Difference between revisions of "Japan enamel"
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A hard, shiny imitation Oriental lacquer made made by mixing pigments into an oil and gum binder usually with a reducing agent. Japan enamel was baked to evaporate the solvent and fuse the binder into a uniform, durable surface. Each layer was hand rubbed prior to the addition of another coat. Pigment colors of white, blue, and black were used on furniture in the 17th and 18th centuries. By the 19th century numerous coating formulations were used to imitate lacquer and the paints were popularly applied to tinware, ironware, and papier mache. | A hard, shiny imitation Oriental lacquer made made by mixing pigments into an oil and gum binder usually with a reducing agent. Japan enamel was baked to evaporate the solvent and fuse the binder into a uniform, durable surface. Each layer was hand rubbed prior to the addition of another coat. Pigment colors of white, blue, and black were used on furniture in the 17th and 18th centuries. By the 19th century numerous coating formulations were used to imitate lacquer and the paints were popularly applied to tinware, ironware, and papier mache. | ||
| − | See also [[japan black]], and [[Japanese lacquer]]. | + | See also [[japan black]], and [[lacquer, Oriental|Japanese lacquer]]. |
== Synonyms and Related Terms == | == Synonyms and Related Terms == | ||
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japaning; japanning; japan; japan black; japan varnish; white japan; blue japan; black japan | japaning; japanning; japan; japan black; japan varnish; white japan; blue japan; black japan | ||
| − | == | + | == Resources and Citations == |
| − | M.Bellardie, "Japanning in Seventeenth- and Eighteenth-Century Europe" in ''Painted Wood: History and Conservation'', Getty Conservation Institute, Los Angeles, 1998. | + | * M.Bellardie, "Japanning in Seventeenth- and Eighteenth-Century Europe" in ''Painted Wood: History and Conservation'', Getty Conservation Institute, Los Angeles, 1998. |
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* G.S.Brady, ''Materials Handbook'', McGraw-Hill Book Co., New York, 1971 | * G.S.Brady, ''Materials Handbook'', McGraw-Hill Book Co., New York, 1971 | ||
Latest revision as of 14:03, 7 August 2020
Description
A hard, shiny imitation Oriental lacquer made made by mixing pigments into an oil and gum binder usually with a reducing agent. Japan enamel was baked to evaporate the solvent and fuse the binder into a uniform, durable surface. Each layer was hand rubbed prior to the addition of another coat. Pigment colors of white, blue, and black were used on furniture in the 17th and 18th centuries. By the 19th century numerous coating formulations were used to imitate lacquer and the paints were popularly applied to tinware, ironware, and papier mache.
See also Japan black, and Japanese lacquer.
Synonyms and Related Terms
japaning; japanning; japan; japan black; japan varnish; white japan; blue japan; black japan
Resources and Citations
- M.Bellardie, "Japanning in Seventeenth- and Eighteenth-Century Europe" in Painted Wood: History and Conservation, Getty Conservation Institute, Los Angeles, 1998.
- G.S.Brady, Materials Handbook, McGraw-Hill Book Co., New York, 1971
- Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
- ASTM, "Standard Terminology Relating to Paint, Varnish, Lacquer and Related Products", Annual Book of ASTM Standards, Section 6, Paints, Related Coatings and Aromatics, ASTM, D16, 7-Jan, Jul-96