Difference between revisions of "Gobaishi (Chinese sumac) - right (68 R)"
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m (MDerrick moved page Gobaishi - right (68 R) to Gobaishi (Chinese sumac) - right (68 R) without leaving a redirect) |
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| 68 | | 68 | ||
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− | ! scope="row"| | + | ! scope="row"|Uemura number / title |
− | | | + | | ; "Haze-some 25" |
|- | |- | ||
! scope="row"|Folder location | ! scope="row"|Folder location | ||
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! scope="row"|Dye (English common name) | ! scope="row"|Dye (English common name) | ||
− | | | + | | Chinese sumac |
|- | |- | ||
! scope="row"|Dyestuff (botanical name) | ! scope="row"|Dyestuff (botanical name) | ||
− | | Rhus | + | | Rhus chinensis (Mill.) T. Yamaz. (R. chinensis Mill.) |
|- | |- | ||
! scope="row"|Plant part | ! scope="row"|Plant part | ||
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| - | | - | ||
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− | ! scope="row"| | + | ! scope="row"|Uemura's notes |
− | | One of the dyeing techniques, which had been used since the 8th century AD in Japan. If a fabric would be only soaked in dye extract or dye extract mixed with ash water, the resultant colors would be pale yellow. | + | | One of the dyeing techniques, which had been used since the 8th century AD in Japan. If a fabric would be only soaked in dye extract or dye extract mixed with ash water, the resultant colors would be pale yellow. "" |
− | " | ||
|- | |- | ||
− | ! scope="row"| | + | ! scope="row"|Uemura's date |
| Kyoto Murasakino | | Kyoto Murasakino | ||
|} | |} | ||
− | [[Category: | + | [[Category:Uemura dye archive]] |
Latest revision as of 13:35, 22 June 2020
Museum number | 68 |
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Uemura number / title | ; "Haze-some 25" |
Folder location | 1st shelf |
Sample location | right (68 R) |
Fiber type | silk |
Color | gray |
Dyestuff (Japanese common name) | 五倍子 : Gobaishi |
Dye (English common name) | Chinese sumac |
Dyestuff (botanical name) | Rhus chinensis (Mill.) T. Yamaz. (R. chinensis Mill.) |
Plant part | gall /dried |
Dyestuff extraction | boiled in water |
Auxiliary agent in dye bath | - |
Mordant | iron |
Other auxiliary agent | - |
Uemura's notes | One of the dyeing techniques, which had been used since the 8th century AD in Japan. If a fabric would be only soaked in dye extract or dye extract mixed with ash water, the resultant colors would be pale yellow. "" |
Uemura's date | Kyoto Murasakino |