Difference between revisions of "Akane (Madder) - left (9 L)"
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m (MDerrick moved page Akane - left (9 L) to Akane (Madder) - left (9 L) without leaving a redirect) |
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| 9 | | 9 | ||
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| − | ! scope="row"| | + | ! scope="row"|Uemura number / title |
| − | | | + | | ; "Haze-some 25" |
|- | |- | ||
! scope="row"|Folder location | ! scope="row"|Folder location | ||
| Line 15: | Line 15: | ||
|- | |- | ||
! scope="row"|Fiber type | ! scope="row"|Fiber type | ||
| − | | silk | + | | [[silk]] |
|- | |- | ||
! scope="row"|Color | ! scope="row"|Color | ||
| Line 24: | Line 24: | ||
|- | |- | ||
! scope="row"|Dye (English common name) | ! scope="row"|Dye (English common name) | ||
| − | | Madder | + | | [[Madder]] |
|- | |- | ||
! scope="row"|Dyestuff (botanical name) | ! scope="row"|Dyestuff (botanical name) | ||
| Line 44: | Line 44: | ||
| The dye extract was cooled down, and then ash water was added to be ready for soaking the fabric. | | The dye extract was cooled down, and then ash water was added to be ready for soaking the fabric. | ||
|- | |- | ||
| − | ! scope="row"| | + | ! scope="row"|Uemura's notes |
| The resultant color became more yellow in an acidic condition, as shown with the left sample. | | The resultant color became more yellow in an acidic condition, as shown with the left sample. | ||
|- | |- | ||
| − | ! scope="row"| | + | ! scope="row"|Uemura's date |
| Kyoto | | Kyoto | ||
|} | |} | ||
| − | [[Category: | + | [[Category:Uemura dye archive]] |
Latest revision as of 11:12, 22 June 2020
| Museum number | 9 |
|---|---|
| Uemura number / title | ; "Haze-some 25" |
| Folder location | 1st shelf |
| Sample location | left (9 L) |
| Fiber type | Silk |
| Color | light yellowish ochre |
| Dyestuff (Japanese common name) | 茜根: Akane |
| Dye (English common name) | Madder |
| Dyestuff (botanical name) | Rubia argyi (H.Lv. Et Vaniot) H.Hara ex Lauener (R. akane Nakai) |
| Plant part | root /dried (?) |
| Dyestuff extraction | boiled in water |
| Mordant | - |
| Other auxiliary agent | ash water; vinegar |
| Dyeing process | The dye extract was cooled down, and then ash water was added to be ready for soaking the fabric. |
| Uemura's notes | The resultant color became more yellow in an acidic condition, as shown with the left sample. |
| Uemura's date | Kyoto |