Difference between revisions of "Akane (Madder) - right (9 R)"
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m (MDerrick moved page Akane - right (9 R) to Akane (Madder) - right (9 R) without leaving a redirect) |
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| 9 | | 9 | ||
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− | ! scope="row"| | + | ! scope="row"|Uemura number / title |
− | | | + | | ; "Haze-some 25" |
|- | |- | ||
! scope="row"|Folder location | ! scope="row"|Folder location | ||
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|- | |- | ||
! scope="row"|Fiber type | ! scope="row"|Fiber type | ||
− | | silk | + | | [[silk]] |
|- | |- | ||
! scope="row"|Color | ! scope="row"|Color | ||
Line 24: | Line 24: | ||
|- | |- | ||
! scope="row"|Dye (English common name) | ! scope="row"|Dye (English common name) | ||
− | | Madder | + | | [[Madder]] |
|- | |- | ||
! scope="row"|Dyestuff (botanical name) | ! scope="row"|Dyestuff (botanical name) | ||
Line 47: | Line 47: | ||
| The dye extract was cooled down, and then ash water was added to be ready for soaking the fabric. | | The dye extract was cooled down, and then ash water was added to be ready for soaking the fabric. | ||
|- | |- | ||
− | ! scope="row"| | + | ! scope="row"|Uemura's notes |
| The resultant color became more yellow in an acidic condition, as shown with the left sample. | | The resultant color became more yellow in an acidic condition, as shown with the left sample. | ||
|- | |- | ||
− | ! scope="row"| | + | ! scope="row"|Uemura's date |
| Kyoto | | Kyoto | ||
|} | |} | ||
− | [[Category: | + | [[Category:Uemura dye archive]] |
Latest revision as of 11:13, 22 June 2020
Museum number | 9 |
---|---|
Uemura number / title | ; "Haze-some 25" |
Folder location | 1st shelf |
Sample location | right (9 R) |
Fiber type | Silk |
Color | light reddish brown |
Dyestuff (Japanese common name) | 茜根: Akane |
Dye (English common name) | Madder |
Dyestuff (botanical name) | Rubia argyi (H.Lv. Et Vaniot) H.Hara ex Lauener (R. akane Nakai) |
Plant part | root /dried (?) |
Dyestuff extraction | boiled in water |
Auxiliary agent in dye bath | - |
Mordant | - |
Other auxiliary agent | ash water |
Dyeing process | The dye extract was cooled down, and then ash water was added to be ready for soaking the fabric. |
Uemura's notes | The resultant color became more yellow in an acidic condition, as shown with the left sample. |
Uemura's date | Kyoto |