Difference between revisions of "Illustration board"

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m (Text replace - "== Authority ==" to "== Sources Checked for Data in Record ==")
 
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[[File:1989.695-SC39012.jpg|thumb|'''MFA Acc. #:''' 1989.695]]
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[[File:1989.695-SC39012.jpg|thumb|Book Cover<br>MFA# 1989.695]]
 
== Description ==
 
== Description ==
  
 
A thin, but sturdy, cardboard sheet with drawing or watercolor paper laminated on one or both sides. Two-sided illustration boards have better dimensional stability than one-sided boards. Illustration boards are not suitable for permanent works of art (Mayer 1969).
 
A thin, but sturdy, cardboard sheet with drawing or watercolor paper laminated on one or both sides. Two-sided illustration boards have better dimensional stability than one-sided boards. Illustration boards are not suitable for permanent works of art (Mayer 1969).
  
== Additional Information ==
+
==Resources and Citations==
 
 
R. Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row, New York, 1969.
 
 
 
== Sources Checked for Data in Record ==
 
  
 
* Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)
 
* Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)

Latest revision as of 18:31, 14 September 2022

Book Cover
MFA# 1989.695

Description

A thin, but sturdy, cardboard sheet with drawing or watercolor paper laminated on one or both sides. Two-sided illustration boards have better dimensional stability than one-sided boards. Illustration boards are not suitable for permanent works of art (Mayer 1969).

Resources and Citations

  • Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
  • Book and Paper Group, Paper Conservation Catalog, AIC, 1984, 1989
  • The Dictionary of Paper, American Paper Institute, New York, Fourth Edition, 1980
  • A Glossary of Paper Conservation Terms, Margaret Ellis (ed.), Conservation Center of the Institute of Fine Arts, New York City, 1998