Difference between revisions of "Direct dye"
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== Description == | == Description == | ||
− | A large class of water-soluble dyes that quickly adhere to fibers without the aid of a mordant. Natural direct dyes include [ | + | A large class of water-soluble dyes that quickly adhere to fibers without the aid of a mordant. Natural direct dyes include [[henna]], [[annatto]], [[saffron]], [[turmeric]], and [[archil]]. Synthetic direct dyes, or substantive dyes, were first derived from [[aniline]] in 1884. In general, they give bright full colors when applied directly onto fiber in a neutral or slightly alkaline aqueous bath containing [[sodium chloride]] or other salts. Often direct dyes are applied to [[cotton]] or [[linen]], but some work well with [[leather]], [[rayon fiber|rayon]], [[silk]], or [[wool]]. Because direct dyes generally possess poor colorfastness, some after-treatments, such as diazotization development, are used to improve washfastness. These after-treatments, however, produce new chromophoric groups that change the base color of the dye. For more information on developers see [[naphthol]], [[phenylenediamine]], [[phenol]], [[phenylmethylpyrazolone]], or [[resorcinol]]. |
== Synonyms and Related Terms == | == Synonyms and Related Terms == | ||
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substantive dye; direct dyes (pl.); colorante directo (Esp.) | substantive dye; direct dyes (pl.); colorante directo (Esp.) | ||
− | == | + | == Resources and Citations == |
− | Judith H. Hofenk de Graaff, ''The Colourful Past: Origins, Chemistry, and Identification of Natural Dyestuffs'', Archetype, London, 2004 | + | * Judith H. Hofenk de Graaff, ''The Colourful Past: Origins, Chemistry, and Identification of Natural Dyestuffs'', Archetype, London, 2004 |
− | + | * Hoechst Celanese Corporation, ''Dictionary of Fiber & Textile Technology'' (older version called Man-made Fiber and Textile Dictionary, 1965), Hoechst Celanese Corporation, Charlotte NC, 1990 | |
− | * | + | * Rosalie Rosso King, ''Textile Identification, Conservation, and Preservation'', Noyes Publications, Park Ridge, NJ, 1985 |
− | * | + | * Matt Roberts, Don Etherington, ''Bookbinding and the Conservation of Books: a Dictionary of Descriptive Terminology'', U.S. Government Printing Office, Washington DC, 1982 |
− | * | + | * Thomas B. Brill, ''Light Its Interaction with Art and Antiquities'', Plenum Press, New York City, 1980 |
− | * | + | * G.S.Brady, ''Materials Handbook'', McGraw-Hill Book Co., New York, 1971 Comment: p. 284 |
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* ''Van Nostrand's Scientific Encyclopedia'', Douglas M. Considine (ed.), Van Nostrand Reinhold, New York, 1976 | * ''Van Nostrand's Scientific Encyclopedia'', Douglas M. Considine (ed.), Van Nostrand Reinhold, New York, 1976 |
Latest revision as of 14:28, 30 October 2020
Description
A large class of water-soluble dyes that quickly adhere to fibers without the aid of a mordant. Natural direct dyes include Henna, Annatto, Saffron, Turmeric, and Archil. Synthetic direct dyes, or substantive dyes, were first derived from Aniline in 1884. In general, they give bright full colors when applied directly onto fiber in a neutral or slightly alkaline aqueous bath containing Sodium chloride or other salts. Often direct dyes are applied to Cotton or Linen, but some work well with Leather, rayon, Silk, or Wool. Because direct dyes generally possess poor colorfastness, some after-treatments, such as diazotization development, are used to improve washfastness. These after-treatments, however, produce new chromophoric groups that change the base color of the dye. For more information on developers see Naphthol, Phenylenediamine, Phenol, Phenylmethylpyrazolone, or Resorcinol.
Synonyms and Related Terms
substantive dye; direct dyes (pl.); colorante directo (Esp.)
Resources and Citations
- Judith H. Hofenk de Graaff, The Colourful Past: Origins, Chemistry, and Identification of Natural Dyestuffs, Archetype, London, 2004
- Hoechst Celanese Corporation, Dictionary of Fiber & Textile Technology (older version called Man-made Fiber and Textile Dictionary, 1965), Hoechst Celanese Corporation, Charlotte NC, 1990
- Rosalie Rosso King, Textile Identification, Conservation, and Preservation, Noyes Publications, Park Ridge, NJ, 1985
- Matt Roberts, Don Etherington, Bookbinding and the Conservation of Books: a Dictionary of Descriptive Terminology, U.S. Government Printing Office, Washington DC, 1982
- Thomas B. Brill, Light Its Interaction with Art and Antiquities, Plenum Press, New York City, 1980
- G.S.Brady, Materials Handbook, McGraw-Hill Book Co., New York, 1971 Comment: p. 284
- Van Nostrand's Scientific Encyclopedia, Douglas M. Considine (ed.), Van Nostrand Reinhold, New York, 1976