Difference between revisions of "Bole"

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== Description ==
 
== Description ==
  
A fine, soft, natural red [http://cameo.mfa.org/materials/fullrecord.asp?name=clay clay] used as an ingredient in grounds for [http://cameo.mfa.org/materials/fullrecord.asp?name=gold leaf gold leaf]. The red color of the bole produced a richer quality in the gold leaf. Additionally, the fine texture of the clay provided a dense surface for burnishing the [http://cameo.mfa.org/materials/fullrecord.asp?name=gold gold].
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A fine, soft, natural red [[clay|clay]] used as an ingredient in grounds for [[gold leaf]]. The red color of the bole produced a richer quality in the gold leaf. Additionally, the fine texture of the clay provided a dense surface for burnishing the [[gold]].
  
 
== Synonyms and Related Terms ==
 
== Synonyms and Related Terms ==
  
poliment; bolus; Armenian bole; red bole; gilders red clay; gilder's red clay; bol rouge (Fr.); bol armnien (Fr.); bol (Esp.); bolo (It., Port.); bolus (Port.)
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poliment; bolus; Armenian bole; red bole; gilders red clay; gilder's red clay; bol rouge (Fr.); bol arménien (Fr.); bol (Esp.); bolo (It., Port.); bolus (Port.)
  
== Authority ==
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==Resources and Citations==
  
* R. J. Gettens, G.L. Stout, R. J. Gettens, G.L. Stout, ''Painting Materials, A Short Encyclopaedia'', Dover Publications, New York, 1966  Comment: p. 98
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* R. J. Gettens, G.L. Stout, ''Painting Materials, A Short Encyclopaedia'', Dover Publications, New York, 1966  Comment: p. 98
  
* Reed Kay, Reed Kay, ''The Painter's Guide To Studio Methods and Materials'', Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983
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* Reed Kay, ''The Painter's Guide To Studio Methods and Materials'', Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983
  
* Ralph Mayer, Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)
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* Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)
  
* Hermann Kuhn, Hermann Kuhn, ''Conservation and Restoration of Works of Art and Antiquities'', Butterworths, London, 1986
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* Hermann Kuhn, ''Conservation and Restoration of Works of Art and Antiquities'', Butterworths, London, 1986
  
* R.D. Harley, R.D. Harley, ''Artists' Pigments c. 1600-1835'', Butterworth Scientific, London, 1982
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* R.D. Harley, ''Artists' Pigments c. 1600-1835'', Butterworth Scientific, London, 1982
  
* Conservation Support Systems, Conservation Support Systems, Catalog, 1997
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* Conservation Support Systems, Catalog, 1997
  
 
* ''Van Nostrand's Scientific Encyclopedia'', Douglas M. Considine (ed.), Van Nostrand Reinhold, New York, 1976
 
* ''Van Nostrand's Scientific Encyclopedia'', Douglas M. Considine (ed.), Van Nostrand Reinhold, New York, 1976
  
* Random House, Random House, ''Webster's Encyclopedic Unabridged Dictionary of the English Language'', Grammercy Book, New York, 1997
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* Random House, ''Webster's Encyclopedic Unabridged Dictionary of the English Language'', Grammercy Book, New York, 1997
  
 
* ''The American Heritage Dictionary'' or ''Encarta'', via Microsoft Bookshelf 98, Microsoft Corp., 1998
 
* ''The American Heritage Dictionary'' or ''Encarta'', via Microsoft Bookshelf 98, Microsoft Corp., 1998

Latest revision as of 15:58, 9 May 2022

Bole

Description

A fine, soft, natural red Clay used as an ingredient in grounds for Gold leaf. The red color of the bole produced a richer quality in the gold leaf. Additionally, the fine texture of the clay provided a dense surface for burnishing the Gold.

Synonyms and Related Terms

poliment; bolus; Armenian bole; red bole; gilders red clay; gilder's red clay; bol rouge (Fr.); bol arménien (Fr.); bol (Esp.); bolo (It., Port.); bolus (Port.)

Resources and Citations

  • R. J. Gettens, G.L. Stout, Painting Materials, A Short Encyclopaedia, Dover Publications, New York, 1966 Comment: p. 98
  • Reed Kay, The Painter's Guide To Studio Methods and Materials, Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983
  • Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
  • Hermann Kuhn, Conservation and Restoration of Works of Art and Antiquities, Butterworths, London, 1986
  • R.D. Harley, Artists' Pigments c. 1600-1835, Butterworth Scientific, London, 1982
  • Conservation Support Systems, Catalog, 1997
  • Van Nostrand's Scientific Encyclopedia, Douglas M. Considine (ed.), Van Nostrand Reinhold, New York, 1976
  • Random House, Webster's Encyclopedic Unabridged Dictionary of the English Language, Grammercy Book, New York, 1997
  • The American Heritage Dictionary or Encarta, via Microsoft Bookshelf 98, Microsoft Corp., 1998