Difference between revisions of "Metal point"

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==Resources and Citations==
 
==Resources and Citations==
* Thea Burns. ''The Luminous Trace: Drawing and Writing in Metalpoint''. London: Archetype Publications, 2012.
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* Andrea Avestar: [https://andreasavester.com/silverpoint-art-beyond-silver-what-other-metals-artists-can-use-for-their-metalpoint-drawings/ Metalpoint drawings]
 +
* Thea Burns, ''The Luminous Trace: Drawing and Writing in Metalpoint''. London: Archetype Publications, 2012.
 
* ''Italian Renaissance Drawings: Technical Examination and Analysis''.  Janet Ambers, Catherine Higgitt and David Saunders (ed.),  The British Museum, 2010.
 
* ''Italian Renaissance Drawings: Technical Examination and Analysis''.  Janet Ambers, Catherine Higgitt and David Saunders (ed.),  The British Museum, 2010.
 
* ''Media & Techniques of Works of Art on Paper'', New York University, New York, 1999
 
* ''Media & Techniques of Works of Art on Paper'', New York University, New York, 1999

Revision as of 12:23, 28 May 2023

School of Filippino Lippi, about 1457–1504
MFA# 36.417

Description

Metal point drawing using a variety of metals
By Susan Schwalb, MFA# 2003.627

A metal tool used for drawing on a Paper or Parchment support which has been covered by a Ground. As the point moves across the ground, it leaves behind a thin layer of metal that can quickly quickly oxidize. For example, Silver point becomes the brownish grey of tarnished silver and Lead point becomes quite dark. The marks are permanent, and the colored ground may be more light-sensitive than the design. Metal points are also prepared from soft metals such as Gold and other metals such as Aluminum, Antimony, Brass, Bronze, Copper, Platinum, or Tin, that produce distinct marks from the direct deposition of the metal. Metal point has been used by artists from the 15th century to the present day.

Synonyms and Related Terms

metalpoint; silver point; lead point; gold point

Additional Images

Resources and Citations

  • Andrea Avestar: Metalpoint drawings
  • Thea Burns, The Luminous Trace: Drawing and Writing in Metalpoint. London: Archetype Publications, 2012.
  • Italian Renaissance Drawings: Technical Examination and Analysis. Janet Ambers, Catherine Higgitt and David Saunders (ed.), The British Museum, 2010.
  • Media & Techniques of Works of Art on Paper, New York University, New York, 1999
  • The Bullfinch Guide to Art History, Shearer West (ed.), Bullfinch Press, Boston, 1996
  • James Watrous, The Craft of Old-Master Drawings, University of Wisconsin Press, 1957.

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