Basic copper carbonate

Description

Basic copper carbonate occurs naturally in two crystalline forms, blue (Azurite) and green (Malachite). Azurite and malachite have been used as gemstones and paint pigments since antiquity. They are prepared as pigments by careful selection, grinding, washing, and levigation. As coarsely ground particles, they give a deep opaque color, but when finely ground, the pigments give a lighter more transparent tone. Azurite and malachite are lightfast but are sensitive to acids and sulfur fumes. Basic copper carbonate can also be made artificially by coloring chalk with copper sulfate. The equivalent synthetic pigments, called Blue verditer and Green verditer, tend to have regularly sized particles with rounded edges.

Synonyms and Related Terms

basic cupric carbonate; azurite; malachite; carbonato básico de cobre (Esp.); carbonato basico di rame (It.); carbonato básico de cobre (Port.)

Chemical structure

Other Properties

Insoluble in water and ethanol. Decomposes in acids with the evolution of carbon dioxide bubbles. Turns black with warm alkalis, hydrogen sulfide or sulfur fumes.

Composition	2CuCO3òCu(OH)2
CAS	12069-69-1
Mohs Hardness	3.5 - 4.0
Melting Point	200 (dec)
Density	3.7-4.0
Molecular Weight	mol. wt. = 221.13

Hazards and Safety

Skin contact and inhalation may cause irritation or allergic reactions.

Chronic exposure may cause anemia.

Mallinckrodt Baker: MSDS

Additional Information

R. Gettens, and E. West Fitzhugh, "Azurite and Blue Verditer", Artists Pigments, Vol. 2., A. Roy ed. Oxford University Press, Oxford, 1993.

Comparisons

[[media:|Characteristics of Common Blue Pigments]]

Characteristics of Common Blue Pigments

Sources Checked for Data in Record

• R. J. Gettens, G.L. Stout, Painting Materials, A Short Encyclopaedia, Dover Publications, New York, 1966

• G.S.Brady, Materials Handbook, McGraw-Hill Book Co., New York, 1971 Comment: p. 231

• Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)

• Richard S. Lewis, Hawley's Condensed Chemical Dictionary, Van Nostrand Reinhold, New York, 10th ed., 1993

• Michael McCann, Artist Beware, Watson-Guptill Publications, New York City, 1979

• R.D. Harley, Artists' Pigments c. 1600-1835, Butterworth Scientific, London, 1982

• Jack Odgen, Jewellery of the Ancient World, Rizzoli International Publications Inc., New York City, 1982

• Book and Paper Group, Paper Conservation Catalog, AIC, 1984, 1989

• The Merck Index, Martha Windholz (ed.), Merck Research Labs, Rahway NJ, 10th edition, 1983 Comment: entry 2697