Difference between revisions of "Ivory black"

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[[File:ivoryblack C100x.jpg|thumb|Ivory black]]
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[[File:ivoryblack C100x.jpg|thumb|Ivory black at 100x (visible light left; UV light right)]]
 
== Description ==
 
== Description ==
  
An impure black carbon pigment originally prepared from charred ivory or horns. Ivory black is a fine-grain, dense black pigment. Current formulations of ivory black usually contain a fine grade of [http://cameo.mfa.org/materials/fullrecord.asp?name=bone%20black bone black] with some [http://cameo.mfa.org/materials/fullrecord.asp?name=Prussian%20blue Prussian blue]. Bone black contains about 10% [http://cameo.mfa.org/materials/fullrecord.asp?name=carbon carbon] along with 84% [http://cameo.mfa.org/materials/fullrecord.asp?name=calcium%20hydroxyapatite calcium hydroxyapatite] with smaller amounts of [http://cameo.mfa.org/materials/fullrecord.asp?name=magnesium%20phosphate magnesium phosphate] and [http://cameo.mfa.org/materials/fullrecord.asp?name=calcium%20carbonate calcium carbonate]. Ivory black is a stable blue-black pigment that is denser than [http://cameo.mfa.org/materials/fullrecord.asp?name=carbon%20black carbon black] and has a good working quality for oil paints and watercolors.
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An impure black carbon pigment originally prepared from charred ivory or horns. Ivory black is a fine-grain, dense black pigment. Current formulations of ivory black usually contain a fine grade of [[bone black]] with some [[Prussian blue]]. Bone black contains about 10% [[carbon]] along with 84% [[calcium hydroxyapatite]] with smaller amounts of [[magnesium phosphate]] and [[calcium carbonate]]. Ivory black is a stable blue-black pigment that is denser than [[carbon black]] and has a good working quality for oil paints and watercolors.
  
 
== Synonyms and Related Terms ==
 
== Synonyms and Related Terms ==
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bone black; Pigment Black 9; CI  77267; Elfenbeinschwarz (Deut.); negro marfil (Esp.); noir d'ivoire (Fr.); mayro elefantodontoy (Gr.); nero d'avorio (It.); ivoorzwart (Ned.); negro de marfim (Port.); abaiser; animal black; drop black; Frankfort black; German black, Paris black
 
bone black; Pigment Black 9; CI  77267; Elfenbeinschwarz (Deut.); negro marfil (Esp.); noir d'ivoire (Fr.); mayro elefantodontoy (Gr.); nero d'avorio (It.); ivoorzwart (Ned.); negro de marfim (Port.); abaiser; animal black; drop black; Frankfort black; German black, Paris black
  
[[[SliderGallery rightalign|ivoryblackUCL.jpg~Raman|MFA- Ivory Black.jpg~FTIR|f512sem.jpg~SEM|f512edsbw.jpg~EDS]]]
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[[[SliderGallery rightalign|Ivory Black.TIF~FTIR (MFA)|ivoryblackUCL.jpg~Raman|f512sem.jpg~SEM|f512edsbw.jpg~EDS]]]
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== Risks ==
  
== Other Properties ==
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* No significant hazards.
 +
== Physical and Chemical Properties ==
  
Particles irregularly shaped   
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* Particles irregularly shaped   
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* ASTM (1999) lightfastness = I (excellent)
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* Refractive Index = 1.65-1.70
  
ASTM (1999) lightfastness = I (excellent)
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== Resources and Citations ==
 
 
{| class="wikitable"
 
|-
 
! scope="row"| Refractive Index
 
| 1.65-1.70
 
|}
 
 
 
== Hazards and Safety ==
 
 
 
No significant hazards.
 
 
 
== Authority ==
 
  
 
* ''The Dictionary of Art'', Grove's Dictionaries Inc., New York, 1996  Comment: "Pigment"
 
* ''The Dictionary of Art'', Grove's Dictionaries Inc., New York, 1996  Comment: "Pigment"
  
* R. J. Gettens, G.L. Stout, R. J. Gettens, G.L. Stout, ''Painting Materials, A Short Encyclopaedia'', Dover Publications, New York, 1966
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* R. J. Gettens, G.L. Stout, ''Painting Materials, A Short Encyclopaedia'', Dover Publications, New York, 1966
  
* M. Doerner, M. Doerner, ''The Materials of the Artist'', Harcourt, Brace & Co., 1934
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* M. Doerner, ''The Materials of the Artist'', Harcourt, Brace & Co., 1934
  
* Reed Kay, Reed Kay, ''The Painter's Guide To Studio Methods and Materials'', Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983
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* Reed Kay, ''The Painter's Guide To Studio Methods and Materials'', Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983
  
* Ralph Mayer, Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)
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* Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)
  
* R.D. Harley, R.D. Harley, ''Artists' Pigments c. 1600-1835'', Butterworth Scientific, London, 1982
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* R.D. Harley, ''Artists' Pigments c. 1600-1835'', Butterworth Scientific, London, 1982
  
* Matt Roberts, Don Etherington, Matt Roberts, Don Etherington, ''Bookbinding and the Conservation of Books: a Dictionary of Descriptive Terminology'', U.S. Government Printing Office, Washington DC, 1982
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* Matt Roberts, Don Etherington, ''Bookbinding and the Conservation of Books: a Dictionary of Descriptive Terminology'', U.S. Government Printing Office, Washington DC, 1982
  
 
* ''Dictionary of Building Preservation'', Ward Bucher, ed., John Wiley & Sons, Inc., New York City, 1996
 
* ''Dictionary of Building Preservation'', Ward Bucher, ed., John Wiley & Sons, Inc., New York City, 1996
  
* Thomas Gregory, Thomas Gregory, ''The Condensed Chemical Dictionary'', Reinhold Publishing, New York, 3rd ed., 1942
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* Thomas Gregory, ''The Condensed Chemical Dictionary'', Reinhold Publishing, New York, 3rd ed., 1942
  
* G.S.Brady, G.S.Brady, ''Materials Handbook'', McGraw-Hill Book Co., New York, 1971  Comment: p. 108
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* G.S.Brady, ''Materials Handbook'', McGraw-Hill Book Co., New York, 1971  Comment: p. 108
  
 
* ''The American Heritage Dictionary'' or ''Encarta'', via Microsoft Bookshelf 98, Microsoft Corp., 1998
 
* ''The American Heritage Dictionary'' or ''Encarta'', via Microsoft Bookshelf 98, Microsoft Corp., 1998
  
* Michael McCann, Michael McCann, ''Artist Beware'', Watson-Guptill Publications, New York City, 1979
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* Michael McCann, ''Artist Beware'', Watson-Guptill Publications, New York City, 1979
  
* Monona Rossol, Monona Rossol, ''The Artist's Complete Health and Safety Guide'', Allworth Press, New York, 1994
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* Monona Rossol, ''The Artist's Complete Health and Safety Guide'', Allworth Press, New York, 1994
  
* Art and Architecture Thesaurus Online, http://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000
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* Art and Architecture Thesaurus Online, https://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000
  
  
  
 
[[Category:Materials database]]
 
[[Category:Materials database]]

Latest revision as of 11:43, 21 September 2022

Ivory black at 100x (visible light left; UV light right)

Description

An impure black carbon pigment originally prepared from charred ivory or horns. Ivory black is a fine-grain, dense black pigment. Current formulations of ivory black usually contain a fine grade of Bone black with some Prussian blue. Bone black contains about 10% Carbon along with 84% Calcium hydroxyapatite with smaller amounts of Magnesium phosphate and Calcium carbonate. Ivory black is a stable blue-black pigment that is denser than Carbon black and has a good working quality for oil paints and watercolors.

Synonyms and Related Terms

bone black; Pigment Black 9; CI 77267; Elfenbeinschwarz (Deut.); negro marfil (Esp.); noir d'ivoire (Fr.); mayro elefantodontoy (Gr.); nero d'avorio (It.); ivoorzwart (Ned.); negro de marfim (Port.); abaiser; animal black; drop black; Frankfort black; German black, Paris black

FTIR (MFA)

Ivory Black.TIF

Raman

IvoryblackUCL.jpg

SEM

F512sem.jpg

EDS

F512edsbw.jpg

Risks

  • No significant hazards.

Physical and Chemical Properties

  • Particles irregularly shaped
  • ASTM (1999) lightfastness = I (excellent)
  • Refractive Index = 1.65-1.70

Resources and Citations

  • The Dictionary of Art, Grove's Dictionaries Inc., New York, 1996 Comment: "Pigment"
  • R. J. Gettens, G.L. Stout, Painting Materials, A Short Encyclopaedia, Dover Publications, New York, 1966
  • M. Doerner, The Materials of the Artist, Harcourt, Brace & Co., 1934
  • Reed Kay, The Painter's Guide To Studio Methods and Materials, Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983
  • Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
  • R.D. Harley, Artists' Pigments c. 1600-1835, Butterworth Scientific, London, 1982
  • Matt Roberts, Don Etherington, Bookbinding and the Conservation of Books: a Dictionary of Descriptive Terminology, U.S. Government Printing Office, Washington DC, 1982
  • Dictionary of Building Preservation, Ward Bucher, ed., John Wiley & Sons, Inc., New York City, 1996
  • Thomas Gregory, The Condensed Chemical Dictionary, Reinhold Publishing, New York, 3rd ed., 1942
  • G.S.Brady, Materials Handbook, McGraw-Hill Book Co., New York, 1971 Comment: p. 108
  • The American Heritage Dictionary or Encarta, via Microsoft Bookshelf 98, Microsoft Corp., 1998
  • Michael McCann, Artist Beware, Watson-Guptill Publications, New York City, 1979
  • Monona Rossol, The Artist's Complete Health and Safety Guide, Allworth Press, New York, 1994