Difference between revisions of "Mauve"

From CAMEO
Jump to navigation Jump to search
(username removed)
 
 
(8 intermediate revisions by 5 users not shown)
Line 1: Line 1:
[[File:1998.34-SC20662.jpg|thumb|]]
+
[[File:1998.34-SC20662.jpg|thumb|Woodcut in mauve and yellow; MFA# 1998.34]]
 
== Description ==
 
== Description ==
  
The first synthetic basic dye. The pale purple color was patented in August 1856 by William Perkin, a Scottish chemist. Mauve is an aniline based dye that is composed of amino-phenylamino-p-tolyl ditolazonium sulfate. It was synthesized from coal-tar when Perkin treated [http://cameo.mfa.org/materials/fullrecord.asp?name=aniline aniline] with [http://cameo.mfa.org/materials/fullrecord.asp?name=sulfuric acid sulfuric acid] and [http://cameo.mfa.org/materials/fullrecord.asp?name=potassium dichromate potassium dichromate]. Mauve is not lightfast and but is still occasionally used in some watercolor paints.
+
The first synthetic basic dye. The pale purple color was patented in August 1856 by William Perkin, a Scottish chemist. Mauve is an aniline based dye that is composed of amino-phenylamino-p-tolyl ditolazonium sulfate. It was synthesized from coal-tar when Perkin treated [[aniline|aniline]] with [[sulfuric%20acid|sulfuric acid]] and [[potassium%20dichromate|potassium dichromate]]. Mauve is not lightfast and but is still occasionally used in some watercolor paints.
  
[[File:495 mauve.jpg|thumb|Mauve]]
 
 
== Synonyms and Related Terms ==
 
== Synonyms and Related Terms ==
  
aniline violet; CI 50245; mauveine; Malven (Deut.); mauve (Fr., Ned.); mauvne (Fr.); pourpre d'aniline (Fr.); violetto anilina (It.); malva (Port.); Perkin's violet; Perkin's purple; aniline purple
+
aniline violet; CI 50245; mauveine; Malven (Deut.); mauve (Fr., Ned.); mauvéïne (Fr.); pourpre d'aniline (Fr.); violetto anilina (It.); malva (Port.); Perkin's violet; Perkin's purple; aniline purple
 
+
[[[SliderGallery rightalign|Mauve (bottle 495) Weber 1942.TIF~FTIR (MFA)|f495sem.jpg~SEM|f495edsbw.jpg~EDS|Slide10 F495.PNG~XRF]]]
{| class="wikitable"
+
== Physical and Chemical Properties ==
|-
+
* Composition = C27H25N4(SO4)1/2
! scope="row"| Composition
+
==Additional Images==
| C27H25N4(SO4)1/2
+
<gallery>  
|}
+
File:495 mauve.jpg|thumb|Mauve
 
+
File:mauve C100x.jpg|thumb|Mauve
[[[SliderGallery rightalign|MFA- Mauve.jpg~FTIR|f495sem.jpg~SEM|f495edsbw.jpg~EDS]]]
 
 
 
== Additional Information ==
 
 
 
R. J. Gettens and G.L. Stout, ''Painting Materials, A Short Encyclopaedia'', Dover Publications, New York, 1966.
 
 
 
== Additional Images ==
 
 
 
<gallery>
 
File:mauve C100x.jpg|Mauve
 
 
</gallery>
 
</gallery>
  
 +
== Resources and Citations ==
  
== Authority ==
+
* R. J. Gettens, G.L. Stout, ''Painting Materials, A Short Encyclopaedia'', Dover Publications, New York, 1966
 
 
* R. J. Gettens, G.L. Stout, R. J. Gettens, G.L. Stout, ''Painting Materials, A Short Encyclopaedia'', Dover Publications, New York, 1966
 
  
* Reed Kay, Reed Kay, ''The Painter's Guide To Studio Methods and Materials'', Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983
+
* Reed Kay, ''The Painter's Guide To Studio Methods and Materials'', Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983
  
* Ralph Mayer, Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)
+
* Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)
  
* Rosalie Rosso King, Rosalie Rosso King, ''Textile Identification, Conservation, and Preservation'', Noyes Publications, Park Ridge, NJ, 1985
+
* Rosalie Rosso King, ''Textile Identification, Conservation, and Preservation'', Noyes Publications, Park Ridge, NJ, 1985
  
* F. Crace-Calvert, F. Crace-Calvert, ''Dyeing and Calico Printing'', Palmer & Howe, London, 1876
+
* F. Crace-Calvert, ''Dyeing and Calico Printing'', Palmer & Howe, London, 1876
  
* A.Scharff, A.Scharff, 'Synthetic dyestuffs for textiles and their fastness to washing', ''ICOM-CC Preprints'' Lyon, Getty Conservation Institute, Los Angeles, 1999
+
* A.Scharff, 'Synthetic dyestuffs for textiles and their fastness to washing', ''ICOM-CC Preprints'' Lyon, Getty Conservation Institute, Los Angeles, 1999
  
 
* Art and Architecture Thesaurus Online, http://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000
 
* Art and Architecture Thesaurus Online, http://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000

Latest revision as of 09:53, 30 October 2020

Woodcut in mauve and yellow; MFA# 1998.34

Description

The first synthetic basic dye. The pale purple color was patented in August 1856 by William Perkin, a Scottish chemist. Mauve is an aniline based dye that is composed of amino-phenylamino-p-tolyl ditolazonium sulfate. It was synthesized from coal-tar when Perkin treated Aniline with Sulfuric acid and Potassium dichromate. Mauve is not lightfast and but is still occasionally used in some watercolor paints.

Synonyms and Related Terms

aniline violet; CI 50245; mauveine; Malven (Deut.); mauve (Fr., Ned.); mauvéïne (Fr.); pourpre d'aniline (Fr.); violetto anilina (It.); malva (Port.); Perkin's violet; Perkin's purple; aniline purple

FTIR (MFA)

Mauve (bottle 495) Weber 1942.TIF

SEM

F495sem.jpg

EDS

F495edsbw.jpg

XRF

Slide10 F495.PNG

Physical and Chemical Properties

  • Composition = C27H25N4(SO4)1/2

Additional Images

Resources and Citations

  • R. J. Gettens, G.L. Stout, Painting Materials, A Short Encyclopaedia, Dover Publications, New York, 1966
  • Reed Kay, The Painter's Guide To Studio Methods and Materials, Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983
  • Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
  • Rosalie Rosso King, Textile Identification, Conservation, and Preservation, Noyes Publications, Park Ridge, NJ, 1985
  • F. Crace-Calvert, Dyeing and Calico Printing, Palmer & Howe, London, 1876
  • A.Scharff, 'Synthetic dyestuffs for textiles and their fastness to washing', ICOM-CC Preprints Lyon, Getty Conservation Institute, Los Angeles, 1999