Difference between revisions of "Mars black"

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Synthetically prepared black iron oxide pigment that was developed in the early 20th century. Mars black is a permanent pigment that has a warm brownish black color. It is a dense, heavy powder and unlike most naturally produced black iron oxide pigments, it is magnetic (the exception is ground magnetite). Mars black absorbs oil readily and unlike lampblack, it is a good drier. Mars black can also be used with watercolors and it does not effloresce when used in mortars and cements.  
 
Synthetically prepared black iron oxide pigment that was developed in the early 20th century. Mars black is a permanent pigment that has a warm brownish black color. It is a dense, heavy powder and unlike most naturally produced black iron oxide pigments, it is magnetic (the exception is ground magnetite). Mars black absorbs oil readily and unlike lampblack, it is a good drier. Mars black can also be used with watercolors and it does not effloresce when used in mortars and cements.  
  
See also [http://cameo.mfa.org/materials/fullrecord.asp?name=Mars%20colors%20 Mars colors ]and [http://cameo.mfa.org/materials/fullrecord.asp?name=iron%20oxide%20black iron oxide black].
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See also [[Mars%20colors%20|Mars colors ]]and [[iron%20oxide%20black|iron oxide black]].
  
 
== Synonyms and Related Terms ==
 
== Synonyms and Related Terms ==
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magnetic black iron oxide; Pigment Black 11; Marsschwarz (Deut.); noir de Mars (Fr.); nero di marte (It.); ijzeroxidezwart (synthetisch) (Ned.); negro de marte (Port.); Mapico black
 
magnetic black iron oxide; Pigment Black 11; Marsschwarz (Deut.); noir de Mars (Fr.); nero di marte (It.); ijzeroxidezwart (synthetisch) (Ned.); negro de marte (Port.); Mapico black
  
== Hazards and Safety ==
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== Risks ==
  
 
No significant hazards.
 
No significant hazards.
  
== Additional Information ==
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== Resources and Citations ==
  
R. Mayer, ''The Artist's Handbook of Materials and Techniques'', Viking Press, New York, 1981.
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* Reed Kay, ''The Painter's Guide To Studio Methods and Materials'', Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983
  
== Authority ==
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* Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)
  
* Reed Kay, Reed Kay, ''The Painter's Guide To Studio Methods and Materials'', Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983
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* Michael McCann, ''Artist Beware'', Watson-Guptill Publications, New York City, 1979
 
 
* Ralph Mayer, Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)
 
 
 
* Michael McCann, Michael McCann, ''Artist Beware'', Watson-Guptill Publications, New York City, 1979
 
  
 
* Art and Architecture Thesaurus Online, http://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000
 
* Art and Architecture Thesaurus Online, http://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000

Latest revision as of 13:44, 15 August 2020

Description

Synthetically prepared black iron oxide pigment that was developed in the early 20th century. Mars black is a permanent pigment that has a warm brownish black color. It is a dense, heavy powder and unlike most naturally produced black iron oxide pigments, it is magnetic (the exception is ground magnetite). Mars black absorbs oil readily and unlike lampblack, it is a good drier. Mars black can also be used with watercolors and it does not effloresce when used in mortars and cements.

See also Mars colors and Iron oxide black.

Synonyms and Related Terms

magnetic black iron oxide; Pigment Black 11; Marsschwarz (Deut.); noir de Mars (Fr.); nero di marte (It.); ijzeroxidezwart (synthetisch) (Ned.); negro de marte (Port.); Mapico black

Risks

No significant hazards.

Resources and Citations

  • Reed Kay, The Painter's Guide To Studio Methods and Materials, Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983
  • Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
  • Michael McCann, Artist Beware, Watson-Guptill Publications, New York City, 1979