Difference between revisions of "Yama ai (Mercurialis leiocarpa) - center (277 C)"
Jump to navigation
Jump to search
(username removed) |
m (MDerrick moved page Yama ai - center (277 C) to Yama ai (Mercurialis leiocarpa) - center (277 C) without leaving a redirect) |
||
| (One intermediate revision by one other user not shown) | |||
| Line 5: | Line 5: | ||
| 277 | | 277 | ||
|- | |- | ||
| − | ! scope="row"| | + | ! scope="row"|Uemura number / title |
| − | | | + | | ; "Haze-some 25" |
|- | |- | ||
! scope="row"|Folder location | ! scope="row"|Folder location | ||
| Line 41: | Line 41: | ||
| - | | - | ||
|- | |- | ||
| − | ! scope="row"| | + | ! scope="row"|Uemura's notes |
| − | | After collecting the leaves, they were left for a while until they became blue; and then rubbed onto the fabric. At first, the rubbed color was blue, however eventually discolored. The dyeing technique was read in a classic poem in the | + | | After collecting the leaves, they were left for a while until they became blue; and then rubbed onto the fabric. At first, the rubbed color was blue, however eventually discolored. The dyeing technique was read in a classic poem in the Manysh () ,from the 7th -8th century AD; and recorded as "Ao-zuri no koromo () in the Kojiki (), from 712 AD, Japan, and "Ao-zurin no hou ()" in the Jyougan-shiki () from the 8th century AD, Japan. |
|- | |- | ||
| − | ! scope="row"| | + | ! scope="row"|Uemura's date |
| Kyoto | | Kyoto | ||
|} | |} | ||
| − | [[Category: | + | [[Category:Uemura dye archive]] |
Latest revision as of 09:10, 24 June 2020
| Museum number | 277 |
|---|---|
| Uemura number / title | ; "Haze-some 25" |
| Folder location | 4th shelf |
| Sample location | center (277 C) |
| Fiber type | - |
| Color | dark brown stains |
| Dyestuff (Japanese common name) | 山藍 ; Yama ai |
| Dyestuff (botanical name) | Mercurialis leiocarpa Siebold et Zecc. |
| Plant part | leaf / fresh |
| Dyestuff extraction | rubbed onto the fabric |
| Auxiliary agent in dye bath | - |
| Mordant | - |
| Other auxiliary agent | - |
| Uemura's notes | After collecting the leaves, they were left for a while until they became blue; and then rubbed onto the fabric. At first, the rubbed color was blue, however eventually discolored. The dyeing technique was read in a classic poem in the Manysh () ,from the 7th -8th century AD; and recorded as "Ao-zuri no koromo () in the Kojiki (), from 712 AD, Japan, and "Ao-zurin no hou ()" in the Jyougan-shiki () from the 8th century AD, Japan. |
| Uemura's date | Kyoto |