Difference between revisions of "Metal point"

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[[File:School of Filippino Lippi 36 417.jpg|thumb|School of Filippino Lippi, about 1457–1504MFA acc# 36.417]]
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[[File:School of Filippino Lippi 36 417.jpg|thumb|School of Filippino Lippi, about 1457–1504<br> MFA# 36.417]]
 
 
 
 
 
== Description ==
 
== Description ==
 
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[[File:Susan Schwalb 2003 627.jpg|thumb|Metal point drawing using a variety of metals<br> By Susan Schwalb, MFA# 2003.627]]
A metal tool used for drawing on a [[paper]] or [[parchment]] support which has been covered by a [[ground]].  As the point moves across the ground, it leaves behind a thin layer of metal.  The thin metal quickly oxidizes, for example, silver point becomes the brownish grey of tarnished silver.  Metal points are often prepared from soft metal such as [[silver]] and [[gold]], but may also be made from [[lead]], [[copper]], or [[aluminium]]. They have been used since the 15th century and are still used by contemporary artists.   
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A metal tool used for drawing on a [[paper]] or [[parchment]] support which has been covered by a [[ground]].  As the point moves across the ground, it leaves behind a thin layer of metal that can quickly quickly oxidizeFor example, [[silver point]] becomes the brownish grey of tarnished silver and [[lead]] point becomes quite dark.  The marks are permanent, and the colored ground may be more light-sensitive than the design.  Metal points are also prepared from soft metals such as [[gold]] and other metals such as [[aluminum]], [[antimony]], [[brass]], [[bronze]], [[copper]], [[nickel]], [[palladium]], [[platinum]], [[tin]], or [[zinc]], that produce distinct marks from the direct deposition of the metal. Metal point has been used by artists from the 15th century to the present day.   
 
 
 
 
[[File:Susan Schwalb 2003 627.jpg|thumb|Metal point drawing using a variety of metals. Susan Schwalb, MFA acc# 2003.627]]
 
  
 
== Synonyms and Related Terms ==
 
== Synonyms and Related Terms ==
  
metalpoint
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metalpoint; silver point; lead point; gold point
 
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[[File:Hawk_metalpt_ochrpapr.jpg|thumb|Metal point drawing<br>By [http://timothydavidmayhew.com/ Timothy Mayhew]]]
== Additional Information ==
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[[File:Navajo girl.jpg|thumb|Bronze point drawing<br>By [http://timothydavidmayhew.com/ Timothy Mayhew]]]
Thea Burns. ''The Luminous Trace: Drawing and Writing in Metalpoint''. London: Archetype Publications, 2012.
 
 
 
 
== Additional Images ==
 
== Additional Images ==
 
 
<gallery>
 
<gallery>
File:Hawk_metalpt_ochrpapr.jpg|Metal point drawing
 
File:Navajo girl.jpg|Bronze point drawing
 
 
File:metalpoint.jpg|Metalpoint
 
File:metalpoint.jpg|Metalpoint
 
File:Metalpoint_alldrawnout_comp.jpg|Metal point
 
File:Metalpoint_alldrawnout_comp.jpg|Metal point
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File:Silverpoint_drawnout.jpg|Silver point
 
File:Silverpoint_drawnout.jpg|Silver point
 
File:Tin_drawnout.jpg|Tin point
 
File:Tin_drawnout.jpg|Tin point
File:metalpoint3 100X.jpg|Metalpoint
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File:metalpoint3 100X.jpg|Metalpoint at 100x
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File:AndreasAvester Metalpoint colors.jpg|thumb|Colors of a variety of metalpoints<br>Andreas Avester at [https://andreasavester.com/silverpoint-art-beyond-silver-what-other-metals-artists-can-use-for-their-metalpoint-drawings/ Metal point drawings]
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File:AndreasAvester Metalpoint corrosion.jpg| Tarnished colors for a variety of metalpoints<br>Andreas Avester at [https://andreasavester.com/silverpoint-art-beyond-silver-what-other-metals-artists-can-use-for-their-metalpoint-drawings/ Metal point drawings]
 
</gallery>
 
</gallery>
  
 
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==Resources and Citations==
== Authority ==
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* Andreas Avestar: [https://andreasavester.com/silverpoint-art-beyond-silver-what-other-metals-artists-can-use-for-their-metalpoint-drawings/ Metalpoint drawings]
 
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* Thea Burns, ''The Luminous Trace: Drawing and Writing in Metalpoint''. London: Archetype Publications, 2012.
 
* ''Italian Renaissance Drawings: Technical Examination and Analysis''.  Janet Ambers, Catherine Higgitt and David Saunders (ed.),  The British Museum, 2010.
 
* ''Italian Renaissance Drawings: Technical Examination and Analysis''.  Janet Ambers, Catherine Higgitt and David Saunders (ed.),  The British Museum, 2010.
 
 
* ''Media & Techniques of Works of Art on Paper'', New York University, New York, 1999
 
* ''Media & Techniques of Works of Art on Paper'', New York University, New York, 1999
 
 
* ''The Bullfinch Guide to Art History'', Shearer West (ed.), Bullfinch Press, Boston, 1996
 
* ''The Bullfinch Guide to Art History'', Shearer West (ed.), Bullfinch Press, Boston, 1996
 
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* James Watrous, ''The Craft of Old-Master Drawings'', University of Wisconsin Press, 1957.
*James Watrous''The Craft of Old-Master Drawings'', University of Wisconsin Press, 1957.
 
  
  
  
 
[[Category:Materials database]]
 
[[Category:Materials database]]

Latest revision as of 13:50, 2 June 2023

School of Filippino Lippi, about 1457–1504
MFA# 36.417

Description

Metal point drawing using a variety of metals
By Susan Schwalb, MFA# 2003.627

A metal tool used for drawing on a Paper or Parchment support which has been covered by a Ground. As the point moves across the ground, it leaves behind a thin layer of metal that can quickly quickly oxidize. For example, Silver point becomes the brownish grey of tarnished silver and Lead point becomes quite dark. The marks are permanent, and the colored ground may be more light-sensitive than the design. Metal points are also prepared from soft metals such as Gold and other metals such as Aluminum, Antimony, Brass, Bronze, Copper, Nickel, Palladium, Platinum, Tin, or Zinc, that produce distinct marks from the direct deposition of the metal. Metal point has been used by artists from the 15th century to the present day.

Synonyms and Related Terms

metalpoint; silver point; lead point; gold point

Metal point drawing
By Timothy Mayhew
Bronze point drawing
By Timothy Mayhew

Additional Images

Resources and Citations

  • Andreas Avestar: Metalpoint drawings
  • Thea Burns, The Luminous Trace: Drawing and Writing in Metalpoint. London: Archetype Publications, 2012.
  • Italian Renaissance Drawings: Technical Examination and Analysis. Janet Ambers, Catherine Higgitt and David Saunders (ed.), The British Museum, 2010.
  • Media & Techniques of Works of Art on Paper, New York University, New York, 1999
  • The Bullfinch Guide to Art History, Shearer West (ed.), Bullfinch Press, Boston, 1996
  • James Watrous, The Craft of Old-Master Drawings, University of Wisconsin Press, 1957.