Difference between revisions of "Ultramarine red"
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== Authority == | == Authority == | ||
| − | * | + | * R. J. Gettens, G.L. Stout, ''Painting Materials, A Short Encyclopaedia'', Dover Publications, New York, 1966 |
| − | * | + | * Reed Kay, ''The Painter's Guide To Studio Methods and Materials'', Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983 |
| − | * | + | * Michael McCann, ''Artist Beware'', Watson-Guptill Publications, New York City, 1979 |
* ''The Dictionary of Art'', Grove's Dictionaries Inc., New York, 1996 Comment: "Pigments" | * ''The Dictionary of Art'', Grove's Dictionaries Inc., New York, 1996 Comment: "Pigments" | ||
Revision as of 07:22, 24 July 2013
Description
A rosy violet pigment that is a color variation produced in the manufacture of synthetic ultramarine blue. Ultramarine violets and reds were developed in Germany about 1875. The pigments are produced by treating ultramarine blue with sal ammoniac or dry hydrochloric acid gas at high temperatures. The sodium reacts to form sodium chloride, which is then washed away. Ultramarine red is a stable pigment but it has poor tinting strength and is rarely used in artists' paints (Plesters, 1993).
Synonyms and Related Terms
ultramarine pink; ultramarine violet; Pigment Violet 15
Other Properties
Discolors when exposed to weak acids or sulfur fumes. Insoluble in water.
Fine, transparent pink grains. Isotropic.
ASTM lightfastness=1 (excellent)
| Refractive Index | 1.56 |
|---|
Hazards and Safety
No significant hazards. Noncombustible.
Additional Information
J. Plesters, "Ultramarine Blue, Natural and Artificial", Artists Pigments, Volume 2, A. Roy (ed.), Oxford University Press: Oxford, 1993.
Authority
- R. J. Gettens, G.L. Stout, Painting Materials, A Short Encyclopaedia, Dover Publications, New York, 1966
- Reed Kay, The Painter's Guide To Studio Methods and Materials, Prentice-Hall, Inc., Englewood Cliffs, NJ, 1983
- Michael McCann, Artist Beware, Watson-Guptill Publications, New York City, 1979
- The Dictionary of Art, Grove's Dictionaries Inc., New York, 1996 Comment: "Pigments"