Difference between revisions of "Category:Indigo/Orpiment: Ukiyo-e colorant"

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[[File:SC155045.jpg|right|250px|link=https://collections.mfa.org/objects/207552/kamakura-village-from-an-untitled-series-of-westernstyle-l?ctx=1be86594-d25a-458d-827f-8e5dc3048977&idx=0|Kamakura Village by Katsushika Hokusai]]
 
[[File:SC155045.jpg|right|250px|link=https://collections.mfa.org/objects/207552/kamakura-village-from-an-untitled-series-of-westernstyle-l?ctx=1be86594-d25a-458d-827f-8e5dc3048977&idx=0|Kamakura Village by Katsushika Hokusai]]
  
<font size="3">'''[[:Category:Indigo: Ukiyo-e colorant|Indigo]] + [[:Category:Orpiment: Ukiyo-e colorant|Orpiment]]'''</font>: Green is achieved by mixing or overprinting a blue and a yellow colorant. The dominant formulation for green after the introduction of full-color printing after 1765 is a mixture of indigo and orpiment. By altering the proportions of each, a wide variation of greens could be obtained.  
+
<font size="3">'''[[:Category:Indigo: Ukiyo-e colorant|Indigo]] + [[:Category:Orpiment: Ukiyo-e colorant|Orpiment]]'''</font>: Green is achieved by mixing or overprinting a blue and a yellow colorant. The dominant formulation for green after the introduction of full-color printing after 1765 is a mixture of indigo and orpiment. By altering the proportions of each, a wide variation of greens could be obtained. The preference for this formulation of green might be due to the relative stability of both indigo and orpiment to moisture. However like most of the colorants used for woodblock printing during the Edo period both will fade upon prolonged exposure to light.  
  
 
'''For more information see:''' [[:Category:Indigo: Ukiyo-e colorant|Indigo]], [[:Category:Orpiment: Ukiyo-e colorant|Orpiment]]
 
'''For more information see:''' [[:Category:Indigo: Ukiyo-e colorant|Indigo]], [[:Category:Orpiment: Ukiyo-e colorant|Orpiment]]

Revision as of 12:35, 20 July 2020

Kamakura Village by Katsushika Hokusai

Indigo + Orpiment: Green is achieved by mixing or overprinting a blue and a yellow colorant. The dominant formulation for green after the introduction of full-color printing after 1765 is a mixture of indigo and orpiment. By altering the proportions of each, a wide variation of greens could be obtained. The preference for this formulation of green might be due to the relative stability of both indigo and orpiment to moisture. However like most of the colorants used for woodblock printing during the Edo period both will fade upon prolonged exposure to light.

For more information see: Indigo, Orpiment

Examples of Indigo+Orpiment in Ukiyo-e Prints

Dyed indigo.jpg

Indigo FORS.JPG
Beauties of the Yoshiwara by Suzuki Harunobu

Dyed indigo.jpg

Indigo FORS.JPG
Beauties of the Yoshiwara by Suzuki Harunobu

Dyed indigo.jpg

Indigo FORS.JPG
Beauties of the Yoshiwara by Suzuki Harunobu

Dyed indigo.jpg

Indigo FORS.JPG
Beauties of the Yoshiwara by Suzuki Harunobu

Dyed indigo.jpg

Indigo FORS.JPG
Beauties of the Yoshiwara by Suzuki Harunobu

Analysis

Fiber optic reflectance spectroscopy (FORS) and X-ray fluorescence analysis (XRF) is used to identify indigo+orpiment.

List of Prints

List of prints where indigo was detected

Pages in category "Indigo/Orpiment: Ukiyo-e colorant"

The following 58 pages are in this category, out of 58 total.

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