Difference between revisions of "Shell gold"

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== Description ==
 
== Description ==
  
A [http://cameo.mfa.org/materials/fullrecord.asp?name=watercolor%20paint watercolor paint] made by mixing [http://cameo.mfa.org/materials/fullrecord.asp?name=gold%20powder gold powder] with [http://cameo.mfa.org/materials/fullrecord.asp?name=gum%20arabic gum arabic]. Shell gold was an expensive paint used for gilded surfaces in paintings and manuscripts as well as for decorative tooling on [http://cameo.mfa.org/materials/fullrecord.asp?name=leather leather] bindings. It was traditionally stored in mussel [http://cameo.mfa.org/materials/fullrecord.asp?name=shell shells]. The gold powder was prepared by grinding [http://cameo.mfa.org/materials/fullrecord.asp?name=gold%20leaf gold leaf] in [http://cameo.mfa.org/materials/fullrecord.asp?name=honey honey].
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A [[watercolor%20paint|watercolor paint]] made by mixing [[gold%20powder|gold powder]] with [[gum%20arabic|gum arabic]]. Shell gold was an expensive paint used for gilded surfaces in paintings and manuscripts as well as for decorative tooling on [[leather|leather]] bindings. It was traditionally stored in mussel [[shell|shells]]. The gold powder was prepared by grinding [[gold%20leaf|gold leaf]] in [[honey|honey]].
  
== Sources Checked for Data in Record ==
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==Resources and Citations==
  
 
* ''The Dictionary of Art'', Grove's Dictionaries Inc., New York, 1996  Comment: Craddock "Gilding"
 
* ''The Dictionary of Art'', Grove's Dictionaries Inc., New York, 1996  Comment: Craddock "Gilding"

Latest revision as of 14:48, 30 May 2022

Description

A Watercolor paint made by mixing Gold powder with Gum arabic. Shell gold was an expensive paint used for gilded surfaces in paintings and manuscripts as well as for decorative tooling on Leather bindings. It was traditionally stored in mussel shells. The gold powder was prepared by grinding Gold leaf in Honey.

Resources and Citations

  • The Dictionary of Art, Grove's Dictionaries Inc., New York, 1996 Comment: Craddock "Gilding"
  • Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
  • Matt Roberts, Don Etherington, Bookbinding and the Conservation of Books: a Dictionary of Descriptive Terminology, U.S. Government Printing Office, Washington DC, 1982
  • R.D. Harley, Artists' Pigments c. 1600-1835, Butterworth Scientific, London, 1982
  • Teri Hensick, contributed information, 1998