Difference between revisions of "Nanten no ki (Nandina) - top(74 T)"
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| − | {| class="wikitable" | + | [[[SliderGallery rightalign|Uemura_04-23-2009_074.jpg~Normal|Uemura_04-23-2009_074_UV.jpg~UV]]]{| class="wikitable" |
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! scope="row"|Museum number | ! scope="row"|Museum number | ||
| 74 | | 74 | ||
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| − | ! scope="row"| | + | ! scope="row"|Uemura number / title |
| − | | | + | | ; "Haze-some 25" |
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! scope="row"|Folder location | ! scope="row"|Folder location | ||
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| ash water | | ash water | ||
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| − | ! scope="row"| | + | ! scope="row"|Uemura's notes |
| The sample was soaked in a boiling bath containing dye extract and ash water. If a fabric would be soaked into a bath of the dye extract first, followed by a separate bath of ash water, the resultant dyed color would be more red. However, the red tone would decrease as the fabric dries. | | The sample was soaked in a boiling bath containing dye extract and ash water. If a fabric would be soaked into a bath of the dye extract first, followed by a separate bath of ash water, the resultant dyed color would be more red. However, the red tone would decrease as the fabric dries. | ||
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| − | ! scope="row"| | + | ! scope="row"|Uemura's date |
| Kyoto | | Kyoto | ||
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| − | [[Category: | + | [[Category:Uemura dye archive]] |
Latest revision as of 16:48, 23 June 2020
| Museum number | 74 |
|---|---|
| Uemura number / title | ; "Haze-some 25" |
| Folder location | 1st shelf |
| Sample location | top(74 T) |
| Fiber type | silk |
| Color | dull light beige |
| Dyestuff (Japanese common name) | 南天の樹 : Nanten no ki |
| Dye (English common name) | Nandina |
| Dyestuff (botanical name) | Nandina domestica Thunb. |
| Plant part | branch /withered, dried |
| Dyestuff extraction | boiled in water |
| Auxiliary agent in dye bath | - |
| Mordant | - |
| Other auxiliary agent | ash water |
| Uemura's notes | The sample was soaked in a boiling bath containing dye extract and ash water. If a fabric would be soaked into a bath of the dye extract first, followed by a separate bath of ash water, the resultant dyed color would be more red. However, the red tone would decrease as the fabric dries. |
| Uemura's date | Kyoto |