Difference between revisions of "Anatase"

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== Description ==
 
== Description ==
  
One of three naturally occuring isomorphic forms of [http://cameo.mfa.org/materials/fullrecord.asp?name=titanium dioxide titanium dioxide]: anatase, rutile, and brookite. Anatase forms hard, transparent crystals. Deposits have been found in the Alps, Brazil, and the Ural Mountains; it is also formed by the weathering of titanite. Anatase was produced synthetically for use as a white paint pigment in 1906. It was a common white pigment in the early 20th century. Once the first commercially viable method for producing rutile was developed in 1938, production shifted to rutile because white paints with anatase pigments were subject to chalking and yellowing.
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One of three naturally occuring isomorphic forms of [http://cameo.mfa.org/materials/fullrecord.asp?name=titanium%20dioxide titanium dioxide]: anatase, rutile, and brookite. Anatase forms hard, transparent crystals. Deposits have been found in the Alps, Brazil, and the Ural Mountains; it is also formed by the weathering of titanite. Anatase was produced synthetically for use as a white paint pigment in 1906. It was a common white pigment in the early 20th century. Once the first commercially viable method for producing rutile was developed in 1938, production shifted to rutile because white paints with anatase pigments were subject to chalking and yellowing.
  
 
== Synonyms and Related Terms ==
 
== Synonyms and Related Terms ==
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== Additional Information ==
 
== Additional Information ==
  
M.Laver, "Titanium Dioxide Whites", ''Artists Pigments'', Volume 3, E. West FitzHugh (ed.), Oxford University Press: Oxford, 1997. Walter C. McCrone, "Polarized Light Microscopy in Conservation: A Personal Perspective" ''JAIC'' 33(2):101-14, 1994. (contains a table of dates on the history of titanium white as a pigment)
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° M.Laver, "Titanium Dioxide Whites", ''Artists Pigments'', Volume 3, E. West FitzHugh (ed.), Oxford University Press: Oxford, 1997. ° Walter C. McCrone, "Polarized Light Microscopy in Conservation: A Personal Perspective" ''JAIC'' 33(2):101-14, 1994. (contains a table of dates on the history of titanium white as a pigment)
  
 
== Comparisons ==
 
== Comparisons ==
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== Authority ==
 
== Authority ==
  
* Nicholas Eastaugh, Valentine Walsh, Tracey Chaplin, Ruth Siddall, Nicholas Eastaugh, Valentine Walsh, Tracey Chaplin, Ruth Siddall, ''Pigment Compendium'', Elsevier Butterworth-Heinemann, Oxford, 2004
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* Nicholas Eastaugh, Valentine Walsh, Tracey Chaplin, Ruth Siddall, ''Pigment Compendium'', Elsevier Butterworth-Heinemann, Oxford, 2004
  
* G.S.Brady, G.S.Brady, ''Materials Handbook'', McGraw-Hill Book Co., New York, 1971  Comment: p. 815
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* G.S.Brady, ''Materials Handbook'', McGraw-Hill Book Co., New York, 1971  Comment: p. 815
  
* ''Encyclopedia Britannica'', http://www.britannica.com  Comment: "anatase" Encyclopdia Britannica  [Accessed January 22, 2002].;
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* ''Encyclopedia Britannica'', http://www.britannica.com  Comment: "anatase" Encyclopædia Britannica  [Accessed January 22, 2002].;
  
* R. J. Gettens, G.L. Stout, R. J. Gettens, G.L. Stout, ''Painting Materials, A Short Encyclopaedia'', Dover Publications, New York, 1966  Comment: Ref. Index = 2.5; density = 3.9
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* R. J. Gettens, G.L. Stout, ''Painting Materials, A Short Encyclopaedia'', Dover Publications, New York, 1966  Comment: Ref. Index = 2.5; density = 3.9
  
 
* ''Dictionary of Building Preservation'', Ward Bucher, ed., John Wiley & Sons, Inc., New York City, 1996
 
* ''Dictionary of Building Preservation'', Ward Bucher, ed., John Wiley & Sons, Inc., New York City, 1996
  
* Thomas B. Brill, Thomas B. Brill, ''Light Its Interaction with Art and Antiquities'', Plenum Press, New York City, 1980  Comment: Ref. index = 2.56, 2.49
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* Thomas B. Brill, ''Light Its Interaction with Art and Antiquities'', Plenum Press, New York City, 1980  Comment: Ref. index = 2.56, 2.49
  
 
* ''Artists' Pigments: A Handbook of their History and Characteristics'', Elisabeth West FitzHugh, Oxford University Press, Oxford, Vol. 3, 1997  Comment: M.Laver, "Titanium Dioxide Whites"
 
* ''Artists' Pigments: A Handbook of their History and Characteristics'', Elisabeth West FitzHugh, Oxford University Press, Oxford, Vol. 3, 1997  Comment: M.Laver, "Titanium Dioxide Whites"
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* Wikipedia, the free encyclopedia, at http://www.wikipedia.com  Comment: http://en.wikipedia.org/wiki/Anatase
 
* Wikipedia, the free encyclopedia, at http://www.wikipedia.com  Comment: http://en.wikipedia.org/wiki/Anatase
  
* Richard S. Lewis, Richard S. Lewis, ''Hawley's Condensed Chemical Dictionary'', Van Nostrand Reinhold, New York, 10th ed., 1993
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* Richard S. Lewis, ''Hawley's Condensed Chemical Dictionary'', Van Nostrand Reinhold, New York, 10th ed., 1993
  
* Website address 1, Website address 1  Comment: Pigments Through the Ages at http://webexhibits.org/pigments : Refractive index: anatase: 2.3 - 2.65
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* Website address 1  Comment: Pigments Through the Ages at http://webexhibits.org/pigments : Refractive index: anatase: 2.3 - 2.65
  
  
  
 
[[Category:Materials database]]
 
[[Category:Materials database]]

Revision as of 07:48, 24 July 2013

Anatase particles

Description

One of three naturally occuring isomorphic forms of titanium dioxide: anatase, rutile, and brookite. Anatase forms hard, transparent crystals. Deposits have been found in the Alps, Brazil, and the Ural Mountains; it is also formed by the weathering of titanite. Anatase was produced synthetically for use as a white paint pigment in 1906. It was a common white pigment in the early 20th century. Once the first commercially viable method for producing rutile was developed in 1938, production shifted to rutile because white paints with anatase pigments were subject to chalking and yellowing.

Synonyms and Related Terms

octahedrite; titanium dioxide; anatase (Eng., Fr., Port., Nor.); anastase (sp); Anatas (Deut.); anatasio (It.); anatasa (Esp.); anataas (Ned.);

Raman

Anataseitaly1.jpg

FTIR

MFA- Titanium dioxide (anatase).jpg

XRD

PIG533.jpg

SEM

F533sem.jpg

EDS

F533edsbw.jpg


Other Properties

Tetragonal crystal system. Particle size 0.2 - 0.5 micrometers.

At high temperatures anatase will convert to rutile

High birefringence under crossed polars. Weak white fluorescence.

Composition TiO2
Mohs Hardness 5.0 - 6.0
Melting Point 1560
Density 3.88-3.94
Refractive Index 2.54 - 2.55

Hazards and Safety

Nontoxic. No significant hazards.

Acts as photocatalysts when exposed to UV light

Additional Information

° M.Laver, "Titanium Dioxide Whites", Artists Pigments, Volume 3, E. West FitzHugh (ed.), Oxford University Press: Oxford, 1997. ° Walter C. McCrone, "Polarized Light Microscopy in Conservation: A Personal Perspective" JAIC 33(2):101-14, 1994. (contains a table of dates on the history of titanium white as a pigment)

Comparisons

Characteristics of Common White Pigments


Authority

  • Nicholas Eastaugh, Valentine Walsh, Tracey Chaplin, Ruth Siddall, Pigment Compendium, Elsevier Butterworth-Heinemann, Oxford, 2004
  • G.S.Brady, Materials Handbook, McGraw-Hill Book Co., New York, 1971 Comment: p. 815
  • R. J. Gettens, G.L. Stout, Painting Materials, A Short Encyclopaedia, Dover Publications, New York, 1966 Comment: Ref. Index = 2.5; density = 3.9
  • Dictionary of Building Preservation, Ward Bucher, ed., John Wiley & Sons, Inc., New York City, 1996
  • Thomas B. Brill, Light Its Interaction with Art and Antiquities, Plenum Press, New York City, 1980 Comment: Ref. index = 2.56, 2.49
  • Artists' Pigments: A Handbook of their History and Characteristics, Elisabeth West FitzHugh, Oxford University Press, Oxford, Vol. 3, 1997 Comment: M.Laver, "Titanium Dioxide Whites"
  • Richard S. Lewis, Hawley's Condensed Chemical Dictionary, Van Nostrand Reinhold, New York, 10th ed., 1993

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