Pagoda tree (Styphnolobium japonicum) LC

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pagoda tree flowers and buds/ photo by X. Zhang

Pagoda.png

pagoda tree/Photo by X. Zhang

Pagoda tree.JPG


Description

The Pagoda tree is medium sized tree, Styphnolobium japonicum, native to Japan, China and India that has been used to produce a yellow-green dye, Waifa green, using an Alum mordant with the flower extract then drying the cloth in the sun.

Historical Importance

Pagoda tree buds have been recorded in ancient Chinese books as a dye source for yellow and blue for thousands of years. The dyeing process, using pagoda tree buds was recorded in multiple ancient Chinese books, including Tian Gong Kai Wu 《天工开物》(Chinese Technology in the Seventeenth Century), Duo Neng Bi Shi 《多能鄙事》(Many Abilities in Humble Activities), Bu Jing 《布經》 and Zhiranju buce 《織染局簿冊》.


Pagoda tree buds have been reported to be the dyeing source of some historical textiles dated back to the Qing Dynasty in China [2,3]. Pagoda tree buds were also identified from 19th century suzanis collected in Uzbekistan [4].

Examples:

V&A V&A T.184-1948

MAA КП1276/3

Synonyms and Related Terms

Japanese pagoda tree (Sophora japonica; Styphnolobium japonicum); Chinese scholar tree, waifa; enjo エンジュ(Jap.)槐(Chinese).

Roasted Pagoda tree buds. Photo by X. Zhang

Summary of results

The major components of the plant are three flavonols and their glycosides, as shown in the chromatogram. The major glycoside is rutin. The buds contain an enzyme that converts rutin to its aglycone quercitin. Heating freshly harvested buds inactivates the enzyme, with the result that dyes prepared from such buds will mainly contain rutin, with very little quercitin. Historical textile dyed with pagoda buds often mainly contain rutin.


Analytical instrumentation and procedures

HPLC-DAD-MS analysis was performed with an Agilent 1100 liquid chromatography system consisting of an automatic injector, a gradient pump, a HP series 1100 DAD, and an Agilent series 1100 VL on-line atmospheric pressure ionization electrospray ionization mass spectrometer. Separations were done on a Vydac 214TP52 analytical column (2.1 mm diameterX250 mm; 5-ím particle size). The column was eluted at a flow rate of 0.2 mL/min with a tertiary gradient of water (A),acetonitrile (B), and 1% (v/v) aqueous formic acid (C) with the following elution program: 0 min, 90% A, 5% B, 5% C; 0-55 min, a linear gradient to 35% A, 60% B, 5% C; 55-60 min, a linear gradient elution to 15% A, 80% B, 5% C; 60-62 min, isocratic elution at 15% A, 80% B, 5% C; 62-70 min gradient elution to 90% A, 5% B, 5% C; and reequilibration with the latter solvent for 15 min. The mass spectrometer was run both in the negative and positive ion mode.


Chromatograms

HPLC-DAD Pagoda tree buds sample (~0.1g) from Tanakano, Japan was extracted with 1 mL methanol:H2O (v:v=1:1). Then the upper 30 μl of solution was removed for HPLC-DAD-MS analysis (20 μl was injected).

Absorbance at 350nm (mAU)


Results

compounds identified

Identified compounds

HPLC-DAD and MS data of a Qing dynasty textile sample. by X. Zhang

Pagoda tree historial sample.PNG

Rutin UV-Vis

Rutin.JPG

Quercetin UV-Vis

QuercetinUV.JPG

Isorhamnetin UV-Vis

IsoUV.JPG

Kaempferol UV-Vis

Kea.JPG


Compound RT (min.) MW UV/vis Other
rutin 27.0 610 278,352 Comments here
quercetin 34.6 302 280,395,370
kaempferol 39.0 286 280,395,368
isorhamnetin 39.0 316 280,395,368

References

[1] Xian Zhang, and , Richard Laursen, Development of Mild Extraction Methods for the Analysis of Natural Dyes in Textiles of Historical Interest Using LC-Diode Array Detector-MS. Analytical Chemistry 77, 2022-2025 (2005).

[2] Xian Zhang, Corrigan, K., MacLaren, B., , M., and , R. A.Laursen, Characterization of Yellow Dyes in Nineteenth Century Chinese Textiles. Studies in Conservation 52, 211-220 (2007).

[3] Jing Han, The Historical and chemical investigation of dyes in high status Chinese costume and textiles of the Ming and Qing Dynasties (1368-1911) PhD thesis, University of Glasgow February 2016.

[4] Xian Zhang, Richard Laursen, and Osipova Svetlana O. Analysis of dyes in some 19th-century Uzbek suzanis. Dyes in History and Archaeology.