Difference between revisions of "Fresco pigments"

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== Description ==
 
== Description ==
  
A group of pigments that remain stable and chemically resistant to the lime plaster used as a base in fresco paintings. The highly alkaline, lime base in fresco paintings may react with and alter the color of some pigments. For example, [http://cameo.mfa.org/materials/fullrecord.asp?name=Prussian blue Prussian blue] and [http://cameo.mfa.org/materials/fullrecord.asp?name=chrome yellow chrome yellow] both discolor within a few hours. [http://cameo.mfa.org/materials/fullrecord.asp?name=Lead white Lead white] may turn black slowly. Other pigments, such as some [http://cameo.mfa.org/materials/fullrecord.asp?name=ultramarine blue, natural ultramarines] and [http://cameo.mfa.org/materials/fullrecord.asp?name=ivory black ivory black], may contain dissolved salts that will slowly leach to the surface and leave a white efflorescence. Examples of fresco pigments are: [http://cameo.mfa.org/materials/fullrecord.asp?name=carbon black carbon black], [http://cameo.mfa.org/materials/fullrecord.asp?name=iron oxide iron oxide], [http://cameo.mfa.org/materials/fullrecord.asp?name=chromium oxide chromium oxide], and [http://cameo.mfa.org/materials/fullrecord.asp?name=cobalt blue cobalt blue].
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A group of pigments that remain stable and chemically resistant to the lime plaster used as a base in fresco paintings. The highly alkaline, lime base in fresco paintings may react with and alter the color of some pigments. For example, [http://cameo.mfa.org/materials/fullrecord.asp?name=Prussian%20blue Prussian blue] and [http://cameo.mfa.org/materials/fullrecord.asp?name=chrome%20yellow chrome yellow] both discolor within a few hours. [http://cameo.mfa.org/materials/fullrecord.asp?name=Lead%20white Lead white] may turn black slowly. Other pigments, such as some [http://cameo.mfa.org/materials/fullrecord.asp?name=ultramarine%20blue%2C%20natural ultramarines] and [http://cameo.mfa.org/materials/fullrecord.asp?name=ivory%20black ivory black], may contain dissolved salts that will slowly leach to the surface and leave a white efflorescence. Examples of fresco pigments are: [http://cameo.mfa.org/materials/fullrecord.asp?name=carbon%20black carbon black], [http://cameo.mfa.org/materials/fullrecord.asp?name=iron%20oxide iron oxide], [http://cameo.mfa.org/materials/fullrecord.asp?name=chromium%20oxide chromium oxide], and [http://cameo.mfa.org/materials/fullrecord.asp?name=cobalt%20blue cobalt blue].
  
 
[[File:25.44-P-48-3.jpg|thumb|Detail of fresco
 
[[File:25.44-P-48-3.jpg|thumb|Detail of fresco
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== Authority ==
 
== Authority ==
  
* Ralph Mayer, Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)
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* Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)
  
* Kurt Wehlte, Kurt Wehlte, ''The Materials and Techniques of Painting'', Van Nostrand Reinhold Co., New York, 1975  Comment: p. 254
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* Kurt Wehlte, ''The Materials and Techniques of Painting'', Van Nostrand Reinhold Co., New York, 1975  Comment: p. 254
  
  
  
 
[[Category:Materials database]]
 
[[Category:Materials database]]

Revision as of 06:49, 24 July 2013

25.44-P-48-1.jpg

Description

A group of pigments that remain stable and chemically resistant to the lime plaster used as a base in fresco paintings. The highly alkaline, lime base in fresco paintings may react with and alter the color of some pigments. For example, Prussian blue and chrome yellow both discolor within a few hours. Lead white may turn black slowly. Other pigments, such as some ultramarines and ivory black, may contain dissolved salts that will slowly leach to the surface and leave a white efflorescence. Examples of fresco pigments are: carbon black, iron oxide, chromium oxide, and cobalt blue.

Detail of fresco (Shown above)

Synonyms and Related Terms

limeproof pigments; pigmentos para el fresco (Esp.); pigmentos resistentes a la cal (Esp.); pigments pour fresque (Fr.); pigmentos para pintura a fresco (Port.)

Additional Information

K.Wehlte, The Materials and Techniques of Painting, Van Nostrand Reinhold Co., New York, 1975.

Additional Images


Authority

  • Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
  • Kurt Wehlte, The Materials and Techniques of Painting, Van Nostrand Reinhold Co., New York, 1975 Comment: p. 254

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