Difference between revisions of "Relief halftone"

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== Description ==
 
== Description ==
  
A reproductive process primarily used for photographs from the 1880s to the 1950s. A relief halftone block is prepared by printing a screened negative face down on a copperplate coated with [http://cameo.mfa.org/materials/fullrecord.asp?name=fish glue fish glue]. The unexposed areas remain soluble after development and are washed away, then the plate is acid etched.
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A reproductive process primarily used for photographs from the 1880s to the 1950s. A relief halftone block is prepared by printing a screened negative face down on a copperplate coated with [http://cameo.mfa.org/materials/fullrecord.asp?name=fish%20glue fish glue]. The unexposed areas remain soluble after development and are washed away, then the plate is acid etched.
  
 
== Synonyms and Related Terms ==
 
== Synonyms and Related Terms ==
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== Authority ==
 
== Authority ==
  
* Luis Nadeau, Luis Nadeau, ''Encyclopedia of Printing, Photographic, and Photomechanical Processes'', Atelier, New Brunswick, 1997
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* Luis Nadeau, ''Encyclopedia of Printing, Photographic, and Photomechanical Processes'', Atelier, New Brunswick, 1997
  
* B. Gascoigne, B. Gascoigne, ''How to Identify Prints'', Thames & Hudson, London, 2004
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* B. Gascoigne, ''How to Identify Prints'', Thames & Hudson, London, 2004
  
  
  
 
[[Category:Materials database]]
 
[[Category:Materials database]]

Revision as of 06:23, 24 July 2013

2003.830-SC112240.jpg

Description

A reproductive process primarily used for photographs from the 1880s to the 1950s. A relief halftone block is prepared by printing a screened negative face down on a copperplate coated with fish glue. The unexposed areas remain soluble after development and are washed away, then the plate is acid etched.

Synonyms and Related Terms

color relief halftone; block process

Additional Images


Authority

  • Luis Nadeau, Encyclopedia of Printing, Photographic, and Photomechanical Processes, Atelier, New Brunswick, 1997
  • B. Gascoigne, How to Identify Prints, Thames & Hudson, London, 2004

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