Difference between revisions of "Sumac"

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[[File:Rhuscopallinumvt.jpg|thumb|Winged Sumac ''Rhus copallinum'']]
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== Description ==
 
[[File:sumac_powdered leaves.jpg|thumb|Powdered sumac leaves]]
 
[[File:sumac_powdered leaves.jpg|thumb|Powdered sumac leaves]]
== Description ==
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A tannin containing dye obtained from ''Rhus'' bushes, such as ''R. glabra'', ''R. cotinus'', ''R. coggygria'' (Venetian sumac or young fustic), ''R. typhina'' (American staghorn sumac), R. copallina (winged sumac), and ''R. coriaria'' (Sicilian sumac), that are native to the temperate and subtropical areas of Europe, Asia, and the Americas. Sumac has been used worldwide since ancient times. The berries, leaves, and bark are used for vegetable tanning of leathers and as red, black and yellow shades of dye. Sumac contains high levels of [[tannin|tannins]] (25 - 30%) and fisetin. The tannins are extracted from dried young twigs which are gathered before the plant has flowered. The leaves are beaten from the twigs and used separately as a dye. Berries, fermented or fresh, produce different shades of tan, red, and black depending on the variety of sumac. Iron mordants are used with sumac to produce black [[silk|silk]]. Sumac itself is used as a mordant for [[cotton|cotton]] and [[flax|flax]] fibers to afix other types of dyes, such as [[coal%20tar%20dye|coal tar dyes]].
 
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* See also [[https://cameo.mfa.org/wiki/Category:Uemura_dye_archive '''Uemera Dye Archive''' (Haze no ki)]]
A tannin containing dye obtained from ''Rhus'' bushes, such as ''R. glabra'', ''R. cotinus'', ''R. coggygria'' (Venetian sumac or young fustic), ''R. typhina'' (American staghorn sumac), R. copallina (winged sumac), and ''R. coriaria'' (Sicilian sumac), that are native to the temperate and subtropical areas of Europe, Asia, and the Americas. Sumac has been used worldwide since ancient times. The berries, leaves, and bark are used for vegetable tanning of leathers and as red, black and yellow shades of dye. Sumac contains high levels of [http://cameo.mfa.org/materials/fullrecord.asp?name=tannin tannins] (25 - 30%) and fisetin. The tannins are extracted from dried young twigs which are gathered before the plant has flowered. The leaves are beaten from the twigs and used separately as a dye. Berries, fermented or fresh, produce different shades of tan, red, and black depending on the variety of sumac. Iron mordants are used with sumac to produce black [http://cameo.mfa.org/materials/fullrecord.asp?name=silk silk]. Sumac itself is used as a mordant for [http://cameo.mfa.org/materials/fullrecord.asp?name=cotton cotton] and [http://cameo.mfa.org/materials/fullrecord.asp?name=flax flax] fibers to afix other types of dyes, such as [http://cameo.mfa.org/materials/fullrecord.asp?name=coal tar dye coal tar dyes].
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[[File:Sumac 4up 4.jpg|thumb|Sumac dyed fabric]]
 
 
[[File:Rhuscopallinumvt.jpg|thumb|Winged Sumac  
 
 
 
''Rhus copallinum'']]
 
 
== Synonyms and Related Terms ==
 
== Synonyms and Related Terms ==
  
 
''Rhus cotinus; Rhus coggygria'' (Venetian sumac or young fustic); ''Rhus typhina'' (American staghorn sumac), ''Rhus copallina'' (winged sumac or shining sumac); ''Rhus coriaria'' (Sicilian sumac); ''Rhus glabra'' (smooth sumac); Gerberbaum (Deut.); sommacco (It.); zumaque de Sicilia (Esp.); smack (Ned.); sumak (Dan., Ned.); sumac (Fr.); Rhus (Deut., Fr.); shumack; shoemack; sumach; dyer's sumac; tanner's sumac
 
''Rhus cotinus; Rhus coggygria'' (Venetian sumac or young fustic); ''Rhus typhina'' (American staghorn sumac), ''Rhus copallina'' (winged sumac or shining sumac); ''Rhus coriaria'' (Sicilian sumac); ''Rhus glabra'' (smooth sumac); Gerberbaum (Deut.); sommacco (It.); zumaque de Sicilia (Esp.); smack (Ned.); sumak (Dan., Ned.); sumac (Fr.); Rhus (Deut., Fr.); shumack; shoemack; sumach; dyer's sumac; tanner's sumac
  
== Additional Information ==
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== Resources and Citations ==
 
 
J.Hofenk-de Graaf, ''Natural Dyestuffs: Origin, Chemical Constitution, Identification'', Central Research Laboratory for Objects of Art and Science, Amsterdam, September 1969.
 
 
 
== Additional Images ==
 
 
 
<gallery>
 
File:Sumac 4up 4.jpg|Sumac dyed fabric
 
</gallery>
 
 
 
 
 
== Authority ==
 
  
* R.J. Adrosko, R.J. Adrosko, ''Natural Dyes in the United States'', Smithsonian Institution Press, Washington, DC, 1968
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* J.Hofenk-de Graaf, ''Natural Dyestuffs: Origin, Chemical Constitution, Identification'', Central Research Laboratory for Objects of Art and Science, Amsterdam, September 1969.
  
* G.S.Brady, G.S.Brady, ''Materials Handbook'', McGraw-Hill Book Co., New York, 1971  Comment: p. 786
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* R.J. Adrosko, ''Natural Dyes in the United States'', Smithsonian Institution Press, Washington, DC, 1968
  
* Hermann Kuhn, Hermann Kuhn, ''Conservation and Restoration of Works of Art and Antiquities'', Butterworths, London, 1986
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* G.S.Brady, ''Materials Handbook'', McGraw-Hill Book Co., New York, 1971  Comment: p. 786
  
* Matt Roberts, Don Etherington, Matt Roberts, Don Etherington, ''Bookbinding and the Conservation of Books: a Dictionary of Descriptive Terminology'', U.S. Government Printing Office, Washington DC, 1982
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* Hermann Kuhn, ''Conservation and Restoration of Works of Art and Antiquities'', Butterworths, London, 1986
  
* ''Encyclopedia Britannica'', http://www.britannica.com  Comment: "sumac" Encyclopdia Britannica [Accessed October 9, 2001].
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* Matt Roberts, Don Etherington, ''Bookbinding and the Conservation of Books: a Dictionary of Descriptive Terminology'', U.S. Government Printing Office, Washington DC, 1982
  
* F. Crace-Calvert, F. Crace-Calvert, ''Dyeing and Calico Printing'', Palmer & Howe, London, 1876
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* ''Encyclopedia Britannica'', http://www.britannica.com  Comment: "sumac"  [Accessed October 9, 2001].
  
* Judith Hofenk-de Graaff, Judith Hofenk-de Graaff, ''Natural Dyestuffs: Origin, Chemical Constitution, Identification'', Central Research Laboratory for Objects of Art and Science, Amsterdam, 1969
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* F. Crace-Calvert, ''Dyeing and Calico Printing'', Palmer & Howe, London, 1876
  
* J. Thornton, J. Thornton, 'The Use of Dyes and Colored Varnishes in Wood Polychromy', ''Painted Wood: History and Conservation'', The Getty Conservation Insitute, Los Angeles, 1998
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* J. Thornton, 'The Use of Dyes and Colored Varnishes in Wood Polychromy', ''Painted Wood: History and Conservation'', The Getty Conservation Insitute, Los Angeles, 1998
  
  
  
 
[[Category:Materials database]]
 
[[Category:Materials database]]

Latest revision as of 13:15, 22 June 2022

Winged Sumac Rhus copallinum

Description

Powdered sumac leaves

A tannin containing dye obtained from Rhus bushes, such as R. glabra, R. cotinus, R. coggygria (Venetian sumac or young fustic), R. typhina (American staghorn sumac), R. copallina (winged sumac), and R. coriaria (Sicilian sumac), that are native to the temperate and subtropical areas of Europe, Asia, and the Americas. Sumac has been used worldwide since ancient times. The berries, leaves, and bark are used for vegetable tanning of leathers and as red, black and yellow shades of dye. Sumac contains high levels of tannins (25 - 30%) and fisetin. The tannins are extracted from dried young twigs which are gathered before the plant has flowered. The leaves are beaten from the twigs and used separately as a dye. Berries, fermented or fresh, produce different shades of tan, red, and black depending on the variety of sumac. Iron mordants are used with sumac to produce black Silk. Sumac itself is used as a mordant for Cotton and Flax fibers to afix other types of dyes, such as coal tar dyes.

Sumac dyed fabric

Synonyms and Related Terms

Rhus cotinus; Rhus coggygria (Venetian sumac or young fustic); Rhus typhina (American staghorn sumac), Rhus copallina (winged sumac or shining sumac); Rhus coriaria (Sicilian sumac); Rhus glabra (smooth sumac); Gerberbaum (Deut.); sommacco (It.); zumaque de Sicilia (Esp.); smack (Ned.); sumak (Dan., Ned.); sumac (Fr.); Rhus (Deut., Fr.); shumack; shoemack; sumach; dyer's sumac; tanner's sumac

Resources and Citations

  • J.Hofenk-de Graaf, Natural Dyestuffs: Origin, Chemical Constitution, Identification, Central Research Laboratory for Objects of Art and Science, Amsterdam, September 1969.
  • R.J. Adrosko, Natural Dyes in the United States, Smithsonian Institution Press, Washington, DC, 1968
  • G.S.Brady, Materials Handbook, McGraw-Hill Book Co., New York, 1971 Comment: p. 786
  • Hermann Kuhn, Conservation and Restoration of Works of Art and Antiquities, Butterworths, London, 1986
  • Matt Roberts, Don Etherington, Bookbinding and the Conservation of Books: a Dictionary of Descriptive Terminology, U.S. Government Printing Office, Washington DC, 1982
  • F. Crace-Calvert, Dyeing and Calico Printing, Palmer & Howe, London, 1876
  • J. Thornton, 'The Use of Dyes and Colored Varnishes in Wood Polychromy', Painted Wood: History and Conservation, The Getty Conservation Insitute, Los Angeles, 1998

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