Difference between revisions of "Ultramarine ash"

From CAMEO
Jump to navigation Jump to search
 
(2 intermediate revisions by one other user not shown)
Line 1: Line 1:
 
[[File:464 ultramarine ash2.jpg|thumb|Ultramarine ash]]
 
[[File:464 ultramarine ash2.jpg|thumb|Ultramarine ash]]
 
== Description ==
 
== Description ==
 
+
[[File:Ultraash C100x.jpg|thumb|Ultramarine ash at 100x (visible light left; UV light right)]]
The end-product of the refining process used to produce [http://cameo.mfa.org/materials/fullrecord.asp?name=ultramarine%20blue%2C%20natural natural ultramarine blue] pigment from [http://cameo.mfa.org/materials/fullrecord.asp?name=lapis%20lazuli lapis lazuli]. Ultramarine ash contains small blue particles mixed with a large proportion of colorless materials, such as calcite and silicates. Ultramarine ash is a transparent blue-gray pigment that has been used for glazing.
+
The end-product of the refining process used to produce [[ultramarine%20blue%2C%20natural|natural ultramarine blue]] pigment from [[lapis%20lazuli|lapis lazuli]]. Ultramarine ash contains small blue particles mixed with a large proportion of colorless materials, such as calcite and silicates. Ultramarine ash is a transparent blue-gray pigment that has been used for glazing.
  
 
== Synonyms and Related Terms ==
 
== Synonyms and Related Terms ==
Line 10: Line 10:
 
[[[SliderGallery rightalign|PIG464.jpg~XRD|f464sem.jpg~SEM|f464edsbw.jpg~EDS|Slide7_F464.PNG~XRF]]]
 
[[[SliderGallery rightalign|PIG464.jpg~XRD|f464sem.jpg~SEM|f464edsbw.jpg~EDS|Slide7_F464.PNG~XRF]]]
  
== Other Properties ==
+
== Risks ==
 
 
Discolors when exposed to weak acids or sulfur fumes.
 
 
 
== Hazards and Safety ==
 
 
 
No significant hazards.
 
 
 
== Additional Information ==
 
 
 
J. Plesters, "Ultramarine Blue, Natural and Artificial", ''Artists Pigments'', Volume 2, A. Roy (ed.), Oxford University Press: Oxford, 1993.
 
  
== Additional Images ==
+
* No significant hazards.
 +
==Physical and Chemical Properties==
  
<gallery>
+
* Discolors when exposed to weak acids or sulfur fumes.
File:Ultraash C100x.jpg|Ultramarine ash
 
</gallery>
 
  
 +
==Resources and Citations==
  
== Authority ==
+
* J. Plesters, "Ultramarine Blue, Natural and Artificial", ''Artists Pigments'', Volume 2, A. Roy (ed.), Oxford University Press: Oxford, 1993.
  
 
* Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)
 
* Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)

Latest revision as of 08:45, 23 June 2022

Ultramarine ash

Description

Ultramarine ash at 100x (visible light left; UV light right)

The end-product of the refining process used to produce natural ultramarine blue pigment from Lapis lazuli. Ultramarine ash contains small blue particles mixed with a large proportion of colorless materials, such as calcite and silicates. Ultramarine ash is a transparent blue-gray pigment that has been used for glazing.

Synonyms and Related Terms

mineral blue; Sander's blue; Saunder's blue; bleu cendres; vein stone

XRD

PIG464.jpg

SEM

F464sem.jpg

EDS

F464edsbw.jpg

XRF

Slide7 F464.PNG


Risks

  • No significant hazards.

Physical and Chemical Properties

  • Discolors when exposed to weak acids or sulfur fumes.

Resources and Citations

  • J. Plesters, "Ultramarine Blue, Natural and Artificial", Artists Pigments, Volume 2, A. Roy (ed.), Oxford University Press: Oxford, 1993.
  • Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)

Retrieved from "https://cameo.mfa.org/index.php?title=Ultramarine_ash&oldid=88377"