Raking light: Difference between revisions

From CAMEO
Jump to navigation Jump to search
No edit summary
 
 
(4 intermediate revisions by the same user not shown)
Line 1: Line 1:
== Description ==
== Description ==


An topographic examination technique that uses visible light directed at a low angle to the surface of an object, paper, or painting. Raking light emphasizes the conformation of a surface by creating contrast between high and low relief areas. [http://cameo.mfa.org/materials/fullrecord.asp?name=Crack Cracks], [http://cameo.mfa.org/materials/fullrecord.asp?name=blister blisters], pits, tears, scratches, cockles and other types of damages or distortions are revealed. Multiple raking light images are usually obtained during an examination with each using light angled from a different direction.
An topographic examination technique that uses visible light directed at a low angle to the surface of an object, paper, or painting. Raking light emphasizes the conformation of a surface by creating contrast between high and low relief areas. [[Crack|Cracks]], [[blister|blisters]], pits, tears, scratches, cockles and other types of damages or distortions are revealed. Multiple raking light images are usually obtained during an examination with each using light angled from a different direction.


== Synonyms and Related Terms ==
== Synonyms and Related Terms ==


schiefes Licht (Deut.); schrge Beleuchtung (Deut.); lumire rasante (Fr.); luz rasante (Port.)
schiefes Licht (Deut.); schräge Beleuchtung (Deut.); lumière rasante (Fr.); luz rasante (Port.)


== Authority ==
==Resources and Citations==


* External source or communication, External source or communication  Comment: Nathan Stolow, 'Examination modes of lighting'
* Nathan Stolow, 'Examination modes of lighting'
 
* AMOL reCollections Glossary -http://amol.org.au/recollections/7/r/htm
* Website address 1, Website address 1  Comment: AMOL reCollections Glossary -http://amol.org.au/recollections/7/r/htm
* David Bomford, Jo Kirby, John Leighton, Ashok Roy, ''Art in the Making: Impressionism'', National Gallery, London, 1990
 
* Janet Burnett Grossman, ''Looking at Greek and Roman Sculpture in Stone'', J. Paul Getty Trust, Los Angeles, 2003
* David Bomford, Jo Kirby, John Leighton, Ashok Roy, David Bomford, Jo Kirby, John Leighton, Ashok Roy, ''Art in the Making:Impressionism'', National Gallery, London, 1990
 
* Janet Burnett Grossman, Janet Burnett Grossman, ''Looking at Greek and Roman Sculpture in Stone'', J. Paul Getty Trust, Los Angeles, 2003






[[Category:Materials database]]
[[Category:Materials database]]

Latest revision as of 12:08, 2 July 2025

Description

An topographic examination technique that uses visible light directed at a low angle to the surface of an object, paper, or painting. Raking light emphasizes the conformation of a surface by creating contrast between high and low relief areas. Cracks, blisters, pits, tears, scratches, cockles and other types of damages or distortions are revealed. Multiple raking light images are usually obtained during an examination with each using light angled from a different direction.

Synonyms and Related Terms

schiefes Licht (Deut.); schräge Beleuchtung (Deut.); lumière rasante (Fr.); luz rasante (Port.)

Resources and Citations

  • Nathan Stolow, 'Examination modes of lighting'
  • AMOL reCollections Glossary -http://amol.org.au/recollections/7/r/htm
  • David Bomford, Jo Kirby, John Leighton, Ashok Roy, Art in the Making: Impressionism, National Gallery, London, 1990
  • Janet Burnett Grossman, Looking at Greek and Roman Sculpture in Stone, J. Paul Getty Trust, Los Angeles, 2003