Difference between revisions of "Shellac"
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− | [[File: | + | [[File:MFA1991444 Shellac.jpg|thumb|Lacquer base of shellac and red ocher; MFA# 1991.444]] |
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== Description == | == Description == | ||
− | + | [[File:MFA1992203 Shellac.jpg|thumb|Shellaced paper<br>MFA# 1992.206]] | |
A resinous substance excreted by the female of the lac insect, Laccifer lacca, native to India. The insects primarily deposit lac on the twigs and soft new branches of several varieties of soapberry and acacia trees, such as the sacred fig, ''Ficus religiosa'', found in India, Thailand, Myanmar (Burma), and elsewhere in southeast Asia. Lac was used as early as about 1200 BCE in India. Shellac and [[lac dye]] were imported to Europe in the 17th century. The resin coated twigs, also called sticklac, undergoes several processing steps to extract useful components. The raw lac is washed, heated and drawn out into thin sheets. Once cooled, the shellac is broken into small flakes for sale as flake shellac. The color of shellac ranges from a pale yellow to a deep red. Shellac is soluble in alcohol and is used to obtain the high gloss on French polished furniture. It is also used as a protective coating for plaster molds and casts. In the 19th century, shellac was filled with wood flour and used for molded composition products such as buttons, picture frames, [[daguerreotype]] and [[ambrotype]] cases, and gramophone records. Black pigmented, mineral-filled shellac was used for 78 rpm phonograph records, mirror frames, brooches, and dressing table sets. Shellac was often adulterated with [[rosin]] (Doerner 1934). | A resinous substance excreted by the female of the lac insect, Laccifer lacca, native to India. The insects primarily deposit lac on the twigs and soft new branches of several varieties of soapberry and acacia trees, such as the sacred fig, ''Ficus religiosa'', found in India, Thailand, Myanmar (Burma), and elsewhere in southeast Asia. Lac was used as early as about 1200 BCE in India. Shellac and [[lac dye]] were imported to Europe in the 17th century. The resin coated twigs, also called sticklac, undergoes several processing steps to extract useful components. The raw lac is washed, heated and drawn out into thin sheets. Once cooled, the shellac is broken into small flakes for sale as flake shellac. The color of shellac ranges from a pale yellow to a deep red. Shellac is soluble in alcohol and is used to obtain the high gloss on French polished furniture. It is also used as a protective coating for plaster molds and casts. In the 19th century, shellac was filled with wood flour and used for molded composition products such as buttons, picture frames, [[daguerreotype]] and [[ambrotype]] cases, and gramophone records. Black pigmented, mineral-filled shellac was used for 78 rpm phonograph records, mirror frames, brooches, and dressing table sets. Shellac was often adulterated with [[rosin]] (Doerner 1934). | ||
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== Applications == | == Applications == | ||
− | + | * Coating | |
+ | * Natural plastic | ||
== Risks == | == Risks == | ||
− | + | [[[SliderGallery rightalign|Shellac, Orange, Gettens 100.A17.TIF~FTIR(MFA)]]] | |
Moisture can produce a white haze in a shellac finish. | Moisture can produce a white haze in a shellac finish. | ||
== Physical and Chemical Properties == | == Physical and Chemical Properties == | ||
− | Fresh shellac is soluble in ethanol, acetone. Shellac becomes insoluble with age. | + | * Fresh shellac is soluble in ethanol, acetone. Shellac becomes insoluble with age. |
+ | * Insoluble in water, turpentine or mineral spirit. | ||
+ | * Iodine number = 10-18 | ||
+ | * Saponification number = 185-213 | ||
+ | * Acid number = 48-64 | ||
− | + | * Autofluoresces orange: shade depends on initial color of shellac | |
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− | Autofluoresces orange: shade depends on initial color of shellac | ||
{| class="wikitable" | {| class="wikitable" | ||
|- | |- | ||
! scope="row"| Melting Point | ! scope="row"| Melting Point | ||
− | | 115-120 | + | | 115-120 C |
|- | |- | ||
! scope="row"| Density | ! scope="row"| Density | ||
− | | 1.035-1.140 | + | | 1.035-1.140 g/ml |
|- | |- | ||
! scope="row"| Refractive Index | ! scope="row"| Refractive Index | ||
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<gallery> | <gallery> | ||
+ | File:Bo.tree_bark.jpg|thumb|Bo tree''Ficus religiosa'' | ||
File:X shellac german.jpg|German shellac | File:X shellac german.jpg|German shellac | ||
File:X shellac lemon1.jpg|Lemon shellac | File:X shellac lemon1.jpg|Lemon shellac | ||
</gallery> | </gallery> | ||
− | == | + | == Resources and Citations == |
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− | + | * K.Wehlte, ''The Materials and Techniques of Painting'', Van Nostrand Reinhold Co., New York, 1975. | |
* G.S.Brady, ''Materials Handbook'', McGraw-Hill Book Co., New York, 1971 Comment: p. 705 | * G.S.Brady, ''Materials Handbook'', McGraw-Hill Book Co., New York, 1971 Comment: p. 705 | ||
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* ''The Merck Index'', Martha Windholz (ed.), Merck Research Labs, Rahway NJ, 10th edition, 1983 Comment: entry 8623 | * ''The Merck Index'', Martha Windholz (ed.), Merck Research Labs, Rahway NJ, 10th edition, 1983 Comment: entry 8623 | ||
− | * Wikipedia | + | * Wikipedia: http://en.wikipedia.org/wiki/Shellac (Accessed Feb. 10, 2006) |
* Pam Hatchfield, ''Pollutants in the Museum Environment'', Archetype Press, London, 2002 | * Pam Hatchfield, ''Pollutants in the Museum Environment'', Archetype Press, London, 2002 | ||
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* Susan E. Schur, Conservation Terminology: A review of Past & Current Nomenclature of Materials, ''Technology and Conservation'', Spring (p.34-39); Summer (p.35-38); Fall (p.25-36), 1985 | * Susan E. Schur, Conservation Terminology: A review of Past & Current Nomenclature of Materials, ''Technology and Conservation'', Spring (p.34-39); Summer (p.35-38); Fall (p.25-36), 1985 | ||
− | * ''Encyclopedia Britannica'', http://www.britannica.com Comment: "lac" | + | * ''Encyclopedia Britannica'', http://www.britannica.com Comment: "lac" [Accessed February 6, 2003]. |
− | * Website | + | * Website: www.nswpmith.com.au/historyofplastics.html |
* Art and Architecture Thesaurus Online, http://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000 | * Art and Architecture Thesaurus Online, http://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000 |
Latest revision as of 14:51, 30 May 2022
Description
A resinous substance excreted by the female of the lac insect, Laccifer lacca, native to India. The insects primarily deposit lac on the twigs and soft new branches of several varieties of soapberry and acacia trees, such as the sacred fig, Ficus religiosa, found in India, Thailand, Myanmar (Burma), and elsewhere in southeast Asia. Lac was used as early as about 1200 BCE in India. Shellac and Lac dye were imported to Europe in the 17th century. The resin coated twigs, also called sticklac, undergoes several processing steps to extract useful components. The raw lac is washed, heated and drawn out into thin sheets. Once cooled, the shellac is broken into small flakes for sale as flake shellac. The color of shellac ranges from a pale yellow to a deep red. Shellac is soluble in alcohol and is used to obtain the high gloss on French polished furniture. It is also used as a protective coating for plaster molds and casts. In the 19th century, shellac was filled with wood flour and used for molded composition products such as buttons, picture frames, Daguerreotype and Ambrotype cases, and gramophone records. Black pigmented, mineral-filled shellac was used for 78 rpm phonograph records, mirror frames, brooches, and dressing table sets. Shellac was often adulterated with Rosin (Doerner 1934).
Synonyms and Related Terms
Laccifer lacca (also listed as Coccus lacca); Ficus religiosa; gomme laque (Fr.); Schellack (Deut.); Tafellack (Deut.); Plattlack (Deut.); goma laca (Esp.); gommalacca (It); schellack (Ned.); Lacca in tabulis (Deut.); lac; lacca; shell lacca; shell-lacca; gum lac; bleached shellac; lemon flakes; orange flakes; garnet lac; refined shellac; kiri; black buttonlac; buttonlac; sticklac; stick-lac; seedlac; kusmi; katki; kusmi; shellack; Diatite; Smiths Patent American Composition
Applications
- Coating
- Natural plastic
Risks
Moisture can produce a white haze in a shellac finish.
Physical and Chemical Properties
- Fresh shellac is soluble in ethanol, acetone. Shellac becomes insoluble with age.
- Insoluble in water, turpentine or mineral spirit.
- Iodine number = 10-18
- Saponification number = 185-213
- Acid number = 48-64
- Autofluoresces orange: shade depends on initial color of shellac
Melting Point | 115-120 C |
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Density | 1.035-1.140 g/ml |
Refractive Index | 1.516 |
Comparisons
Additional Images
Resources and Citations
- K.Wehlte, The Materials and Techniques of Painting, Van Nostrand Reinhold Co., New York, 1975.
- G.S.Brady, Materials Handbook, McGraw-Hill Book Co., New York, 1971 Comment: p. 705
- Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
- Richard S. Lewis, Hawley's Condensed Chemical Dictionary, Van Nostrand Reinhold, New York, 10th ed., 1993
- Matt Roberts, Don Etherington, Bookbinding and the Conservation of Books: a Dictionary of Descriptive Terminology, U.S. Government Printing Office, Washington DC, 1982
- Dictionary of Building Preservation, Ward Bucher, ed., John Wiley & Sons, Inc., New York City, 1996
- The Merck Index, Martha Windholz (ed.), Merck Research Labs, Rahway NJ, 10th edition, 1983 Comment: entry 8623
- Wikipedia: http://en.wikipedia.org/wiki/Shellac (Accessed Feb. 10, 2006)
- Pam Hatchfield, Pollutants in the Museum Environment, Archetype Press, London, 2002
- Thomas B. Brill, Light Its Interaction with Art and Antiquities, Plenum Press, New York City, 1980 Comment: ref. index = 1.516
- Susan E. Schur, Conservation Terminology: A review of Past & Current Nomenclature of Materials, Technology and Conservation, Spring (p.34-39); Summer (p.35-38); Fall (p.25-36), 1985
- Encyclopedia Britannica, http://www.britannica.com Comment: "lac" [Accessed February 6, 2003].
- Website: www.nswpmith.com.au/historyofplastics.html
- Art and Architecture Thesaurus Online, http://www.getty.edu/research/tools/vocabulary/aat/, J. Paul Getty Trust, Los Angeles, 2000