Difference between revisions of "Blue bice"

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== Synonyms and Related Terms ==
 
== Synonyms and Related Terms ==
  
blue verditer; azul montaa (Esp.); bice blu (It.); Bremen blue; synthetic azurite; smalt
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blue verditer; azul montaña (Esp.); bice blu (It.); Bremen blue; synthetic azurite; smalt
  
 
[[[SliderGallery rightalign|PIG436.jpg~XRD|f436sem.jpg~SEM|f436edsbw.jpg~EDS]]]
 
[[[SliderGallery rightalign|PIG436.jpg~XRD|f436sem.jpg~SEM|f436edsbw.jpg~EDS]]]
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== Authority ==
 
== Authority ==
  
* R. J. Gettens, G.L. Stout, R. J. Gettens, G.L. Stout, ''Painting Materials, A Short Encyclopaedia'', Dover Publications, New York, 1966
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* R. J. Gettens, G.L. Stout, ''Painting Materials, A Short Encyclopaedia'', Dover Publications, New York, 1966
  
* Ralph Mayer, Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)
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* Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)
  
* R.D. Harley, R.D. Harley, ''Artists' Pigments c. 1600-1835'', Butterworth Scientific, London, 1982
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* R.D. Harley, ''Artists' Pigments c. 1600-1835'', Butterworth Scientific, London, 1982
  
  
  
 
[[Category:Materials database]]
 
[[Category:Materials database]]

Revision as of 07:42, 24 July 2013

Description

Blue bice is an unstandardized name generally used for synthetic copper carbonate, blue verditer. Blue bice, however, has also been used to refer to the pigment produced from grinding the copper carbonate mineral azurite. Blue bice was once used to refer to smalt.

Synonyms and Related Terms

blue verditer; azul montaña (Esp.); bice blu (It.); Bremen blue; synthetic azurite; smalt

XRD

PIG436.jpg

SEM

F436sem.jpg

EDS

F436edsbw.jpg


Comparisons

[[media:|Characteristics of Common Blue Pigments]]


Authority

  • R. J. Gettens, G.L. Stout, Painting Materials, A Short Encyclopaedia, Dover Publications, New York, 1966
  • Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
  • R.D. Harley, Artists' Pigments c. 1600-1835, Butterworth Scientific, London, 1982

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