Difference between revisions of "Minium"
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° E. West-Fitzhugh, "Red Lead and Minium", ''Artists Pigments'', Volume 1, R. Feller (ed.), Cambridge University Press, Cambridge, 1986. | ° E. West-Fitzhugh, "Red Lead and Minium", ''Artists Pigments'', Volume 1, R. Feller (ed.), Cambridge University Press, Cambridge, 1986. | ||
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* Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing) | * Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing) | ||
Revision as of 12:53, 1 May 2016
Description
A mineral composed of lead tetroxide that has the same composition as red lead, an orange-red pigment. Minium deposits have been found in Egypt, however, most sources indicate that red lead pigment was manufactured from lead metal and litharge rather than ground from minium. Even so, the mineral name minium has been used to refer to the red lead pigment. From Pliny's time to the 17th century, the name minium was also used to refer to vermilion and cinnabar.
Synonyms and Related Terms
minne; red lead; lead oxide red; minium; orange mineral; Saturn red; Paris red; burnt white lead; red oxide of lead; plumbous plumbate; mineral red; Pigment Red 105; CI 77578; Bleimennige (Deut.); Mennige (Deut.); minium (Fr., Ned.); minio (It., Esp., Port.); entan (Jap.); tan (Jap.); minio di piombo (It.); minium de plomb (Fr.) saturnine; mine rouge;
Other Properties
Soluble in glacial acetic acid, hot HCl, nitric acid with peroxide present.
Insoluble in water and ethanol.
Hazards and Safety
Toxic by inhalation or ingestion. Skin contact may cause irritation or ulcers. Carcinogen, teratogen, suspected mutagen.
Discolored by hydrogen sulfide and light.
Additional Information
° E. West-Fitzhugh, "Red Lead and Minium", Artists Pigments, Volume 1, R. Feller (ed.), Cambridge University Press, Cambridge, 1986.
Sources Checked for Data in Record
- Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
- R.D. Harley, Artists' Pigments c. 1600-1835, Butterworth Scientific, London, 1982
- R. Newman, E. Farrell, 'House Paint Pigments', Paint in America , R. Moss ed., Preservation Press, New York City, 1994
- Thomas B. Brill, Light Its Interaction with Art and Antiquities, Plenum Press, New York City, 1980
- G.S.Brady, Materials Handbook, McGraw-Hill Book Co., New York, 1971 Comment: p. 200
- Susan E. Schur, Conservation Terminology: A review of Past & Current Nomenclature of Materials, Technology and Conservation, Spring (p.34-39); Summer (p.35-38); Fall (p.25-36), 1985
- Matt Roberts, Don Etherington, Bookbinding and the Conservation of Books: a Dictionary of Descriptive Terminology, U.S. Government Printing Office, Washington DC, 1982
- Art and Architecture Thesaurus Online, http://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000