Difference between revisions of "Kunisada, Actor Nakamura Utaemon III as the Monkey Trainer Yojirô, from the series Great Hit Plays, 11.15095"
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| Pt 1 || [[File:11.15095-pt1.png|50px|center]] || ||dayflower | | Pt 1 || [[File:11.15095-pt1.png|50px|center]] || ||dayflower | ||
|- | |- | ||
− | | Pt 2 || [[File:11.15095-pt2.png|50px|center]] || ||madder | + | | Pt 2 || [[File:11.15095-pt2.png|50px|center]] || ||madder |
|- | |- | ||
| Pt 3 || [[File:11.15095-pt3.png|50px|center]] || ||indigo | | Pt 3 || [[File:11.15095-pt3.png|50px|center]] || ||indigo | ||
+ | |- | ||
+ | | Pt 4 || [[File:11.15095-Pt4.png|50px|center]] || ||mica | ||
+ | |- | ||
+ | | Pt 5 || [[File:11.15095-Pt5.png|50px|center]] || ||safflower | ||
|} | |} | ||
− | |||
+ | Note: The center of the circle is point of analysis. For information on the analytical methods, see [[More on the data]]. | ||
+ | |||
+ | [[File:Colorwheel2.png|40px|link=[[Ukiyo-e Print Colorant Database]]]] | ||
+ | |||
[[Category:Utagawa Kunisada, Toyokuni III (歌川国貞・三代目歌川豊国) 1786–1864]] | [[Category:Utagawa Kunisada, Toyokuni III (歌川国貞・三代目歌川豊国) 1786–1864]] | ||
[[Category:Dayflower: Ukiyo-e colorant]] | [[Category:Dayflower: Ukiyo-e colorant]] | ||
[[Category:Madder: Ukiyo-e colorant]] | [[Category:Madder: Ukiyo-e colorant]] | ||
− | [[Category:Indigo | + | [[Category:Safflower: Ukiyo-e colorant]] |
+ | [[Category:Indigo: Ukiyo-e colorant]] | ||
+ | [[Category:Mica: Ukiyo-e colorant]] |
Revision as of 08:49, 11 April 2025
Actor Nakamura Utaemon III as the Monkey Trainer Yojirô, from the series Great Hit Plays (Ôatari kyôgen no uchi)
「大当狂言ノ内 与次郎」 三代目中村歌右衛門
Utagawa Kunisada I (Toyokuni III) (1786–1864)
Publisher: Kawaguchiya Uhei (Fukusendô)
Edo period about 1814–15 (Bunka 11–12)
for more information see:
MFA Online Collections Database
Summary
Analysis point | Image | Method | Results |
---|---|---|---|
Pt 1 | dayflower | ||
Pt 2 | madder | ||
Pt 3 | indigo | ||
Pt 4 | mica | ||
Pt 5 | safflower |
Note: The center of the circle is point of analysis. For information on the analytical methods, see More on the data.