Difference between revisions of "Mineral black"

From CAMEO
Jump to navigation Jump to search
 
Line 6: Line 6:
 
* [[Cinnabar]]: [[Mercuric sulfide, black|Mercuric sulfide]] (HgS)
 
* [[Cinnabar]]: [[Mercuric sulfide, black|Mercuric sulfide]] (HgS)
 
* [[Galena]]: [[Lead sulfide]] (PbS)
 
* [[Galena]]: [[Lead sulfide]] (PbS)
* Plattnerite: [[Lead oxide, black|Lead oxide]] (B-PbO2)
+
* Plattnerite: [[Lead oxide, black|Lead oxide]] (β-PbO<sub>2</sub>)
* [[Wad]]: [[Manganese oxide]] (MnO); minerals can be [[pyrolusite]], romanechite, hollandite, cryptomelane, todorokite, manganite, hausmannite, nsutite, ramsdellite and
+
* [[Wad]]: [[Manganese dioxide]] (MnO<sub>2</sub>), [[manganese black]]; minerals include [[pyrolusite]], romanechite, hollandite, cryptomelane, todorokite, manganite, hausmannite, nsutite, ramsdellite and
 
groutite   
 
groutite   
  

Latest revision as of 10:15, 1 March 2024

Description

1. An unstandardized name used for Graphite as well as for a natural black pigment obtained by grinding black Slate. The graphite from of mineral black in was sometimes used as a Crayon or writing tool.

2. Literally, naturally occurring minerals with a black color have also been called Mineral black. There are black forms of the following minerals:

groutite

Synonyms and Related Terms

black chalk; black lead; graphite; negro mineral (Esp., Port.)

Resources and Citations

  • Ruth Siddall, 'Mineral Pigments in Archaeology: Their Analysis and the Range of Available Materials' Minerals Vol 8, p. 201 (2018). Link
  • G.S.Brady, Materials Handbook, McGraw-Hill Book Co., New York, 1971 Comment: p. 611
  • Ralph Mayer, A Dictionary of Art Terms and Techniques, Harper and Row Publishers, New York, 1969 (also 1945 printing)
  • Richard S. Lewis, Hawley's Condensed Chemical Dictionary, Van Nostrand Reinhold, New York, 10th ed., 1993
  • Susan E. Schur, Conservation Terminology: A review of Past & Current Nomenclature of Materials, Technology and Conservation, Spring (p.34-39); Summer (p.35-38); Fall (p.25-36), 1985
  • R.D. Harley, Artists' Pigments c. 1600-1835, Butterworth Scientific, London, 1982
  • Monona Rossol, The Artist's Complete Health and Safety Guide, Allworth Press, New York, 1994