[File:Dayflower FORS MFA.png|300px|FORS spectrum of Dayflower reference]]&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:1126691-Pt5-FORS.jpg|200px]]&amp;lt;br&amp;gt;[[Eisen, Geisha at Night under Plum Blossoms, 11.26691-2|Pt 5: Printed&amp;lt;br&amp;gt;Keisai Eisen, 11.26691-2]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|[[File:Indigo FORS MFA.png|thumb|FORS spectrum of Indigo reference]]&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:1126691-Pt5-FORS.jpg|200px]]&amp;lt;br&amp;gt;[[Eisen, Geisha at Night under Plum Blossoms, 11.26691-2|Pt 5: Printed&amp;lt;br&amp;gt;Keisai Eisen, 11.26691-2]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|[[File:Prussian blue FORS MFA.png|thumb|FORS spectrum of Prussian blue reference]]&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:21.9254-Pt3.jpg|200px]]&amp;lt;br&amp;gt;[[Shigenobu I, Urashima Tarô, from the series A Set of Five Examples of Longevity, 21.9254|Pt 3: Printed&amp;lt;br&amp;gt;Yanagawa Shigenobu I, 21.9254]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
The table below shows reference FORS spectra for many of the Edo period colorants, organic as well as inorganic. Spectra from some mixtures are also shown.  Data was acquired over a period of time, and the displays of results are not consistently formatted but are representative of the colorants.  It should be stressed that for various reasons, these spectra may not exactly match spectra prepared and analyzed by other researchers, and also will not necessarily match spectra of the same colorants in prints.&lt;br /&gt;
&lt;br /&gt;
==FORS Reference Spectra==&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! Blues&lt;br /&gt;
! Greens&lt;br /&gt;
! Yellows &lt;br /&gt;
! Reds&lt;br /&gt;
|-&lt;br /&gt;
|[[[SliderGallery Leftalign|Indigo FORS.JPG~Indigo|Dayflower FORS.JPG~Dayflower|Prussian blue FORS.jpg~Prussian blue|Azurite-FORS.png~Azurite|Ultramarine-FORS.png~Ultramarine]]]&lt;br /&gt;
|[[[SliderGallery center|Orpiment-Indigo-FORS.png~Orpiment/Indigo|Orpiment-Prussian blue-FORS.png~Orpiment/Prussian Blue|Turmeric-Dayflower FORS.png~Turmeric/Dayflower|Malachite reference FORS.png~Malachite|Verdigris-FORS.png~Verdigris]]]&lt;br /&gt;
|[[[SliderGallery center|Orpiment-FORS.png~Orpiment|Turmeric-FORS.png~Turmeric|Pagoda Tree FORS.png~Pagoda Tree|Rice plant FORS.png~Rice Plant|Yellowwood FORS.png~Yellowwood]]]&lt;br /&gt;
|[[[SliderGallery center|Madder R.Tinctorium-FORS.png~Madder|Safflower-FORS.png~Safflower|Iron oxide red-FORS.png~Iron Oxide Red|Red lead-FORS.png~Red Lead|Vermilion-FORS.png~Vermilion]]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Analysis==&lt;br /&gt;
Greens were usually made from a combination of a blue and a yellow colorant, while purples were usually made from a combination of a blue and a red colorant. The blue colorants in these mixtures can usually be determined by FORS analysis. FORS is not usually useful for identifying yellow colorants but can sometimes be useful for the organic reds.&lt;/div&gt;</summary>
		<author><name>MicheleDerrick</name></author>
	</entry>
	<entry>
		<id>https://cameo.mfa.org/index.php?title=FORS_analysis_of_Ukiyo-e_prints&amp;diff=103093</id>
		<title>FORS analysis of Ukiyo-e prints</title>
		<link rel="alternate" type="text/html" href="https://cameo.mfa.org/index.php?title=FORS_analysis_of_Ukiyo-e_prints&amp;diff=103093"/>
		<updated>2025-07-19T18:14:56Z</updated>

		<summary type="html">&lt;p&gt;MicheleDerrick: /* Overview */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
FORS reflectance spectra can readily distinguish between three common blue colorants used in Japanese woodblock prints (dayflower, indigo, and Prussian blue).  Spectra for the three common blues are shown below, along with spectra of each blue from a print. The paper used in the prints typically has a slight yellowish tint, thus for the FORS analysis, an area of bare paper is used to acquire a background spectrum, which is then subtracted from the spectrum of the colored area. In principle, this gives spectra which should be more directly comparable between standards prepared in the lab and areas on prints.&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|File:Dayflower FORS MFA.png|300px|FORS spectrum of Dayflower ref&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:1126691-Pt5-FORS.jpg|200px]]&amp;lt;br&amp;gt;[[Eisen, Geisha at Night under Plum Blossoms, 11.26691-2|Pt 5: Printed&amp;lt;br&amp;gt;Keisai Eisen, 11.26691-2]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|File:Indigo FORS MFA.png|thumb|FORS spectrum of Indigo reference&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:1126691-Pt5-FORS.jpg|200px]]&amp;lt;br&amp;gt;[[Eisen, Geisha at Night under Plum Blossoms, 11.26691-2|Pt 5: Printed&amp;lt;br&amp;gt;Keisai Eisen, 11.26691-2]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;display: inline-table;font-size:90%;text-align:center;width:15%&amp;quot;&lt;br /&gt;
|File:Prussian blue FORS MFA.png|thumb|FORS spectrum of Prussian blue reference&lt;br /&gt;
|-&lt;br /&gt;
|&lt;br /&gt;
[[File:21.9254-Pt3.jpg|200px]]&amp;lt;br&amp;gt;[[Shigenobu I, Urashima Tarô, from the series A Set of Five Examples of Longevity, 21.9254|Pt 3: Printed&amp;lt;br&amp;gt;Yanagawa Shigenobu I, 21.9254]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
The table below shows reference FORS spectra for many of the Edo period colorants, organic as well as inorganic. Spectra from some mixtures are also shown.  Data was acquired over a period of time, and the displays of results are not consistently formatted but are representative of the colorants.  It should be stressed that for various reasons, these spectra may not exactly match spectra prepared and analyzed by other researchers, and also will not necessarily match spectra of the same colorants in prints.&lt;br /&gt;
&lt;br /&gt;
==FORS Reference Spectra==&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! Blues&lt;br /&gt;
! Greens&lt;br /&gt;
! Yellows &lt;br /&gt;
! Reds&lt;br /&gt;
|-&lt;br /&gt;
|[[[SliderGallery Leftalign|Indigo FORS.JPG~Indigo|Dayflower FORS.JPG~Dayflower|Prussian blue FORS.jpg~Prussian blue|Azurite-FORS.png~Azurite|Ultramarine-FORS.png~Ultramarine]]]&lt;br /&gt;
|[[[SliderGallery center|Orpiment-Indigo-FORS.png~Orpiment/Indigo|Orpiment-Prussian blue-FORS.png~Orpiment/Prussian Blue|Turmeric-Dayflower FORS.png~Turmeric/Dayflower|Malachite reference FORS.png~Malachite|Verdigris-FORS.png~Verdigris]]]&lt;br /&gt;
|[[[SliderGallery center|Orpiment-FORS.png~Orpiment|Turmeric-FORS.png~Turmeric|Pagoda Tree FORS.png~Pagoda Tree|Rice plant FORS.png~Rice Plant|Yellowwood FORS.png~Yellowwood]]]&lt;br /&gt;
|[[[SliderGallery center|Madder R.Tinctorium-FORS.png~Madder|Safflower-FORS.png~Safflower|Iron oxide red-FORS.png~Iron Oxide Red|Red lead-FORS.png~Red Lead|Vermilion-FORS.png~Vermilion]]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Analysis==&lt;br /&gt;
Greens were usually made from a combination of a blue and a yellow colorant, while purples were usually made from a combination of a blue and a red colorant. The blue colorants in these mixtures can usually be determined by FORS analysis. FORS is not usually useful for identifying yellow colorants but can sometimes be useful for the organic reds.&lt;/div&gt;</summary>
		<author><name>MicheleDerrick</name></author>
	</entry>
	<entry>
		<id>https://cameo.mfa.org/index.php?title=FORS_analysis_of_Ukiyo-e_prints&amp;diff=103092</id>
		<title>FORS analysis of Ukiyo-e prints</title>
		<link rel="alternate" type="text/html" href="https://cameo.mfa.org/index.php?title=FORS_analysis_of_Ukiyo-e_prints&amp;diff=103092"/>
		<updated>2025-07-19T18:07:40Z</updated>

		<summary type="html">&lt;p&gt;MicheleDerrick: /* Overview */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
FORS reflectance spectra can readily distinguish between three common blue colorants used in Japanese woodblock prints (dayflower, indigo, and Prussian blue).  Spectra for the three common blues are shown below, along with spectra of each blue from a print. The paper used in the prints typically has a slight yellowish tint, thus for the FORS analysis, an area of bare paper is used to acquire a background spectrum, which is then subtracted from the spectrum of the colored area. In principle, this gives spectra which should be more directly comparable between standards prepared in the lab and areas on prints.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
File:Dayflower FORS MFA.png|300px| FORS spectrum of Dayflower ref&lt;br /&gt;
File:Indigo FORS MFA.png|thumb| FORS spectrum of Indigo reference&lt;br /&gt;
File:Prussian blue FORS MFA.png|thumb| FORS spectrum of Prussian blue reference&lt;br /&gt;
File:Three blue overlay FORS MFA.png|thumb| Overlay of three blue FORS spectra&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The table below shows reference FORS spectra for many of the Edo period colorants, organic as well as inorganic. Spectra from some mixtures are also shown.  Data was acquired over a period of time, and the displays of results are not consistently formatted but are representative of the colorants.  It should be stressed that for various reasons, these spectra may not exactly match spectra prepared and analyzed by other researchers, and also will not necessarily match spectra of the same colorants in prints.&lt;br /&gt;
&lt;br /&gt;
==FORS Reference Spectra==&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! Blues&lt;br /&gt;
! Greens&lt;br /&gt;
! Yellows &lt;br /&gt;
! Reds&lt;br /&gt;
|-&lt;br /&gt;
|[[[SliderGallery Leftalign|Indigo FORS.JPG~Indigo|Dayflower FORS.JPG~Dayflower|Prussian blue FORS.jpg~Prussian blue|Azurite-FORS.png~Azurite|Ultramarine-FORS.png~Ultramarine]]]&lt;br /&gt;
|[[[SliderGallery center|Orpiment-Indigo-FORS.png~Orpiment/Indigo|Orpiment-Prussian blue-FORS.png~Orpiment/Prussian Blue|Turmeric-Dayflower FORS.png~Turmeric/Dayflower|Malachite reference FORS.png~Malachite|Verdigris-FORS.png~Verdigris]]]&lt;br /&gt;
|[[[SliderGallery center|Orpiment-FORS.png~Orpiment|Turmeric-FORS.png~Turmeric|Pagoda Tree FORS.png~Pagoda Tree|Rice plant FORS.png~Rice Plant|Yellowwood FORS.png~Yellowwood]]]&lt;br /&gt;
|[[[SliderGallery center|Madder R.Tinctorium-FORS.png~Madder|Safflower-FORS.png~Safflower|Iron oxide red-FORS.png~Iron Oxide Red|Red lead-FORS.png~Red Lead|Vermilion-FORS.png~Vermilion]]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Analysis==&lt;br /&gt;
Greens were usually made from a combination of a blue and a yellow colorant, while purples were usually made from a combination of a blue and a red colorant. The blue colorants in these mixtures can usually be determined by FORS analysis. FORS is not usually useful for identifying yellow colorants but can sometimes be useful for the organic reds.&lt;/div&gt;</summary>
		<author><name>MicheleDerrick</name></author>
	</entry>
	<entry>
		<id>https://cameo.mfa.org/index.php?title=FORS_analysis_of_Ukiyo-e_prints&amp;diff=103091</id>
		<title>FORS analysis of Ukiyo-e prints</title>
		<link rel="alternate" type="text/html" href="https://cameo.mfa.org/index.php?title=FORS_analysis_of_Ukiyo-e_prints&amp;diff=103091"/>
		<updated>2025-07-19T18:07:21Z</updated>

		<summary type="html">&lt;p&gt;MicheleDerrick: /* Overview */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
FORS reflectance spectra can readily distinguish between three common blue colorants used in Japanese woodblock prints (dayflower, indigo, and Prussian blue).  Spectra for the three common blues are shown below, along with spectra of each blue from a print. The paper used in the prints typically has a slight yellowish tint, thus for the FORS analysis, an area of bare paper is used to acquire a background spectrum, which is then subtracted from the spectrum of the colored area. In principle, this gives spectra which should be more directly comparable between standards prepared in the lab and areas on prints.&lt;br /&gt;
&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
File:Dayflower FORS MFA.png|300px| FORS spectrum of Dayflower reference&lt;br /&gt;
File:Indigo FORS MFA.png|thumb| FORS spectrum of Indigo reference&lt;br /&gt;
File:Prussian blue FORS MFA.png|thumb| FORS spectrum of Prussian blue reference&lt;br /&gt;
File:Three blue overlay FORS MFA.png|thumb| Overlay of three blue FORS spectra&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;br /&gt;
&lt;br /&gt;
The table below shows reference FORS spectra for many of the Edo period colorants, organic as well as inorganic. Spectra from some mixtures are also shown.  Data was acquired over a period of time, and the displays of results are not consistently formatted but are representative of the colorants.  It should be stressed that for various reasons, these spectra may not exactly match spectra prepared and analyzed by other researchers, and also will not necessarily match spectra of the same colorants in prints.&lt;br /&gt;
&lt;br /&gt;
==FORS Reference Spectra==&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; &lt;br /&gt;
|-&lt;br /&gt;
! Blues&lt;br /&gt;
! Greens&lt;br /&gt;
! Yellows &lt;br /&gt;
! Reds&lt;br /&gt;
|-&lt;br /&gt;
|[[[SliderGallery Leftalign|Indigo FORS.JPG~Indigo|Dayflower FORS.JPG~Dayflower|Prussian blue FORS.jpg~Prussian blue|Azurite-FORS.png~Azurite|Ultramarine-FORS.png~Ultramarine]]]&lt;br /&gt;
|[[[SliderGallery center|Orpiment-Indigo-FORS.png~Orpiment/Indigo|Orpiment-Prussian blue-FORS.png~Orpiment/Prussian Blue|Turmeric-Dayflower FORS.png~Turmeric/Dayflower|Malachite reference FORS.png~Malachite|Verdigris-FORS.png~Verdigris]]]&lt;br /&gt;
|[[[SliderGallery center|Orpiment-FORS.png~Orpiment|Turmeric-FORS.png~Turmeric|Pagoda Tree FORS.png~Pagoda Tree|Rice plant FORS.png~Rice Plant|Yellowwood FORS.png~Yellowwood]]]&lt;br /&gt;
|[[[SliderGallery center|Madder R.Tinctorium-FORS.png~Madder|Safflower-FORS.png~Safflower|Iron oxide red-FORS.png~Iron Oxide Red|Red lead-FORS.png~Red Lead|Vermilion-FORS.png~Vermilion]]]&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
==Analysis==&lt;br /&gt;
Greens were usually made from a combination of a blue and a yellow colorant, while purples were usually made from a combination of a blue and a red colorant. The blue colorants in these mixtures can usually be determined by FORS analysis. FORS is not usually useful for identifying yellow colorants but can sometimes be useful for the organic reds.&lt;/div&gt;</summary>
		<author><name>MicheleDerrick</name></author>
	</entry>
</feed>