Difference between revisions of "Sinopia"

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== Synonyms and Related Terms ==
 
== Synonyms and Related Terms ==
  
red iron oxide; sinopia (Esp.), Fr.; sinpia (Port.); sinope; sinopie; sinopis; sinoper; red ocher; red ochre
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red iron oxide; sinopia (Esp.), Fr.; sinópia (Port.); sinope; sinopie; sinopis; sinoper; red ocher; red ochre
  
== Authority ==
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==Resources and Citations==
  
* M. Doerner, M. Doerner, ''The Materials of the Artist'', Harcourt, Brace & Co., 1934
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* M. Doerner, ''The Materials of the Artist'', Harcourt, Brace & Co., 1934
  
* Ralph Mayer, Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)
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* Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)
  
* R.D. Harley, R.D. Harley, ''Artists' Pigments c. 1600-1835'', Butterworth Scientific, London, 1982
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* R.D. Harley, ''Artists' Pigments c. 1600-1835'', Butterworth Scientific, London, 1982
  
* Art and Architecture Thesaurus Online, http://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000
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* Art and Architecture Thesaurus Online, https://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000
  
  
  
 
[[Category:Materials database]]
 
[[Category:Materials database]]

Latest revision as of 11:57, 31 May 2022

Description

A light color red ocher that is no longer in use. Sinopia was originally mined near the city of Sinope in Asia Minor. It was used as a pigment from ancient times until the Renaissance. Sinopia was primarily used for sketches and underdrawings. It has been replaced by other natural red pigments such as red ocher, Venetian red, Spanish red and terra rosa.

Synonyms and Related Terms

red iron oxide; sinopia (Esp.), Fr.; sinópia (Port.); sinope; sinopie; sinopis; sinoper; red ocher; red ochre

Resources and Citations

  • M. Doerner, The Materials of the Artist, Harcourt, Brace & Co., 1934
  • Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
  • R.D. Harley, Artists' Pigments c. 1600-1835, Butterworth Scientific, London, 1982