Difference between revisions of "Ultramarine ash"

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== Description ==
 
== Description ==
  
The end-product of the refining process used to produce [http://cameo.mfa.org/materials/fullrecord.asp?name=ultramarine blue, natural natural ultramarine blue] pigment from [http://cameo.mfa.org/materials/fullrecord.asp?name=lapis lazuli lapis lazuli]. Ultramarine ash contains small blue particles mixed with a large proportion of colorless materials, such as calcite and silicates. Ultramarine ash is a transparent blue-gray pigment that has been used for glazing.
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The end-product of the refining process used to produce [http://cameo.mfa.org/materials/fullrecord.asp?name=ultramarine%20blue%2C%20natural natural ultramarine blue] pigment from [http://cameo.mfa.org/materials/fullrecord.asp?name=lapis%20lazuli lapis lazuli]. Ultramarine ash contains small blue particles mixed with a large proportion of colorless materials, such as calcite and silicates. Ultramarine ash is a transparent blue-gray pigment that has been used for glazing.
  
 
== Synonyms and Related Terms ==
 
== Synonyms and Related Terms ==
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== Authority ==
 
== Authority ==
  
* Ralph Mayer, Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)
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* Ralph Mayer, ''A Dictionary of Art Terms and Techniques'', Harper and Row Publishers, New York, 1969 (also 1945 printing)
  
  
  
 
[[Category:Materials database]]
 
[[Category:Materials database]]

Revision as of 07:34, 24 July 2013

Ultramarine ash

Description

The end-product of the refining process used to produce natural ultramarine blue pigment from lapis lazuli. Ultramarine ash contains small blue particles mixed with a large proportion of colorless materials, such as calcite and silicates. Ultramarine ash is a transparent blue-gray pigment that has been used for glazing.

Synonyms and Related Terms

mineral blue; Sander's blue; Saunder's blue; bleu cendres; vein stone

XRD

PIG464.jpg

SEM

F464sem.jpg

EDS

F464edsbw.jpg


Other Properties

Discolors when exposed to weak acids or sulfur fumes.

Hazards and Safety

No significant hazards.

Additional Information

J. Plesters, "Ultramarine Blue, Natural and Artificial", Artists Pigments, Volume 2, A. Roy (ed.), Oxford University Press: Oxford, 1993.

Additional Images


Authority

  • Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)

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