https://cameo.mfa.org/api.php?action=feedcontributions&user=Admin&feedformat=atom CAMEO - User contributions [en] 2024-03-28T12:50:36Z User contributions MediaWiki 1.35.3 https://cameo.mfa.org/index.php?title=Talk:Main_page&diff=47284 Talk:Main page 2016-03-24T11:13:05Z <p>Admin: Test, just a test</p> <hr /> <div>Hello. And Bye.</div> Admin https://cameo.mfa.org/index.php?title=Preserv%27Art&diff=46445 Preserv'Art 2014-11-04T21:01:36Z <p>Admin: </p> <hr /> <div>= Preserv'Art =<br /> <br /> &quot;Preserv'Art was developed by the Centre de conservation du Qubec (CCQ). It is an interactive database on products and equipment used in preventive conservation for the protection of works of art, artifacts and archival documents during an exhibition, transit or storage. The Preserv'Art database collates within files, pertinent information found in scientific and commercial publications. It combines this data with the practical input of various specialists from the conservation field, thus providing useful information on the applications and uses of the various products listed. Preserv'Art will help users of the database make informed choices on the appropriate products to use.&quot; (from website)<br /> <br /> {| class=&quot;wikitable&quot;<br /> |-<br /> ! scope=&quot;row&quot;|Web Address<br /> | http://preservart.ccq.gouv.qc.ca<br /> |-<br /> ! scope=&quot;row&quot;|Postal Address<br /> | Centre de conservation du Qubec<br /> |-<br /> ! scope=&quot;row&quot;|Contact<br /> |[http://preservart.ccq.gouv.qc.ca/Commentaire.aspx]<br /> |-<br /> ! scope=&quot;row&quot;|Information Online<br /> | Bibliographic citations<br /> <br /> Technical information<br /> <br /> Books / brochures / articles<br /> <br /> Related links<br /> |-<br /> ! scope=&quot;row&quot;|Searchable<br /> | Yes<br /> |-<br /> ! scope=&quot;row&quot;|Categories<br /> | General<br /> <br /> Technical info<br /> |-<br /> ! scope=&quot;row&quot;|Website Languages<br /> | English<br /> <br /> French<br /> |}<br /> <br /> [[Category:Directory]]<br /> [[Category:Directory: General]]<br /> [[Category:Directory: Technical info]]</div> Admin https://cameo.mfa.org/index.php?title=X-ray&diff=39765 X-ray 2013-07-25T14:56:54Z <p>Admin: </p> <hr /> <div>== Description ==<br /> <br /> High energy radiation with very short wavelengths (0.001 - 10 nm). X-rays were accidentally discovered by W. Roentgen in 1895. They can pass through many solids, ionize gases, and expose photographic film. The depth of penetration of x-rays through a material depends on its density. A common use of x-rays in museums is to photograph density variations in composite materials, i.e. to examine painting pigments and sculpture structures. Radiographs for paper and other low density materials are collected with soft x-rays. These are very low energy, long wavelength x-rays produced by an x-ray tube set below 15 kilovolts. X-rays are used in analytical equipment (see [http://cameo.mfa.org/materials/fullrecord.asp?name=x-ray%20diffraction x-ray diffraction] and [http://cameo.mfa.org/materials/fullrecord.asp?name=x-ray%20fluorescence%20analysis x-ray fluorescence]) for the determination of molecular and elemental compositions.<br /> <br /> == Synonyms and Related Terms ==<br /> <br /> x-rays; xray; x-radiation, Roentgen ray<br /> <br /> == Hazards and Safety ==<br /> <br /> Overexposure or cumulative exposure can damage or destroy cells and tissue structures.<br /> <br /> == Authority ==<br /> <br /> * G.S.Brady, ''Materials Handbook'', McGraw-Hill Book Co., New York, 1971<br /> <br /> * G.G. Hawley, ''The Condensed Chemical Dictionary'', Reinhold Publishing, New York, 6th ed., 1961<br /> <br /> * Art and Architecture Thesaurus Online, http://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000<br /> <br /> <br /> <br /> [[Category:Materials database]]</div> Admin https://cameo.mfa.org/index.php?title=Natural_and_Synthetic_Dyes&diff=39764 Natural and Synthetic Dyes 2013-07-25T14:24:10Z <p>Admin: /* Uemura dye archive */</p> <hr /> <div>= Analysis of dyes by liquid chromatography/diode array/mass spectrometry (LC/DAD/MS) = <br /> <br /> For many years now, one of the primary techniques for identification of natural and synthetic dyestuffs used in cultural artifacts has been high performance liquid chromatography (HPLC or LC). In earlier years, most analyses were carried our using a photodiode array detector (DAD), while in recent years, the use of LC/DAD combined with a mass spectrometer (MS) has become more and more common (LC/DAD/MS). There are many variations in sample preparation techniques, LC instrumentation and operating parameters, ionization techniques and types of mass spectrometers (and their operating parameters). The results produced by one lab using one instrumental setup and group of procedures can differ in some respects from those produced by another lab using different equipment and procedures, and thus similar samples analyzed by various setups are included. <br /> <br /> The purpose of this database is to collect data from LC/DAD/MS analyses of actual samples from artifacts and standard dye materials. Each record represents one sample. The record includes information on the sample source, interpretation of the results, the sample preparation procedure, and details of the analytical technique. Images of the chromatograms are included, both DAD signals (at one or more different wavelengths of absorption) and MS (possibly including total ion chromatograms, base peak chromatograms, or extracted ion chromatograms). A table of specific compounds identified in the sample includes common name of the compound, retention time during the analysis, molecular weight (or major ion, if a fragment), and major UV/visible absorbance wavelengths. Finally, images of spectra are included. These include UV/visible absorption spectra of individual compounds and mass spectra. In general, mass spectra that only show the molecular ion will not be included. Spectra that contain collision-induced fragments in addition to the molecular ion, or MS/MS spectra, if acquired, will be included when possible. Many analyses often include small, unidentified peaks. These generally will not be discussed in the analysis record, but users should consult the original data source for full discussion.<br /> <br /> This database also includes a [[Natural and Synthetic Dye Compound Index|compound index]], which lists every compound that has been identified in at least one chromatogram currently included in the database, along with the molecular weight, or major ion if the molecular ion is usually not observed, and positions of major UV/visible absorption bands for the compound. These positions can vary somewhat depending on instrumental conditions, and as many bands are broad, users should consult the actual spectra in specific records. Individual compounds may be searched for, and results will indicate all samples in which the compound was identified.<br /> <br /> [[:Category:Analysis of dyes by LC/DAD/MAS|Analysis of dyes by liquid chromatography/diode array/mass spectrometry (LC/DAD/MS)]]<br /> <br /> = Uemura dye archive =<br /> <br /> The LC/DAD/MS database includes analyses of samples from the Uemura dye archive ………………….. The complete archive, with photographs of each page and translations of all information on the page, is available [[Uemura dye archive|here]]. This record of the archive was compiled and all translations were carried out by …… at the Museum of Fine Arts, Boston.</div> Admin https://cameo.mfa.org/index.php?title=Natural_and_Synthetic_Dyes&diff=39763 Natural and Synthetic Dyes 2013-07-25T14:23:37Z <p>Admin: </p> <hr /> <div>= Analysis of dyes by liquid chromatography/diode array/mass spectrometry (LC/DAD/MS) = <br /> <br /> For many years now, one of the primary techniques for identification of natural and synthetic dyestuffs used in cultural artifacts has been high performance liquid chromatography (HPLC or LC). In earlier years, most analyses were carried our using a photodiode array detector (DAD), while in recent years, the use of LC/DAD combined with a mass spectrometer (MS) has become more and more common (LC/DAD/MS). There are many variations in sample preparation techniques, LC instrumentation and operating parameters, ionization techniques and types of mass spectrometers (and their operating parameters). The results produced by one lab using one instrumental setup and group of procedures can differ in some respects from those produced by another lab using different equipment and procedures, and thus similar samples analyzed by various setups are included. <br /> <br /> The purpose of this database is to collect data from LC/DAD/MS analyses of actual samples from artifacts and standard dye materials. Each record represents one sample. The record includes information on the sample source, interpretation of the results, the sample preparation procedure, and details of the analytical technique. Images of the chromatograms are included, both DAD signals (at one or more different wavelengths of absorption) and MS (possibly including total ion chromatograms, base peak chromatograms, or extracted ion chromatograms). A table of specific compounds identified in the sample includes common name of the compound, retention time during the analysis, molecular weight (or major ion, if a fragment), and major UV/visible absorbance wavelengths. Finally, images of spectra are included. These include UV/visible absorption spectra of individual compounds and mass spectra. In general, mass spectra that only show the molecular ion will not be included. Spectra that contain collision-induced fragments in addition to the molecular ion, or MS/MS spectra, if acquired, will be included when possible. Many analyses often include small, unidentified peaks. These generally will not be discussed in the analysis record, but users should consult the original data source for full discussion.<br /> <br /> This database also includes a [[Natural and Synthetic Dye Compound Index|compound index]], which lists every compound that has been identified in at least one chromatogram currently included in the database, along with the molecular weight, or major ion if the molecular ion is usually not observed, and positions of major UV/visible absorption bands for the compound. These positions can vary somewhat depending on instrumental conditions, and as many bands are broad, users should consult the actual spectra in specific records. Individual compounds may be searched for, and results will indicate all samples in which the compound was identified.<br /> <br /> [[:Category:Analysis of dyes by LC/DAD/MAS|Analysis of dyes by liquid chromatography/diode array/mass spectrometry (LC/DAD/MS)]]<br /> <br /> = Uemura dye archive =<br /> <br /> The LC/DAD/MS database includes analyses of samples from the Uemura dye archive ………………….. The complete archive, with photographs of each page and translations of all information on the page, is available [[Uemura dye archive|here]]. This record of the archive was compiled and all translations were carried out by …… at the Museum of Fine Arts, Boston.<br /> <br /> [[Uemera dye archive]]</div> Admin https://cameo.mfa.org/index.php?title=Natural_and_Synthetic_Dyes&diff=39762 Natural and Synthetic Dyes 2013-07-25T14:23:02Z <p>Admin: </p> <hr /> <div>= Analysis of dyes by liquid chromatography/diode array/mass spectrometry (LC/DAD/MS) = <br /> <br /> For many years now, one of the primary techniques for identification of natural and synthetic dyestuffs used in cultural artifacts has been high performance liquid chromatography (HPLC or LC). In earlier years, most analyses were carried our using a photodiode array detector (DAD), while in recent years, the use of LC/DAD combined with a mass spectrometer (MS) has become more and more common (LC/DAD/MS). There are many variations in sample preparation techniques, LC instrumentation and operating parameters, ionization techniques and types of mass spectrometers (and their operating parameters). The results produced by one lab using one instrumental setup and group of procedures can differ in some respects from those produced by another lab using different equipment and procedures, and thus similar samples analyzed by various setups are included. <br /> <br /> The purpose of this database is to collect data from LC/DAD/MS analyses of actual samples from artifacts and standard dye materials. Each record represents one sample. The record includes information on the sample source, interpretation of the results, the sample preparation procedure, and details of the analytical technique. Images of the chromatograms are included, both DAD signals (at one or more different wavelengths of absorption) and MS (possibly including total ion chromatograms, base peak chromatograms, or extracted ion chromatograms). A table of specific compounds identified in the sample includes common name of the compound, retention time during the analysis, molecular weight (or major ion, if a fragment), and major UV/visible absorbance wavelengths. Finally, images of spectra are included. These include UV/visible absorption spectra of individual compounds and mass spectra. In general, mass spectra that only show the molecular ion will not be included. Spectra that contain collision-induced fragments in addition to the molecular ion, or MS/MS spectra, if acquired, will be included when possible. Many analyses often include small, unidentified peaks. These generally will not be discussed in the analysis record, but users should consult the original data source for full discussion.<br /> <br /> This database also includes a [[Natural and Synthetic Dye Compound Index|compound index]], which lists every compound that has been identified in at least one chromatogram currently included in the database, along with the molecular weight, or major ion if the molecular ion is usually not observed, and positions of major UV/visible absorption bands for the compound. These positions can vary somewhat depending on instrumental conditions, and as many bands are broad, users should consult the actual spectra in specific records. Individual compounds may be searched for, and results will indicate all samples in which the compound was identified.<br /> <br /> [[:Category:Analysis of dyes by LC/DAD/MAS|Analysis of dyes by liquid chromatography/diode array/mass spectrometry (LC/DAD/MS)]]<br /> <br /> = Uemura dye archive =<br /> <br /> The LC/DAD/MS database includes analyses of samples from the Uemura dye archive ………………….. The complete archive, with photographs of each page and translations of all information on the page, is available [[Uemura dye archive|here]]. This record of the archive was compiled and all translations were carried out by …… at the Museum of Fine Arts, Boston.<br /> <br /> [[Uemura dye archive]]</div> Admin https://cameo.mfa.org/index.php?title=File:Screen_Shot_2013-07-24_at_11.02.31_AM.png&diff=39761 File:Screen Shot 2013-07-24 at 11.02.31 AM.png 2013-07-24T21:00:36Z <p>Admin: DNS issues</p> <hr /> <div>DNS issues</div> Admin https://cameo.mfa.org/index.php?title=4-chloro-3-methylphenol&diff=39760 4-chloro-3-methylphenol 2013-07-24T18:11:08Z <p>Admin: </p> <hr /> <div>== Description ==<br /> <br /> White crystals with a phenolic odor that have been used as a topical antiseptic. Chlorocresol dissolved in [http://cameo.mfa.org/materials/fullrecord.asp?name=ethyl%20alcohol ethanol] has been used as a [http://cameo.mfa.org/materials/fullrecord.asp?name=fungicide fungicide] on [http://cameo.mfa.org/materials/fullrecord.asp?name=paint paintings], [http://cameo.mfa.org/materials/fullrecord.asp?name=parchment parchment], and [http://cameo.mfa.org/materials/fullrecord.asp?name=stone stone] (Caneva et al 1991).<br /> <br /> == Synonyms and Related Terms ==<br /> <br /> chlorocresol; p-chloro m-cresol; parachlorometacresol; 4-chloro-m-cresol; CMC; 2-chloro-5-hydroxytoluene<br /> <br /> == Other Properties ==<br /> <br /> Soluble in alcohol, benzene, chloroform, ether, acetone, mineral spirits, oils, terpenes, and aqueous alkaline solutions.<br /> <br /> {| class=&quot;wikitable&quot;<br /> |-<br /> ! scope=&quot;row&quot;| Composition<br /> | C7H7ClO<br /> |-<br /> ! scope=&quot;row&quot;| CAS<br /> | 59-50-7<br /> |-<br /> ! scope=&quot;row&quot;| Melting Point<br /> | 55.5; 66<br /> |-<br /> ! scope=&quot;row&quot;| Molecular Weight<br /> | mol. wt. = 142.58<br /> |-<br /> ! scope=&quot;row&quot;| Boiling Point<br /> | 235<br /> |}<br /> <br /> == Hazards and Safety ==<br /> <br /> Toxic by ingestion. LD50 = 1830 mg/kg. Turns yellow with exposure to light and air. <br /> <br /> Contact causes irritation, dermatitis and allergic reactions. <br /> <br /> Fisher Scientific: [http://www.fishersci.ca/msds2.nsf/0/3E4243A8EDA2220F85256CA50000AAF8/$file/MSDS-97739.html?open MSDS]<br /> <br /> == Additional Information ==<br /> <br /> G.Caneva, M.P.Nugari, O.Salvadori, ''Biology in the Conservation of Works of Art'', ICCROM, Rome, 1991.<br /> <br /> == Comparisons ==<br /> <br /> [[media:download_file_14.pdf|pdf]]<br /> <br /> <br /> <br /> == Authority ==<br /> <br /> * ''The Merck Index'', Martha Windholz (ed.), Merck Research Labs, Rahway NJ, 10th edition, 1983 Comment: Entry # 2102<br /> <br /> * G.Caneva, M.P.Nugari, O.Salvadori, ''Biology in the Conservation of Works of Art'', ICCROM, Rome, 1991<br /> <br /> * ''Matte Paint: Its history and technology, analysis, properties and conservation treatment'', Eric Hansen, Sue Walston, Mitchell Bishop (ed.), J. Paul Getty Trust, Los Angeles, Vol. 30 of AATA, 1993<br /> <br /> <br /> <br /> [[Category:Materials database]]</div> Admin https://cameo.mfa.org/index.php?title=Forbes_Pigment_Database&diff=24005 Forbes Pigment Database 2013-07-24T12:08:28Z <p>Admin: </p> <hr /> <div>The Forbes’ Pigment Collection contains over 1000 colorants assembled by the late Edward Waldo Forbes, former Director of the Fogg Art Museum at Harvard University (1909-1945). Currently, the core collection of pigments is housed in the Straus Center for Conservation at Harvard University while Forbes’ private collection of pigments resides at the Institute for Fine Arts Conservation Center at New York University. Known subsets of these two collections exist in nineteen additional laboratories around the world. These colorants have been analyzed widely by most of the labs and thus the goal of this database is to provide one central, searchable, readily-accessible location for the compilation of any available information from all sources. The combination of this information will document the materials and aid in the determination of their compositions.<br /> <br /> Many institutions further developed their collections with additional materials. One significant set is a collection of Asian pigments produced by Rutherford Gettens, Fogg Art Museum, and Richard Buck, Intermuseum Conservation Laboratory. This collection now resides at the Asian Art Museum in San Francisco and small subsets exist in other labs.<br /> <br /> Database setup:<br /> Inventory lists and analysis results for the pigments are being added to the database as they are received. The pigment sets have varying numerical designations and limited bottle labeling. Where it appears that more than one lab has portions of the same sample (based on the number or label), the records are combined. The most common numbering systems are: 1) the 'new' system devised by Richard Buck based on the pigment’s color and chemical composition and 2) the 'old' or original numbers from the NYU collection. All numbers associated with a particular sample are included in the Pigment number field for searching purposes.<br /> <br /> [[[PigmentsContents]]]<br /> [[Category:Reference Collections]]</div> Admin https://cameo.mfa.org/index.php?title=About_CAMEO&diff=22087 About CAMEO 2013-07-02T14:45:55Z <p>Admin: /* Project Team */</p> <hr /> <div><br /> The Conservation and Art Materials Encyclopedia Online (CAMEO) is an electronic database that compiles, defines, and disseminates technical information on the distinct collection of terms, materials, and techniques used in the fields of art conservation and historic preservation.<br /> <br /> = Project Team =<br /> <br /> The CAMEO project team has researched, entered and reviewed information over 10,000 materials. The team is composed of:<br /> <br /> Principal Investigator:<br /> * Michele Derrick, Conservation Scientist, MFA<br /> <br /> Management/supervision:<br /> * Arthur Beale, Chair, Conservation and Collections Management, MFA (1997-2006) <br /> * Richard Newman, Head, Scientific Research Department, MFA <br /> <br /> CHARISMA/CAMEO cooperation organizer:<br /> * Jean Louis Boutaine, Scientist emeritus, C2RMF<br /> <br /> Web design and implementation:<br /> * Josh Sostek - MFA Senior Developer<br /> * Tim Benson - Contract Developer<br /> <br /> Imaging and Photography:<br /> * Keith Lawrence, Scientific Photographer, MFA (2000-2011)<br /> <br /> = History of CAMEO =<br /> <br /> In 1997, the database, formerly called the Conservation and Art Materials Dictionary (CAMD), was developed at the Museum of Fine Arts, Boston by the Conservation and Collections Management Department under the direction of Arthur Beale. An initial grant from the [http://www.ncptt.nps.gov/|National Center for Preservation Technology and Training (NCPTT)] along with additional resources and support from the MFA enabled the first version of the database to be placed on the Internet in November 2000.<br /> <br /> In the development phase, to ensure complete coverage from the diverse specialties within museums and conservation, six initial contributors/reviewers (Gordon Hanlon, Pamela Hatchfield, Teresa Hensick, Meredith Montague, Ivan Myjer, and Roy Perkinson) supplied entries of materials and reviewed draft versions of the database. Michele Derrick, the principal investigator, compiled, consolidated, condensed, and entered available information into the database program. The MFA Webmaster, Phil Getchell, and consultant John Klick developed an online application that allowed interactive, searchable access to the data. After beta testing by the conservation and curatorial staff at the Museum, the database was uploaded to the Internet for use and review by the worldwide conservation community. It was immediately hailed as an important resource for the field.<br /> <br /> Soon it was deemed important for CAMEO to have an upgraded structure, and for its coverage and content to be expanded into a more comprehensive and well-rounded encyclopedic resource for the art conservation and historic preservation fields. In October 2002, a two-year National Leadership grant from the [http://www.imls.gov/ Institute of Museum Library Services (IMLS)] allowed the transport of CAMEO to a SQL based system to better handle the volume of users and information. Major additions to the database included added auxiliary pages for images and documentation of the authority trail. A companion database containing a directory of conservation-related organizations was also added. The IMLS grant ended with all projected tasks completed, including the addition of approximately 6,000 images. In July 2005, a two-year grant from the [http://www.mellon.org/ Andrew W. Mellon Foundation] provided support to upgrade the appearance and user functionality of CAMEO. [http://www.mediatrope.com/ Mediatrope], a professional web development firm, was selected to redesign the website and implement upgrades. New features include auxiliary COMPARISON pages and a third database for information on the Forbes Pigment</div> Admin https://cameo.mfa.org/index.php?title=Akane&diff=19508 Akane 2013-06-08T13:31:39Z <p>Admin: </p> <hr /> <div>一; 櫨染 廿五 &quot;Haze-some 25&quot; <br /> <br /> Placeholder page. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Phasellus vitae augue at justo dictum dignissim et eu sem. Nunc ornare nibh vel sapien tincidunt in volutpat purus pretium. Curabitur vestibulum viverra facilisis. Fusce at neque ut ligula rhoncus suscipit ac et elit. Curabitur vehicula velit in ligula tempus pulvinar. Vestibulum ultricies scelerisque mi id commodo. Ut congue urna eleifend arcu eleifend et egestas orci gravida. Fusce elementum dignissim viverra. Maecenas id sapien ut magna laoreet interdum at non lorem. Proin nunc urna, fringilla ac rutrum a, venenatis ac leo. Etiam quis euismod nisi. Ut at mi et leo mollis iaculis. Fusce nibh enim, eleifend non aliquam rhoncus, tristique ut tellus. Donec vulputate, ligula id euismod elementum, leo arcu fermentum augue, varius placerat quam nisi sed eros. Maecenas volutpat augue vel nibh pretium facilisis. Pellentesque vulputate lobortis risus.<br /> <br /> Pellentesque malesuada est vitae tortor bibendum suscipit. Duis sollicitudin commodo faucibus. Aliquam sed elit sem, at convallis dolor. Vestibulum feugiat nulla vel risus lobortis malesuada. Suspendisse nibh erat, aliquet id consectetur nec, pellentesque sed arcu. Ut imperdiet posuere interdum. Proin posuere lacus viverra magna ultrices varius. Mauris in dapibus quam. Aliquam varius odio et sapien sollicitudin eu molestie urna scelerisque. Vestibulum suscipit lorem pharetra ligula congue sed placerat erat interdum. Vestibulum ante ipsum primis in faucibus orci luctus et ultrices posuere cubilia Curae; Suspendisse sit amet ligula vitae tellus sagittis egestas. In nec nibh orci, eget ullamcorper leo. Fusce auctor consectetur auctor.<br /> <br /> Cras pretium ullamcorper semper. Curabitur sit amet enim euismod mi elementum tincidunt a in mi. Fusce laoreet convallis quam, non condimentum nisl pulvinar at. Praesent pharetra, turpis non ullamcorper venenatis, augue mi condimentum metus, vel mattis sapien tellus eget dolor. Vivamus eget nibh non lectus vehicula fringilla sed sit amet justo. Morbi luctus varius lacus. Mauris ultrices diam et magna luctus mattis luctus neque semper. Vivamus ultricies, dolor et porttitor fringilla, nulla massa accumsan nisi, eget semper eros orci ut est. Vestibulum iaculis turpis id lacus sagittis et condimentum nulla faucibus. Etiam id libero turpis. Donec rutrum leo sed ipsum placerat eleifend dapibus nulla rutrum. Cras fermentum rutrum ante, ut facilisis lacus feugiat eget. Nullam urna erat, euismod ac auctor nec, cursus eget erat. Vestibulum faucibus nisl in arcu fringilla nec elementum libero posuere. <br /> <br /> [[Category:Uemera dye archive]]</div> Admin https://cameo.mfa.org/index.php?title=Akane&diff=19507 Akane 2013-06-08T12:53:42Z <p>Admin: </p> <hr /> <div>Placeholder page. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Phasellus vitae augue at justo dictum dignissim et eu sem. Nunc ornare nibh vel sapien tincidunt in volutpat purus pretium. Curabitur vestibulum viverra facilisis. Fusce at neque ut ligula rhoncus suscipit ac et elit. Curabitur vehicula velit in ligula tempus pulvinar. Vestibulum ultricies scelerisque mi id commodo. Ut congue urna eleifend arcu eleifend et egestas orci gravida. Fusce elementum dignissim viverra. Maecenas id sapien ut magna laoreet interdum at non lorem. Proin nunc urna, fringilla ac rutrum a, venenatis ac leo. Etiam quis euismod nisi. Ut at mi et leo mollis iaculis. Fusce nibh enim, eleifend non aliquam rhoncus, tristique ut tellus. Donec vulputate, ligula id euismod elementum, leo arcu fermentum augue, varius placerat quam nisi sed eros. Maecenas volutpat augue vel nibh pretium facilisis. Pellentesque vulputate lobortis risus.<br /> <br /> Pellentesque malesuada est vitae tortor bibendum suscipit. Duis sollicitudin commodo faucibus. Aliquam sed elit sem, at convallis dolor. Vestibulum feugiat nulla vel risus lobortis malesuada. Suspendisse nibh erat, aliquet id consectetur nec, pellentesque sed arcu. Ut imperdiet posuere interdum. Proin posuere lacus viverra magna ultrices varius. Mauris in dapibus quam. Aliquam varius odio et sapien sollicitudin eu molestie urna scelerisque. Vestibulum suscipit lorem pharetra ligula congue sed placerat erat interdum. Vestibulum ante ipsum primis in faucibus orci luctus et ultrices posuere cubilia Curae; Suspendisse sit amet ligula vitae tellus sagittis egestas. In nec nibh orci, eget ullamcorper leo. Fusce auctor consectetur auctor.<br /> <br /> Cras pretium ullamcorper semper. Curabitur sit amet enim euismod mi elementum tincidunt a in mi. Fusce laoreet convallis quam, non condimentum nisl pulvinar at. Praesent pharetra, turpis non ullamcorper venenatis, augue mi condimentum metus, vel mattis sapien tellus eget dolor. Vivamus eget nibh non lectus vehicula fringilla sed sit amet justo. Morbi luctus varius lacus. Mauris ultrices diam et magna luctus mattis luctus neque semper. Vivamus ultricies, dolor et porttitor fringilla, nulla massa accumsan nisi, eget semper eros orci ut est. Vestibulum iaculis turpis id lacus sagittis et condimentum nulla faucibus. Etiam id libero turpis. Donec rutrum leo sed ipsum placerat eleifend dapibus nulla rutrum. Cras fermentum rutrum ante, ut facilisis lacus feugiat eget. Nullam urna erat, euismod ac auctor nec, cursus eget erat. Vestibulum faucibus nisl in arcu fringilla nec elementum libero posuere. <br /> <br /> [[Category:Uemera dye archive]]</div> Admin https://cameo.mfa.org/index.php?title=User_agreement&diff=19506 User agreement 2013-05-05T17:07:06Z <p>Admin: Created page with &quot;Sed fringilla ornare convallis. Proin quis semper turpis. Maecenas nisi mi, pharetra eu venenatis eu, fermentum eu eros. Sed laoreet ipsum sed urna adipiscing sed condimentum ...&quot;</p> <hr /> <div>Sed fringilla ornare convallis. Proin quis semper turpis. Maecenas nisi mi, pharetra eu venenatis eu, fermentum eu eros. Sed laoreet ipsum sed urna adipiscing sed condimentum quam hendrerit. Sed volutpat nisl eu ligula luctus tincidunt laoreet venenatis urna? Donec dignissim, nisi in viverra fermentum, purus ante sollicitudin ipsum, quis hendrerit augue neque quis libero. Suspendisse elit diam, interdum eget feugiat et, bibendum lacinia velit. Pellentesque in convallis nisl. Nulla rhoncus fringilla augue, ut eleifend felis tempus in. Fusce id tortor eget sem aliquet viverra ac non sem. Proin varius arcu sed elit feugiat at varius metus rhoncus? Aliquam iaculis aliquet mauris vitae pellentesque. Donec ipsum dui, mollis ut accumsan ut, pretium nec odio. Praesent at odio nec dolor suscipit rutrum hendrerit eget metus. Donec nec elit et justo posuere convallis ac cursus velit. Proin volutpat, velit eu bibendum luctus, magna ante accumsan mauris, quis auctor urna nulla non tellus.<br /> <br /> Nam faucibus, lectus vel sagittis pulvinar, arcu mauris imperdiet orci, condimentum semper nisi nulla non urna. Mauris eget mauris velit, hendrerit vehicula ante. Curabitur elementum elit sed nisl feugiat eu pharetra justo sollicitudin. Morbi eros neque, blandit et malesuada non, facilisis vitae diam. Quisque dapibus, turpis non posuere semper, elit neque fringilla lectus, sed dapibus nibh sapien quis erat? Vestibulum vitae semper justo. Duis suscipit dignissim velit, in fermentum metus pharetra vitae. Quisque sit amet nibh non lacus bibendum hendrerit. Sed nisl purus, sodales sed sagittis ac, laoreet at odio. Fusce a ante in sapien semper ultricies sit amet in ipsum. Aenean luctus eleifend mauris, quis pharetra sapien ultricies nec! Ut ultrices purus sed eros consectetur ullamcorper. Nunc nec condimentum urna. Nullam sit amet metus ac odio tristique consequat a non enim. Sed blandit vestibulum laoreet. Pellentesque imperdiet bibendum libero? Aliquam augue lorem; adipiscing et ullamcorper metus.</div> Admin https://cameo.mfa.org/index.php?title=Akane&diff=19503 Akane 2013-05-05T16:54:39Z <p>Admin: Created page with &quot;Placeholder page. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Phasellus vitae augue at justo dictum dignissim et eu sem. Nunc ornare nibh vel sapien tincidunt in ...&quot;</p> <hr /> <div>Placeholder page. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Phasellus vitae augue at justo dictum dignissim et eu sem. Nunc ornare nibh vel sapien tincidunt in volutpat purus pretium. Curabitur vestibulum viverra facilisis. Fusce at neque ut ligula rhoncus suscipit ac et elit. Curabitur vehicula velit in ligula tempus pulvinar. Vestibulum ultricies scelerisque mi id commodo. Ut congue urna eleifend arcu eleifend et egestas orci gravida. Fusce elementum dignissim viverra. Maecenas id sapien ut magna laoreet interdum at non lorem. Proin nunc urna, fringilla ac rutrum a, venenatis ac leo. Etiam quis euismod nisi. Ut at mi et leo mollis iaculis. Fusce nibh enim, eleifend non aliquam rhoncus, tristique ut tellus. Donec vulputate, ligula id euismod elementum, leo arcu fermentum augue, varius placerat quam nisi sed eros. Maecenas volutpat augue vel nibh pretium facilisis. Pellentesque vulputate lobortis risus.<br /> <br /> Pellentesque malesuada est vitae tortor bibendum suscipit. Duis sollicitudin commodo faucibus. Aliquam sed elit sem, at convallis dolor. Vestibulum feugiat nulla vel risus lobortis malesuada. Suspendisse nibh erat, aliquet id consectetur nec, pellentesque sed arcu. Ut imperdiet posuere interdum. Proin posuere lacus viverra magna ultrices varius. Mauris in dapibus quam. Aliquam varius odio et sapien sollicitudin eu molestie urna scelerisque. Vestibulum suscipit lorem pharetra ligula congue sed placerat erat interdum. Vestibulum ante ipsum primis in faucibus orci luctus et ultrices posuere cubilia Curae; Suspendisse sit amet ligula vitae tellus sagittis egestas. In nec nibh orci, eget ullamcorper leo. Fusce auctor consectetur auctor.<br /> <br /> Cras pretium ullamcorper semper. Curabitur sit amet enim euismod mi elementum tincidunt a in mi. Fusce laoreet convallis quam, non condimentum nisl pulvinar at. Praesent pharetra, turpis non ullamcorper venenatis, augue mi condimentum metus, vel mattis sapien tellus eget dolor. Vivamus eget nibh non lectus vehicula fringilla sed sit amet justo. Morbi luctus varius lacus. Mauris ultrices diam et magna luctus mattis luctus neque semper. Vivamus ultricies, dolor et porttitor fringilla, nulla massa accumsan nisi, eget semper eros orci ut est. Vestibulum iaculis turpis id lacus sagittis et condimentum nulla faucibus. Etiam id libero turpis. Donec rutrum leo sed ipsum placerat eleifend dapibus nulla rutrum. Cras fermentum rutrum ante, ut facilisis lacus feugiat eget. Nullam urna erat, euismod ac auctor nec, cursus eget erat. Vestibulum faucibus nisl in arcu fringilla nec elementum libero posuere. <br /> <br /> [[Category:Umera dye archive]]</div> Admin https://cameo.mfa.org/index.php?title=Natural_and_Synthetic_Dyes&diff=19502 Natural and Synthetic Dyes 2013-05-05T16:53:01Z <p>Admin: </p> <hr /> <div>= Analysis of dyes by liquid chromatography/diode array/mass spectrometry (LC/DAD/MS) = <br /> <br /> For many years now, one of the primary techniques for identification of natural and synthetic dyestuffs used in cultural artifacts has been high performance liquid chromatography (HPLC or LC). In earlier years, most analyses were carried our using a photodiode array detector (DAD), while in recent years, the use of LC/DAD combined with a mass spectrometer (MS) has become more and more common (LC/DAD/MS). There are many variations in sample preparation techniques, LC instrumentation and operating parameters, ionization techniques and types of mass spectrometers (and their operating parameters). The results produced by one lab using one instrumental setup and group of procedures can differ in some respects from those produced by another lab using different equipment and procedures, and thus similar samples analyzed by various setups are included. <br /> <br /> The purpose of this database is to collect data from LC/DAD/MS analyses of actual samples from artifacts and standard dye materials. Each record represents one sample. The record includes information on the sample source, interpretation of the results, the sample preparation procedure, and details of the analytical technique. Images of the chromatograms are included, both DAD signals (at one or more different wavelengths of absorption) and MS (possibly including total ion chromatograms, base peak chromatograms, or extracted ion chromatograms). A table of specific compounds identified in the sample includes common name of the compound, retention time during the analysis, molecular weight (or major ion, if a fragment), and major UV/visible absorbance wavelengths. Finally, images of spectra are included. These include UV/visible absorption spectra of individual compounds and mass spectra. In general, mass spectra that only show the molecular ion will not be included. Spectra that contain collision-induced fragments in addition to the molecular ion, or MS/MS spectra, if acquired, will be included when possible. Many analyses often include small, unidentified peaks. These generally will not be discussed in the analysis record, but users should consult the original data source for full discussion.<br /> <br /> This database also includes a [[Natural and Synthetic Dye Compound Index|compound index]], which lists every compound that has been identified in at least one chromatogram currently included in the database, along with the molecular weight, or major ion if the molecular ion is usually not observed, and positions of major UV/visible absorption bands for the compound. These positions can vary somewhat depending on instrumental conditions, and as many bands are broad, users should consult the actual spectra in specific records. Individual compounds may be searched for, and results will indicate all samples in which the compound was identified.<br /> <br /> [[:Category:Analysis of dyes by LC/DAD/MAS|Analysis of dyes by liquid chromatography/diode array/mass spectrometry (LC/DAD/MS)]]<br /> <br /> = Uemera dye archive =<br /> <br /> The LC/DAD/MS database includes analyses of samples from the Uemera dye archive ………………….. The complete archive, with photographs of each page and translations of all information on the page, is available [[Uemera dye archive|here]]. This record of the archive was compiled and all translations were carried out by …… at the Museum of Fine Arts, Boston.<br /> <br /> [[Uemera dye archive]]</div> Admin https://cameo.mfa.org/index.php?title=Natural_and_Synthetic_Dyes&diff=19501 Natural and Synthetic Dyes 2013-05-05T16:51:35Z <p>Admin: /* Analysis of dyes by liquid chromatography/diode array/mass spectrometry (LC/DAD/MS) */</p> <hr /> <div>= Analysis of dyes by liquid chromatography/diode array/mass spectrometry (LC/DAD/MS) = <br /> <br /> For many years now, one of the primary techniques for identification of natural and synthetic dyestuffs used in cultural artifacts has been high performance liquid chromatography (HPLC or LC). In earlier years, most analyses were carried our using a photodiode array detector (DAD), while in recent years, the use of LC/DAD combined with a mass spectrometer (MS) has become more and more common (LC/DAD/MS). There are many variations in sample preparation techniques, LC instrumentation and operating parameters, ionization techniques and types of mass spectrometers (and their operating parameters). The results produced by one lab using one instrumental setup and group of procedures can differ in some respects from those produced by another lab using different equipment and procedures, and thus similar samples analyzed by various setups are included. <br /> <br /> The purpose of this database is to collect data from LC/DAD/MS analyses of actual samples from artifacts and standard dye materials. Each record represents one sample. The record includes information on the sample source, interpretation of the results, the sample preparation procedure, and details of the analytical technique. Images of the chromatograms are included, both DAD signals (at one or more different wavelengths of absorption) and MS (possibly including total ion chromatograms, base peak chromatograms, or extracted ion chromatograms). A table of specific compounds identified in the sample includes common name of the compound, retention time during the analysis, molecular weight (or major ion, if a fragment), and major UV/visible absorbance wavelengths. Finally, images of spectra are included. These include UV/visible absorption spectra of individual compounds and mass spectra. In general, mass spectra that only show the molecular ion will not be included. Spectra that contain collision-induced fragments in addition to the molecular ion, or MS/MS spectra, if acquired, will be included when possible. Many analyses often include small, unidentified peaks. These generally will not be discussed in the analysis record, but users should consult the original data source for full discussion.<br /> <br /> This database also includes a [[Natural and Synthetic Dye Compound Index|compound index]], which lists every compound that has been identified in at least one chromatogram currently included in the database, along with the molecular weight, or major ion if the molecular ion is usually not observed, and positions of major UV/visible absorption bands for the compound. These positions can vary somewhat depending on instrumental conditions, and as many bands are broad, users should consult the actual spectra in specific records. Individual compounds may be searched for, and results will indicate all samples in which the compound was identified.<br /> <br /> [[Category:Analysis of dyes by LC/DAD/MAS|Analysis of dyes by liquid chromatography/diode array/mass spectrometry (LC/DAD/MS)]]<br /> <br /> = Uemera dye archive =<br /> <br /> The LC/DAD/MS database includes analyses of samples from the Uemera dye archive ………………….. The complete archive, with photographs of each page and translations of all information on the page, is available [[Uemera dye archive|here]]. This record of the archive was compiled and all translations were carried out by …… at the Museum of Fine Arts, Boston.<br /> <br /> [[Uemera dye archive]]</div> Admin https://cameo.mfa.org/index.php?title=File:Chromatest.jpg&diff=19499 File:Chromatest.jpg 2013-05-05T16:37:37Z <p>Admin: </p> <hr /> <div></div> Admin https://cameo.mfa.org/index.php?title=Natural_and_Synthetic_Dye_Compound_Index&diff=19498 Natural and Synthetic Dye Compound Index 2013-05-05T16:30:10Z <p>Admin: </p> <hr /> <div>The alphabetical includes the common name of each different compound identified in at least one chromatogram in the database. The second list includes the same compounds, but in this case they are placed in approximate order of retention time, from lowest to highest. This order is what would often be observed on standard C-18 LC columns using typical gradient elution programs. The specific order comes primarily from analyses carried out on instrumentation at the Museum of Fine Arts, Boston. Compounds that have not been found in any samples examined at the MFA are placed with referecne to the retention times of analyzed compounds. Compounds will not elute in exactly the same order on all equipment, so this list is only intended to be a general guide.<br /> <br /> = Alphabetical =<br /> <br /> {| class=&quot;wikitable&quot;<br /> |-<br /> ! scope=&quot;col&quot;| Compound<br /> ! scope=&quot;col&quot;| MW<br /> ! scope=&quot;col&quot;| UV/visible<br /> |-<br /> | alizarin<br /> | 253<br /> | 278,410<br /> |-<br /> | another<br /> | 1234<br /> | 456,789<br /> |-<br /> | another<br /> | 1234<br /> | 456,789<br /> |}<br /> <br /> = In order of retention time =<br /> <br /> More copy / tables go here.</div> Admin https://cameo.mfa.org/index.php?title=Natural_and_Synthetic_Dye_Compound_Index&diff=19497 Natural and Synthetic Dye Compound Index 2013-05-05T16:25:52Z <p>Admin: Created page with &quot;Test&quot;</p> <hr /> <div>Test</div> Admin https://cameo.mfa.org/index.php?title=Natural_and_Synthetic_Dyes&diff=19496 Natural and Synthetic Dyes 2013-05-05T16:25:44Z <p>Admin: /* Analysis of dyes by liquid chromatography/diode array/mass spectrometry (LC/DAD/MS) */</p> <hr /> <div>= Analysis of dyes by liquid chromatography/diode array/mass spectrometry (LC/DAD/MS) = <br /> <br /> For many years now, one of the primary techniques for identification of natural and synthetic dyestuffs used in cultural artifacts has been high performance liquid chromatography (HPLC or LC). In earlier years, most analyses were carried our using a photodiode array detector (DAD), while in recent years, the use of LC/DAD combined with a mass spectrometer (MS) has become more and more common (LC/DAD/MS). There are many variations in sample preparation techniques, LC instrumentation and operating parameters, ionization techniques and types of mass spectrometers (and their operating parameters). The results produced by one lab using one instrumental setup and group of procedures can differ in some respects from those produced by another lab using different equipment and procedures, and thus similar samples analyzed by various setups are included. <br /> <br /> The purpose of this database is to collect data from LC/DAD/MS analyses of actual samples from artifacts and standard dye materials. Each record represents one sample. The record includes information on the sample source, interpretation of the results, the sample preparation procedure, and details of the analytical technique. Images of the chromatograms are included, both DAD signals (at one or more different wavelengths of absorption) and MS (possibly including total ion chromatograms, base peak chromatograms, or extracted ion chromatograms). A table of specific compounds identified in the sample includes common name of the compound, retention time during the analysis, molecular weight (or major ion, if a fragment), and major UV/visible absorbance wavelengths. Finally, images of spectra are included. These include UV/visible absorption spectra of individual compounds and mass spectra. In general, mass spectra that only show the molecular ion will not be included. Spectra that contain collision-induced fragments in addition to the molecular ion, or MS/MS spectra, if acquired, will be included when possible. Many analyses often include small, unidentified peaks. These generally will not be discussed in the analysis record, but users should consult the original data source for full discussion.<br /> <br /> This database also includes a [[Natural and Synthetic Dye Compound Index|compound index]], which lists every compound that has been identified in at least one chromatogram currently included in the database, along with the molecular weight, or major ion if the molecular ion is usually not observed, and positions of major UV/visible absorption bands for the compound. These positions can vary somewhat depending on instrumental conditions, and as many bands are broad, users should consult the actual spectra in specific records. Individual compounds may be searched for, and results will indicate all samples in which the compound was identified.<br /> <br /> [[Analysis of dyes by liquid chromatography/diode array/mass spectrometry (LC/DAD/MS)]]<br /> <br /> = Uemera dye archive =<br /> <br /> The LC/DAD/MS database includes analyses of samples from the Uemera dye archive ………………….. The complete archive, with photographs of each page and translations of all information on the page, is available [[Uemera dye archive|here]]. This record of the archive was compiled and all translations were carried out by …… at the Museum of Fine Arts, Boston.<br /> <br /> [[Uemera dye archive]]</div> Admin https://cameo.mfa.org/index.php?title=Natural_and_Synthetic_Dye_Compound_List&diff=19495 Natural and Synthetic Dye Compound List 2013-05-05T16:25:02Z <p>Admin: Created page with &quot;Test&quot;</p> <hr /> <div>Test</div> Admin https://cameo.mfa.org/index.php?title=Natural_and_Synthetic_Dyes&diff=19494 Natural and Synthetic Dyes 2013-05-05T16:21:31Z <p>Admin: </p> <hr /> <div>= Analysis of dyes by liquid chromatography/diode array/mass spectrometry (LC/DAD/MS) = <br /> <br /> For many years now, one of the primary techniques for identification of natural and synthetic dyestuffs used in cultural artifacts has been high performance liquid chromatography (HPLC or LC). In earlier years, most analyses were carried our using a photodiode array detector (DAD), while in recent years, the use of LC/DAD combined with a mass spectrometer (MS) has become more and more common (LC/DAD/MS). There are many variations in sample preparation techniques, LC instrumentation and operating parameters, ionization techniques and types of mass spectrometers (and their operating parameters). The results produced by one lab using one instrumental setup and group of procedures can differ in some respects from those produced by another lab using different equipment and procedures, and thus similar samples analyzed by various setups are included. <br /> <br /> The purpose of this database is to collect data from LC/DAD/MS analyses of actual samples from artifacts and standard dye materials. Each record represents one sample. The record includes information on the sample source, interpretation of the results, the sample preparation procedure, and details of the analytical technique. Images of the chromatograms are included, both DAD signals (at one or more different wavelengths of absorption) and MS (possibly including total ion chromatograms, base peak chromatograms, or extracted ion chromatograms). A table of specific compounds identified in the sample includes common name of the compound, retention time during the analysis, molecular weight (or major ion, if a fragment), and major UV/visible absorbance wavelengths. Finally, images of spectra are included. These include UV/visible absorption spectra of individual compounds and mass spectra. In general, mass spectra that only show the molecular ion will not be included. Spectra that contain collision-induced fragments in addition to the molecular ion, or MS/MS spectra, if acquired, will be included when possible. Many analyses often include small, unidentified peaks. These generally will not be discussed in the analysis record, but users should consult the original data source for full discussion.<br /> <br /> This database also includes a [[Natural and Synthetic Dye Compound List|compound index]], which lists every compound that has been identified in at least one chromatogram currently included in the database, along with the molecular weight, or major ion if the molecular ion is usually not observed, and positions of major UV/visible absorption bands for the compound. These positions can vary somewhat depending on instrumental conditions, and as many bands are broad, users should consult the actual spectra in specific records. Individual compounds may be searched for, and results will indicate all samples in which the compound was identified.<br /> <br /> [[Analysis of dyes by liquid chromatography/diode array/mass spectrometry (LC/DAD/MS)]]<br /> <br /> = Uemera dye archive =<br /> <br /> The LC/DAD/MS database includes analyses of samples from the Uemera dye archive ………………….. The complete archive, with photographs of each page and translations of all information on the page, is available [[Uemera dye archive|here]]. This record of the archive was compiled and all translations were carried out by …… at the Museum of Fine Arts, Boston.<br /> <br /> [[Uemera dye archive]]</div> Admin https://cameo.mfa.org/index.php?title=About_CAMEO&diff=19239 About CAMEO 2013-05-04T18:53:16Z <p>Admin: Created page with &quot; The Conservation and Art Materials Encyclopedia Online (CAMEO) is an electronic database that compiles, defines, and disseminates technical information on the distinct collec...&quot;</p> <hr /> <div><br /> The Conservation and Art Materials Encyclopedia Online (CAMEO) is an electronic database that compiles, defines, and disseminates technical information on the distinct collection of terms, materials, and techniques used in the fields of art conservation and historic preservation.<br /> <br /> = Project Team =<br /> <br /> The CAMEO project team has researched, entered and reviewed information over 10,000 materials. The team is composed of:<br /> <br /> Principal Investigator:<br /> * Michele Derrick, Conservation Scientist, MFA<br /> <br /> Management/supervision:<br /> * Arthur Beale, Chair, Conservation and Collections Management, MFA (1997-2006) <br /> * Richard Newman, Head, Scientific Research Department, MFA <br /> <br /> CHARISMA/CAMEO cooperation organizer:<br /> * Jean Louis Boutaine, Scientist emeritus, C2RMF<br /> <br /> Web design and implementation:<br /> * Phil Getchell, Webmaster, MFA<br /> * Mediatrope LLC (2006-2010)<br /> * John Klick, Jr., Programmer and Web support contractor (1998-2004)<br /> <br /> Imaging and Photography:<br /> * Keith Lawrence, Scientific Photographer, MFA (2000-2011)<br /> <br /> = History of CAMEO =<br /> <br /> In 1997, the database, formerly called the Conservation and Art Materials Dictionary (CAMD), was developed at the Museum of Fine Arts, Boston by the Conservation and Collections Management Department under the direction of Arthur Beale. An initial grant from the [http://www.ncptt.nps.gov/|National Center for Preservation Technology and Training (NCPTT)] along with additional resources and support from the MFA enabled the first version of the database to be placed on the Internet in November 2000.<br /> <br /> In the development phase, to ensure complete coverage from the diverse specialties within museums and conservation, six initial contributors/reviewers (Gordon Hanlon, Pamela Hatchfield, Teresa Hensick, Meredith Montague, Ivan Myjer, and Roy Perkinson) supplied entries of materials and reviewed draft versions of the database. Michele Derrick, the principal investigator, compiled, consolidated, condensed, and entered available information into the database program. The MFA Webmaster, Phil Getchell, and consultant John Klick developed an online application that allowed interactive, searchable access to the data. After beta testing by the conservation and curatorial staff at the Museum, the database was uploaded to the Internet for use and review by the worldwide conservation community. It was immediately hailed as an important resource for the field.<br /> <br /> Soon it was deemed important for CAMEO to have an upgraded structure, and for its coverage and content to be expanded into a more comprehensive and well-rounded encyclopedic resource for the art conservation and historic preservation fields. In October 2002, a two-year National Leadership grant from the [http://www.imls.gov/ Institute of Museum Library Services (IMLS)] allowed the transport of CAMEO to a SQL based system to better handle the volume of users and information. Major additions to the database included added auxiliary pages for images and documentation of the authority trail. A companion database containing a directory of conservation-related organizations was also added. The IMLS grant ended with all projected tasks completed, including the addition of approximately 6,000 images. In July 2005, a two-year grant from the [http://www.mellon.org/ Andrew W. Mellon Foundation] provided support to upgrade the appearance and user functionality of CAMEO. [http://www.mediatrope.com/ Mediatrope], a professional web development firm, was selected to redesign the website and implement upgrades. New features include auxiliary COMPARISON pages and a third database for information on the Forbes Pigment</div> Admin https://cameo.mfa.org/index.php?title=Forbes_Pigment_Database&diff=19238 Forbes Pigment Database 2013-05-04T17:33:48Z <p>Admin: </p> <hr /> <div>The Forbes’ Pigment Collection contains over 1000 colorants assembled by the late Edward Waldo Forbes, former Director of the Fogg Art Museum at Harvard University (1909-1945). Currently, the core collection of pigments is housed in the Straus Center for Conservation at Harvard University while Forbes’ private collection of pigments resides at the Institute for Fine Arts Conservation Center at New York University. Known subsets of these two collections exist in nineteen additional laboratories around the world. These colorants have been analyzed widely by most of the labs and thus the goal of this database is to provide one central, searchable, readily-accessible location for the compilation of any available information from all sources. The combination of this information will document the materials and aid in the determination of their compositions.<br /> <br /> Many institutions further developed their collections with additional materials. One significant set is a collection of Asian pigments produced by Rutherford Gettens, Fogg Art Museum, and Richard Buck, Intermuseum Conservation Laboratory. This collection now resides at the Asian Art Museum in San Francisco and small subsets exist in other labs.<br /> <br /> Database setup:<br /> Inventory lists and analysis results for the pigments are being added to the database as they are received. The pigment sets have varying numerical designations and limited bottle labeling. Where it appears that more than one lab has portions of the same sample (based on the number or label), the records are combined. The most common numbering systems are: 1) the 'new' system devised by Richard Buck based on the pigment’s color and chemical composition and 2) the 'old' or original numbers from the NYU collection. All numbers associated with a particular sample are included in the Pigment number field for searching purposes.<br /> <br /> [[[PigmentsContents]]]</div> Admin https://cameo.mfa.org/index.php?title=Forbes_Pigment_Database&diff=19237 Forbes Pigment Database 2013-05-04T17:33:34Z <p>Admin: </p> <hr /> <div>The Forbes’ Pigment Collection contains over 1000 colorants assembled by the late Edward Waldo Forbes, former Director of the Fogg Art Museum at Harvard University (1909-1945). Currently, the core collection of pigments is housed in the Straus Center for Conservation at Harvard University while Forbes’ private collection of pigments resides at the Institute for Fine Arts Conservation Center at New York University. Known subsets of these two collections exist in nineteen additional laboratories around the world. These colorants have been analyzed widely by most of the labs and thus the goal of this database is to provide one central, searchable, readily-accessible location for the compilation of any available information from all sources. The combination of this information will document the materials and aid in the determination of their compositions.<br /> <br /> Many institutions further developed their collections with additional materials. One significant set is a collection of Asian pigments produced by Rutherford Gettens, Fogg Art Museum, and Richard Buck, Intermuseum Conservation Laboratory. This collection now resides at the Asian Art Museum in San Francisco and small subsets exist in other labs.<br /> <br /> Database setup:<br /> Inventory lists and analysis results for the pigments are being added to the database as they are received. The pigment sets have varying numerical designations and limited bottle labeling. Where it appears that more than one lab has portions of the same sample (based on the number or label), the records are combined. The most common numbering systems are: 1) the 'new' system devised by Richard Buck based on the pigment’s color and chemical composition and 2) the 'old' or original numbers from the NYU collection. All numbers associated with a particular sample are included in the Pigment number field for searching purposes.<br /> <br /> [[[PigmentsContents]]]<br /> <br /> [[Category:Forbes Pigment Database]]</div> Admin https://cameo.mfa.org/index.php?title=Forbes_Pigment_Database&diff=19236 Forbes Pigment Database 2013-05-04T17:32:45Z <p>Admin: Created page with &quot;The Forbes’ Pigment Collection contains over 1000 colorants assembled by the late Edward Waldo Forbes, former Director of the Fogg Art Museum at Harvard University (1909-194...&quot;</p> <hr /> <div>The Forbes’ Pigment Collection contains over 1000 colorants assembled by the late Edward Waldo Forbes, former Director of the Fogg Art Museum at Harvard University (1909-1945). Currently, the core collection of pigments is housed in the Straus Center for Conservation at Harvard University while Forbes’ private collection of pigments resides at the Institute for Fine Arts Conservation Center at New York University. Known subsets of these two collections exist in nineteen additional laboratories around the world. These colorants have been analyzed widely by most of the labs and thus the goal of this database is to provide one central, searchable, readily-accessible location for the compilation of any available information from all sources. The combination of this information will document the materials and aid in the determination of their compositions.<br /> <br /> Many institutions further developed their collections with additional materials. One significant set is a collection of Asian pigments produced by Rutherford Gettens, Fogg Art Museum, and Richard Buck, Intermuseum Conservation Laboratory. This collection now resides at the Asian Art Museum in San Francisco and small subsets exist in other labs.<br /> <br /> Database setup:<br /> Inventory lists and analysis results for the pigments are being added to the database as they are received. The pigment sets have varying numerical designations and limited bottle labeling. Where it appears that more than one lab has portions of the same sample (based on the number or label), the records are combined. The most common numbering systems are: 1) the 'new' system devised by Richard Buck based on the pigment’s color and chemical composition and 2) the 'old' or original numbers from the NYU collection. All numbers associated with a particular sample are included in the Pigment number field for searching purposes.</div> Admin https://cameo.mfa.org/index.php?title=Directory&diff=16723 Directory 2013-04-28T16:50:23Z <p>Admin: Created page with &quot;Directory page&quot;</p> <hr /> <div>Directory page</div> Admin https://cameo.mfa.org/index.php?title=Natural_and_Synthetic_Dyes&diff=16722 Natural and Synthetic Dyes 2013-04-28T16:48:21Z <p>Admin: Created page with &quot;Synth dyes home&quot;</p> <hr /> <div>Synth dyes home</div> Admin https://cameo.mfa.org/index.php?title=Category:Natural_and_Synthetic_Dyes&diff=16721 Category:Natural and Synthetic Dyes 2013-04-28T16:47:07Z <p>Admin: Created page with &quot;Test&quot;</p> <hr /> <div>Test</div> Admin https://cameo.mfa.org/index.php?title=MediaWiki:Sidebar&diff=16718 MediaWiki:Sidebar 2013-04-28T16:35:55Z <p>Admin: </p> <hr /> <div>* SEARCH<br /> * TOOLBOX<br /> * LANGUAGES<br /> * Extras<br /> ** recentchanges-url|recentchanges<br /> ** randompage-url|randompage<br /> ** helppage|help</div> Admin https://cameo.mfa.org/index.php?title=MediaWiki:Sidebar&diff=16714 MediaWiki:Sidebar 2013-04-28T16:26:36Z <p>Admin: </p> <hr /> <div>* SEARCH<br /> * TOOLBOX<br /> * LANGUAGES<br /> * Extras<br /> ** randompage-url|randompage<br /> ** helppage|help</div> Admin https://cameo.mfa.org/index.php?title=MediaWiki:Sidebar&diff=16713 MediaWiki:Sidebar 2013-04-28T16:26:17Z <p>Admin: </p> <hr /> <div>* SEARCH<br /> * TOOLBOX<br /> * LANGUAGES<br /> * navigation|Extras<br /> ** randompage-url|randompage<br /> ** helppage|help</div> Admin https://cameo.mfa.org/index.php?title=MediaWiki:Sidebar&diff=16712 MediaWiki:Sidebar 2013-04-28T16:02:15Z <p>Admin: </p> <hr /> <div>* navigation<br /> ** randompage-url|randompage<br /> ** helppage|help<br /> * SEARCH<br /> * TOOLBOX<br /> * LANGUAGES</div> Admin https://cameo.mfa.org/index.php?title=MediaWiki:Sidebar&diff=16711 MediaWiki:Sidebar 2013-04-28T16:01:52Z <p>Admin: </p> <hr /> <div>* navigation<br /> ** mainpage|mainpage-description<br /> ** portal-url|portal<br /> ** currentevents-url|currentevents<br /> <br /> * SEARCH<br /> * TOOLBOX<br /> * LANGUAGES</div> Admin https://cameo.mfa.org/index.php?title=MediaWiki:Sidebar&diff=16710 MediaWiki:Sidebar 2013-04-28T16:01:16Z <p>Admin: </p> <hr /> <div>* SEARCH<br /> * TOOLBOX<br /> ** recentchanges-url|recentchanges<br /> ** randompage-url|randompage<br /> ** helppage|help<br /> <br /> * LANGUAGES</div> Admin https://cameo.mfa.org/index.php?title=MediaWiki:Sidebar&diff=16709 MediaWiki:Sidebar 2013-04-28T16:00:37Z <p>Admin: </p> <hr /> <div>* navigation<br /> ** mainpage|mainpage-description<br /> ** portal-url|portal<br /> ** currentevents-url|currentevents<br /> ** recentchanges-url|recentchanges<br /> ** randompage-url|randompage<br /> ** helppage|help<br /> * SEARCH<br /> * TOOLBOX<br /> * LANGUAGES</div> Admin https://cameo.mfa.org/index.php?title=MediaWiki:Sidebar&diff=16708 MediaWiki:Sidebar 2013-04-28T15:41:11Z <p>Admin: </p> <hr /> <div>* SEARCH<br /> * TOOLBOX<br /> * LANGUAGES</div> Admin https://cameo.mfa.org/index.php?title=MediaWiki:Sidebar&diff=16707 MediaWiki:Sidebar 2013-04-28T15:40:41Z <p>Admin: </p> <hr /> <div>frank<br /> * navigation<br /> ** mainpage|mainpage-description<br /> ** portal-url|portal<br /> ** currentevents-url|currentevents<br /> ** recentchanges-url|recentchanges<br /> ** randompage-url|randompage<br /> ** helppage|help<br /> * SEARCH<br /> * TOOLBOX<br /> * LANGUAGES</div> Admin https://cameo.mfa.org/index.php?title=MediaWiki:Sidebar&diff=16706 MediaWiki:Sidebar 2013-04-28T15:40:31Z <p>Admin: </p> <hr /> <div><br /> * navigation<br /> ** mainpage|mainpage-description<br /> ** portal-url|portal<br /> ** currentevents-url|currentevents<br /> ** recentchanges-url|recentchanges<br /> ** randompage-url|randompage<br /> ** helppage|help<br /> * SEARCH<br /> * TOOLBOX<br /> * LANGUAGES</div> Admin https://cameo.mfa.org/index.php?title=MediaWiki:Sidebar&diff=16705 MediaWiki:Sidebar 2013-04-28T15:39:21Z <p>Admin: Created page with &quot;beans * navigation ** mainpage|mainpage-description ** portal-url|portal ** currentevents-url|currentevents ** recentchanges-url|recentchanges ** randompage-url|randompage ** ...&quot;</p> <hr /> <div>beans<br /> * navigation<br /> ** mainpage|mainpage-description<br /> ** portal-url|portal<br /> ** currentevents-url|currentevents<br /> ** recentchanges-url|recentchanges<br /> ** randompage-url|randompage<br /> ** helppage|help<br /> * SEARCH<br /> * TOOLBOX<br /> * LANGUAGES</div> Admin https://cameo.mfa.org/index.php?title=File:Ctr_image_2203.jpg&diff=16702 File:Ctr image 2203.jpg 2013-04-28T14:59:39Z <p>Admin: </p> <hr /> <div></div> Admin https://cameo.mfa.org/index.php?title=File:Home_-_Auburn_Journal.pdf&diff=81 File:Home - Auburn Journal.pdf 2013-04-20T17:49:26Z <p>Admin: dfg dfgdf</p> <hr /> <div>dfg dfgdf</div> Admin https://cameo.mfa.org/index.php?title=File:Indigo1-doestn-exists.jpg&diff=79 File:Indigo1-doestn-exists.jpg 2013-04-20T17:32:07Z <p>Admin: 1 revision</p> <hr /> <div>Title would behrer<br /> <br /> The rest of it herr.</div> Admin https://cameo.mfa.org/index.php?title=File:Indigo1.jpg&diff=77 File:Indigo1.jpg 2013-04-20T17:31:52Z <p>Admin: 1 revision</p> <hr /> <div>Title would behrer<br /> <br /> The rest of it herr.</div> Admin https://cameo.mfa.org/index.php?title=File:Indigo1.jpg&diff=75 File:Indigo1.jpg 2013-04-20T17:31:29Z <p>Admin: 1 revision</p> <hr /> <div>Title would behrer<br /> <br /> Pieced quilt<br /> American<br /> United States, New York, late 18th century<br /> Printed cotton plain weave; pieced and quilted<br /> 238 x 183.5 cm (93 11/16 x 72 1/4 in.)<br /> Museum of Fine Arts, Boston: Gift of Mrs. Edward E. Harkavy 49.414<br /> <br /> for more information see:<br /> [http://https://www.mfa.org/artemis/fullrecord.asp?oid=50020&amp;did=800 MFA Online Collections Database]</div> Admin https://cameo.mfa.org/index.php?title=File:Indigo1.jpg&diff=73 File:Indigo1.jpg 2013-04-20T17:30:40Z <p>Admin: 1 revision</p> <hr /> <div>Title would be here.<br /> Full caption down here.</div> Admin https://cameo.mfa.org/index.php?title=File:Indigo1.jpg&diff=71 File:Indigo1.jpg 2013-04-20T17:29:17Z <p>Admin: 1 revision</p> <hr /> <div>MFA Acc. #: 49.414<br /> <br /> Pieced quilt<br /> American<br /> United States, New York, late 18th century<br /> Printed cotton plain weave; pieced and quilted<br /> 238 x 183.5 cm (93 11/16 x 72 1/4 in.)<br /> Museum of Fine Arts, Boston: Gift of Mrs. Edward E. Harkavy 49.414<br /> <br /> for more information see:<br /> [http://https://www.mfa.org/artemis/fullrecord.asp?oid=50020&amp;did=800 MFA Online Collections Database]</div> Admin https://cameo.mfa.org/index.php?title=Page_title&diff=33 Page title 2013-04-20T17:05:18Z <p>Admin: 1 revision</p> <hr /> <div>A bunch of [[text]] here.</div> Admin https://cameo.mfa.org/index.php?title=Page_title&diff=31 Page title 2013-04-20T17:04:54Z <p>Admin: 1 revision</p> <hr /> <div>A bunch of [[text]] here.</div> Admin https://cameo.mfa.org/index.php?title=Page_title&diff=29 Page title 2013-04-20T17:04:20Z <p>Admin: 1 revision</p> <hr /> <div>A bunch of [[text]] here.</div> Admin