Difference between revisions of "Marquetry"

From CAMEO
Jump to navigation Jump to search
 
(2 intermediate revisions by the same user not shown)
Line 1: Line 1:
 
[[File:1996.216-CR9702-d1.jpg|thumb|Side chairs<br>MFA# 1996.216]]
 
[[File:1996.216-CR9702-d1.jpg|thumb|Side chairs<br>MFA# 1996.216]]
 
== Description ==
 
== Description ==
[[File:2001.562.jpg|thumb|Straw marquetry<br>MFA# 2001.562]]
+
[[File:2001.562.jpg|thumb|Straw marquetry on chest<br>MFA# 2001.562]]
 
A decorative inlaid pattern made from thin layers of [[wood|wood]], [[ivory|ivory]], [[metal|metal]], [[mother-of-pearl|mother-of-pearl]], [[straw|straw]], or [[tortoiseshell|tortoiseshell]], veneered to another surface, usually furniture. Wood marquetry techniques were developed in Antwerp in the early 17th century then imported to France where elaborate luxury pieces were made with very intricate patterns. By the 18th century, workshops in northern Europe and England were known for this specialized technique. The simplest marquetry uses two different color sheets of veneer, temporarily fastened together then cut into a pattern with a fine saw. This created two contrasting panels of identical design (in French called partie and contre-partie, "part" and "counterpart").  Marquetry using colored straw was a specialty of some European spa resorts from the end of the 18th century.  
 
A decorative inlaid pattern made from thin layers of [[wood|wood]], [[ivory|ivory]], [[metal|metal]], [[mother-of-pearl|mother-of-pearl]], [[straw|straw]], or [[tortoiseshell|tortoiseshell]], veneered to another surface, usually furniture. Wood marquetry techniques were developed in Antwerp in the early 17th century then imported to France where elaborate luxury pieces were made with very intricate patterns. By the 18th century, workshops in northern Europe and England were known for this specialized technique. The simplest marquetry uses two different color sheets of veneer, temporarily fastened together then cut into a pattern with a fine saw. This created two contrasting panels of identical design (in French called partie and contre-partie, "part" and "counterpart").  Marquetry using colored straw was a specialty of some European spa resorts from the end of the 18th century.  
 
+
[[File:2001.562a.jpg|thumb|Damage to straw-work marquetry on MFA# 2001.562]]
 
See also [[niello|niello]], and [[pietre%20dure|pietre dure]].
 
See also [[niello|niello]], and [[pietre%20dure|pietre dure]].
 
== Synonyms and Related Terms ==
 
== Synonyms and Related Terms ==
Line 11: Line 11:
 
== Additional Images ==
 
== Additional Images ==
 
<gallery>
 
<gallery>
File:2001.562a.jpg|Straw-work marquetry
+
File:SC441328.jpg|thumb|Casket with marquetry<br>MFA# 40.234
File:40.234 detail and X-Ray.jpg|Straw marquetry
+
File:40.234 detail and X-Ray.jpg|Detail and X-ray of marquetry on MFA# 40.234
 
</gallery>
 
</gallery>
  

Latest revision as of 12:37, 17 October 2022

Side chairs
MFA# 1996.216

Description

Straw marquetry on chest
MFA# 2001.562

A decorative inlaid pattern made from thin layers of Wood, Ivory, Metal, Mother-of-pearl, Straw, or Tortoiseshell, veneered to another surface, usually furniture. Wood marquetry techniques were developed in Antwerp in the early 17th century then imported to France where elaborate luxury pieces were made with very intricate patterns. By the 18th century, workshops in northern Europe and England were known for this specialized technique. The simplest marquetry uses two different color sheets of veneer, temporarily fastened together then cut into a pattern with a fine saw. This created two contrasting panels of identical design (in French called partie and contre-partie, "part" and "counterpart"). Marquetry using colored straw was a specialty of some European spa resorts from the end of the 18th century.

Damage to straw-work marquetry on MFA# 2001.562

See also Niello, and Pietre dure.

Synonyms and Related Terms

inlay; intarsia; marqueterie (Fr.); mfurniturearketierte (Deut.); markieteria (Pol.); marquetería (Esp.); tarsia (It.)

Additional Images

Resources and Citations

  • P.Ramond, R. Bonnefond, 'La marqueterie' Metiers d'art, 27 (no. 26), October 1984.°
  • Patrick Edwards, 'Current trends in conservation of marquetry surfaces' Postprints of the Wooden Artifacts Group (AIC), 1997.
  • Hermann Kuhn, Conservation and Restoration of Works of Art and Antiquities, Butterworths, London, 1986
  • Random House, Webster's Encyclopedic Unabridged Dictionary of the English Language, Grammercy Book, New York, 1997
  • The American Heritage Dictionary or Encarta, via Microsoft Bookshelf 98, Microsoft Corp., 1998