Difference between revisions of "Category:Prussian Blue: Ukiyo-e colorant"
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− | [[File:SC130566.jpg|right| | + | [[File:SC130566.jpg|right|400px|link=Hokusai, Under the Wave off Kanagawa, also known as the Great Wave, from the series Thirty-six Views of Mount Fuji, 21.6765|Great Wave by Katsushika Hokusai]] |
− | <font size="3">'''[[Prussian blue]]'''</font> ベロ藍(''bero-ai''): The first modern synthetic pigment, Prussian blue was an accidental discovery made around 1704–6 by chemist Johann Jacob Diesbach with the help of alchemist Johann Conrad Dippel. Composed of ferric ferrocyanide, this synthetically produced pigment yields a vivid blue. Due to its high cost as an import from the West during the 1800s, it was used initially for paintings. By the end of the 1820s, this pigment was produced in China, thus making it affordable for use as a colorant for woodblock printing. | + | <font size="3">'''[[Prussian blue]]'''</font> ベロ藍 (''bero-ai''): The first modern synthetic pigment, Prussian blue was an accidental discovery made around 1704–6 by chemist Johann Jacob Diesbach with the help of alchemist Johann Conrad Dippel. Composed of ferric ferrocyanide, this synthetically produced pigment yields a vivid blue. Due to its high cost as an import from the West during the 1800s, it was used initially for paintings. By the end of the 1820s, this pigment was produced in China, thus making it affordable for use as a colorant for woodblock printing. |
Prussian blue's bright, intense “true blue” color, fine particle size, and high tinting strength soon made it an indispensable addition to the printmaker’s palette, largely supplanting [[:Category:Dayflower: Ukiyo-e colorant|dayflower]] and [[:Category:Indigo: Ukiyo-e colorant|indigo]]. This enabled an even, sharp printing as well as a greater range of tones especially when printing graduated color. It is thought that the introduction of this colorant into the printmaker’s palette stimulated Hokusai and Hiroshige to design the iconic landscape prints for which they are celebrated. Prussian blue is both lightfast and stable to moisture. | Prussian blue's bright, intense “true blue” color, fine particle size, and high tinting strength soon made it an indispensable addition to the printmaker’s palette, largely supplanting [[:Category:Dayflower: Ukiyo-e colorant|dayflower]] and [[:Category:Indigo: Ukiyo-e colorant|indigo]]. This enabled an even, sharp printing as well as a greater range of tones especially when printing graduated color. It is thought that the introduction of this colorant into the printmaker’s palette stimulated Hokusai and Hiroshige to design the iconic landscape prints for which they are celebrated. Prussian blue is both lightfast and stable to moisture. | ||
'''For additional information see:''' [[Prussian blue]] | '''For additional information see:''' [[Prussian blue]] | ||
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<br> | <br> | ||
== Examples of Prussian blue in Ukiyo-e Prints == | == Examples of Prussian blue in Ukiyo-e Prints == | ||
− | {|class="wikitable" style="display: inline-table;font-size:90%;text-align:center;width:15%" | + | {| class="wikitable" style="display: inline-table;font-size:90%;text-align:center;width:15%" |
− | |[[File:dyed indigo.jpg|200px]] | + | |[[File:dyed indigo.jpg|200px|link=]] |
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− | [[File:Indigo FORS.JPG|200px]]<br>[[Harunobu, Beautiful Women of the Yoshiwara, Applying makeup (MFA 2006.1537.5)| | + | [[File:Indigo FORS.JPG|200px]]<br>[[Harunobu, Beautiful Women of the Yoshiwara, Applying makeup (MFA 2006.1537.5)|Pt 4: Printed<br>Torii Kiyomasu II, 58.343]] |
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{| class="wikitable" style="display: inline-table;font-size:90%;text-align:center;width:15%" | {| class="wikitable" style="display: inline-table;font-size:90%;text-align:center;width:15%" | ||
− | |[[File:dyed indigo.jpg|200px]] | + | |[[File:dyed indigo.jpg|200px|link=]] |
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− | [[File:Indigo FORS.JPG|200px]]<br>[[Harunobu, Beautiful Women of the Yoshiwara, Applying makeup (MFA 2006.1537.5)| | + | [[File:Indigo FORS.JPG|200px]]<br>[[Harunobu, Beautiful Women of the Yoshiwara, Applying makeup (MFA 2006.1537.5)|Pt 4: Printed<br>Torii Kiyomasu II, 58.343]] |
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{| class="wikitable" style="display: inline-table;font-size:90%;text-align:center;width:15%" | {| class="wikitable" style="display: inline-table;font-size:90%;text-align:center;width:15%" | ||
− | |[[File:dyed indigo.jpg|200px]] | + | |[[File:dyed indigo.jpg|200px|link=]] |
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− | [[File:Indigo FORS.JPG|200px]]<br>[[Harunobu, Beautiful Women of the Yoshiwara, Applying makeup (MFA 2006.1537.5)| | + | [[File:Indigo FORS.JPG|200px]]<br>[[Harunobu, Beautiful Women of the Yoshiwara, Applying makeup (MFA 2006.1537.5)|Pt 4: Printed<br>Torii Kiyomasu II, 58.343]] |
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{| class="wikitable" style="display: inline-table;font-size:90%;text-align:center;width:15%" | {| class="wikitable" style="display: inline-table;font-size:90%;text-align:center;width:15%" | ||
− | |[[File:dyed indigo.jpg|200px]] | + | |[[File:dyed indigo.jpg|200px|link=]] |
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− | [[File:Indigo FORS.JPG|200px]]<br>[[Harunobu, Beautiful Women of the Yoshiwara, Applying makeup (MFA 2006.1537.5)| | + | [[File:Indigo FORS.JPG|200px]]<br>[[Harunobu, Beautiful Women of the Yoshiwara, Applying makeup (MFA 2006.1537.5)|Pt 4: Printed<br>Torii Kiyomasu II, 58.343]] |
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{| class="wikitable" style="display: inline-table;font-size:90%;text-align:center;width:15%" | {| class="wikitable" style="display: inline-table;font-size:90%;text-align:center;width:15%" | ||
− | |[[File:dyed indigo.jpg|200px]] | + | |[[File:dyed indigo.jpg|200px|link=]] |
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− | [[File:Indigo FORS.JPG|200px]]<br>[[Harunobu, Beautiful Women of the Yoshiwara, Applying makeup (MFA 2006.1537.5)| | + | [[File:Indigo FORS.JPG|200px]]<br>[[Harunobu, Beautiful Women of the Yoshiwara, Applying makeup (MFA 2006.1537.5)|Pt 4: Printed<br>Torii Kiyomasu II, 58.343]] |
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==Images of Prussian blue == | ==Images of Prussian blue == | ||
<gallery> | <gallery> | ||
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File:448 Prussian blue.jpg|Prussian blue | File:448 Prussian blue.jpg|Prussian blue | ||
File:Prussianblue C100x.jpg|Prussian blue at 100x | File:Prussianblue C100x.jpg|Prussian blue at 100x | ||
File:38_Prussian_blue_500X.jpg|Prussian blue at 500x | File:38_Prussian_blue_500X.jpg|Prussian blue at 500x | ||
+ | Prussian blue lumps.jpg|Lumps of Prussian blue, <small>by Takeo City Library</small>|link=https://www.city.takeo.lg.jp/rekisi/kikaku/2012/ao/ao.html | ||
File:|Printed Prussian blue | File:|Printed Prussian blue | ||
+ | File:NMAH-AHB2017q005536.jpg|Prussian blue, <small>by National Museum of American History</small>|link=https://americanhistory.si.edu/collections/nmah_1422878 | ||
File:20462443.jpg|Prussian blue (audio), <small>by Harvard Art Museums</small>|link=https://harvardartmuseums.org/tour/660/slide/11158 | File:20462443.jpg|Prussian blue (audio), <small>by Harvard Art Museums</small>|link=https://harvardartmuseums.org/tour/660/slide/11158 | ||
File:UFqWlyorbtU-HD.jpg|Dr. Joe Schwarcz:The origins of Prussian blue (video), <small>by Montreal Gazette</small>|link=https://www.youtube.com/watch?v=uFqWlyorbtU | File:UFqWlyorbtU-HD.jpg|Dr. Joe Schwarcz:The origins of Prussian blue (video), <small>by Montreal Gazette</small>|link=https://www.youtube.com/watch?v=uFqWlyorbtU | ||
− | File:GhCghrA8L00-HD.jpg|Prussian Blue -Make it then Paint it|link=https://www.youtube.com/watch?v=GhCghrA8L00 | + | File:GhCghrA8L00-HD.jpg|Prussian Blue -Make it then Paint it (video), <small>by Chem Talk</small>|link=https://www.youtube.com/watch?v=GhCghrA8L00 |
</gallery> | </gallery> | ||
==List of Prints == | ==List of Prints == | ||
Below is a list of prints where Prussian blue was detected. | Below is a list of prints where Prussian blue was detected. |
Revision as of 00:10, 25 May 2024
Prussian blue ベロ藍 (bero-ai): The first modern synthetic pigment, Prussian blue was an accidental discovery made around 1704–6 by chemist Johann Jacob Diesbach with the help of alchemist Johann Conrad Dippel. Composed of ferric ferrocyanide, this synthetically produced pigment yields a vivid blue. Due to its high cost as an import from the West during the 1800s, it was used initially for paintings. By the end of the 1820s, this pigment was produced in China, thus making it affordable for use as a colorant for woodblock printing.
Prussian blue's bright, intense “true blue” color, fine particle size, and high tinting strength soon made it an indispensable addition to the printmaker’s palette, largely supplanting dayflower and indigo. This enabled an even, sharp printing as well as a greater range of tones especially when printing graduated color. It is thought that the introduction of this colorant into the printmaker’s palette stimulated Hokusai and Hiroshige to design the iconic landscape prints for which they are celebrated. Prussian blue is both lightfast and stable to moisture.
For additional information see: Prussian blue
Examples of Prussian blue in Ukiyo-e Prints
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Analysis
Fiber optic reflectance spectroscopy (FORS) can easily identify the three blues: dayflower, indigo, and Prussian blue.
Images of Prussian blue
List of Prints
Below is a list of prints where Prussian blue was detected.
Pages in category "Prussian Blue: Ukiyo-e colorant"
The following 12 pages are in this category, out of 12 total.
E
H
- Hiroshige I, Enjoying the Cool of Evening on the Riverbed at Shijô, from the series Famous Views of Kyoto, 06.890
- Hiroshige I, Pine of Success and Oumayagashi, Asakusa River, from the series One Hundred Famous Views of Edo, 11.17029
- Hiroshige I, The Yodo River, from the series Famous Views of Kyoto, 11.2111
- Hiroshige I/Hiroshige II, Ueno Yamashita, from the series One Hundred Famous Views of Edo, 11.35842
- Hokkei, Ômori, from the series Souvenirs of Enoshima, a Set of Sixteen, 11.19845
K
- Kuniyoshi, (Actor Ichikawa Ebizô V as) Inuyama Dôsetsu, from the series The Lives of Eight Brave and Loyal Dog Heroes, 11.28841
- Kuniyoshi, Drying Board Suggesting Hiyodorigoe, from the series Women in Benkei-checked Fabrics, 11.36363
- Kuniyoshi, Hosokute: Horikoshi Dairyô, from the series Sixty-nine Stations of the Kisokaidô Road, 11.28766