Difference between revisions of "Egg yolk"

From CAMEO
Jump to navigation Jump to search
(username removed)
 
 
(6 intermediate revisions by 4 users not shown)
Line 1: Line 1:
 
== Description ==
 
== Description ==
  
The interior yellow, spherical portion of a bird [http://cameo.mfa.org/materials/fullrecord.asp?name=egg egg]. The yolk from a hen egg is composed of about 50% [http://cameo.mfa.org/materials/fullrecord.asp?name=water water], 15% [http://cameo.mfa.org/materials/fullrecord.asp?name=protein protein], 22% [http://cameo.mfa.org/materials/fullrecord.asp?name=lipid lipids], 9% [http://cameo.mfa.org/materials/fullrecord.asp?name=lecithin lecithin] and 3% other materials. The distribution of major [http://cameo.mfa.org/materials/fullrecord.asp?name=amino acid amino acids] is: [http://cameo.mfa.org/materials/fullrecord.asp?name=glutamic acid glutamic acid] (15.0%), aspartic acid (11.5%), [http://cameo.mfa.org/materials/fullrecord.asp?name=leucine leucine] (9.2%), [http://cameo.mfa.org/materials/fullrecord.asp?name=lysine lysine] (5.7%), valine (6.4%), arginine (5.5%), [http://cameo.mfa.org/materials/fullrecord.asp?name=alanine alanine] (5.6%), isoleucine (5.1%) and serine (9.1%) with no measurable amounts of [http://cameo.mfa.org/materials/fullrecord.asp?name=hydroxyproline hydroxyproline] (Mills and White 1994). Egg yolk is a natural emulsion that dries into a strong, water-insoluble film, first by the evaporation of water, then by the hardening of the lipids (Gettens and Stout, 1966). When used traditionally as a paint medium, the pure egg yolk is carefully separately from the egg white, then rolled back and forth in the hands to dry the surface of the sac. The sac is pierced to release its contents which are then ground with pigments. Vinegar was sometimes added as a preservative.
+
The interior yellow, spherical portion of a bird [[egg]]. The yolk from a hen egg is composed of about 50% [[water]], 15% [[protein]], 22% [[lipid|lipids]], 9% [[lecithin]] and 3% other materials. The distribution of major [[amino acid|amino acids]] is: [[glutamic acid]] (15.0%), aspartic acid (11.5%), [[leucine]] (9.2%), [[lysine]] (5.7%), valine (6.4%), arginine (5.5%), [[alanine]] (5.6%), isoleucine (5.1%) and serine (9.1%) with no measurable amounts of [[hydroxyproline]] (Mills and White 1994). Egg yolk is a natural emulsion that dries into a strong, water-insoluble film, first by the evaporation of water, then by the hardening of the lipids (Gettens and Stout, 1966). When used traditionally as a paint medium, the pure egg yolk is carefully separately from the egg white, then rolled back and forth in the hands to dry the surface of the sac. The sac is pierced to release its contents which are then ground with pigments. Vinegar was sometimes added as a preservative.
  
 
== Synonyms and Related Terms ==
 
== Synonyms and Related Terms ==
Line 9: Line 9:
 
[[[SliderGallery rightalign|MFA- Egg yolk (partially dried).jpg~FTIR]]]
 
[[[SliderGallery rightalign|MFA- Egg yolk (partially dried).jpg~FTIR]]]
  
== Other Properties ==
+
== Physical and Chemical Properties ==
  
Soluble in water after drying. Insoluble in water after heating.
+
* Soluble in water after drying.  
 +
* Insoluble in water after heating.
  
== Additional Information ==
+
== Resources and Citations ==
  
J.S. Mills, R.White, ''The Organic Chemistry of Museum Objects'', Butterworth   Heinemann, London, 1994.  R. J. Gettens and G.L. Stout, ''Painting  Materials, A Short Encyclopaedia'', Dover Publications, New York, 1966.
+
* John S. Mills, Raymond White, ''The Organic Chemistry of Museum Objects'', Butterworth Heineman, London, 2nd ed., 1994.
  
== Authority ==
+
* R. J. Gettens and G.L. Stout, ''Painting  Materials, A Short Encyclopaedia'', Dover Publications, New York, 1966.
  
* R. J. Gettens, G.L. Stout, R. J. Gettens, G.L. Stout, ''Painting Materials, A Short Encyclopaedia'', Dover Publications, New York, 1966
+
* Hermann Kuhn, ''Conservation and Restoration of Works of Art and Antiquities'', Butterworths, London, 1986
  
* Hermann Kuhn, Hermann Kuhn, ''Conservation and Restoration of Works of Art and Antiquities'', Butterworths, London, 1986
+
* ''Encyclopedia Britannica'', http://www.britannica.com  Comment: "Yolk."  [Accessed 14 Apr. 2004].
 
 
* John S. Mills, Raymond White, John S. Mills, Raymond White, ''The Organic Chemistry of Museum Objects'', Butterworth Heineman, London, 2nd ed., 1994
 
 
 
* ''Encyclopedia Britannica'', http://www.britannica.com  Comment: "Yolk." Encyclopdia Britannica. 2004.  Encyclopdia Britannica Premium Service. 14 Apr. 2004 .
 
  
  
  
 
[[Category:Materials database]]
 
[[Category:Materials database]]

Latest revision as of 12:35, 16 August 2020

Description

The interior yellow, spherical portion of a bird Egg. The yolk from a hen egg is composed of about 50% Water, 15% Protein, 22% lipids, 9% Lecithin and 3% other materials. The distribution of major amino acids is: Glutamic acid (15.0%), aspartic acid (11.5%), Leucine (9.2%), Lysine (5.7%), valine (6.4%), arginine (5.5%), Alanine (5.6%), isoleucine (5.1%) and serine (9.1%) with no measurable amounts of Hydroxyproline (Mills and White 1994). Egg yolk is a natural emulsion that dries into a strong, water-insoluble film, first by the evaporation of water, then by the hardening of the lipids (Gettens and Stout, 1966). When used traditionally as a paint medium, the pure egg yolk is carefully separately from the egg white, then rolled back and forth in the hands to dry the surface of the sac. The sac is pierced to release its contents which are then ground with pigments. Vinegar was sometimes added as a preservative.

Synonyms and Related Terms

deutoplasm

FTIR

MFA- Egg yolk (partially dried).jpg


Physical and Chemical Properties

  • Soluble in water after drying.
  • Insoluble in water after heating.

Resources and Citations

  • John S. Mills, Raymond White, The Organic Chemistry of Museum Objects, Butterworth Heineman, London, 2nd ed., 1994.
  • R. J. Gettens and G.L. Stout, Painting Materials, A Short Encyclopaedia, Dover Publications, New York, 1966.
  • Hermann Kuhn, Conservation and Restoration of Works of Art and Antiquities, Butterworths, London, 1986