Forbes Pigment Labs: Library of Congress
Library of Congress, Preservation lab
The Library of Congress pursues preservation research with the aim to forward the National Preservation Research Agenda, which was developed by the Library's Preservation Directorate in consultation with leading scientific laboratories. This matrix of preservation science projects undertaken by libraries, archives, and museums worldwide illustrates the wide range of preservation research, from scientific and forensic characterization studies to the development of conservation treatments. The diversified labs cover projects on materials research, method development, analytical services and quality assurance. More information on current and paat projects is available at Preservation Scientce.
Analytical Projects
The Preservation Research and Testing Division analyzes the material composition of the Library's collection items to further scholarly research, conservation treatment, and the preservation of the collections. Analytical tests can characterize the chemical composition and condition of a range of materials, including paints, inks, and pigments, coatings, and substrates such as paper, parchment, and papyrus.
Reference collections of known and characterized pigment samples can aid specialists in identifying unknown, unstable, or questioned documents and other works. The Library of Congress holds a collection of pigment samples from Harvard’s Forbes’ Pigment Collection. The Forbes’ Pigment Collection is comprised of over 1000 colorants assembled by the late Edward Waldo Forbes, former Director of the Fogg Art Museum at Harvard University. Although the bulk of the collection resides at Harvard University, nineteen additional laboratories around the world share subsets of the collection, including the Library of Congress. This collection has long been used to provide reference samples to aid in the identification of pigments found in conjunction with collections in libraries, archives and museums.
Specialists study media to better understand the nature of documents and other works. Identifying pigments and other media can enable specialists to authenticate questioned documents or identify documents at risk of deterioration from acidic or other problematic media. Such studies can reduce risks to collections while adding value to the knowledge of a document’s provenance and manufacture. Some media (like iron gall ink or verdigris pigments) are acidic and consequently are at greater risk for deterioration and can even contaminate other collections. Characterizing pigments through their respective optical, chemical and physical properties can help specialists “date” documents, since certain pigments were traditionally used at specific times and places. In addition, specialists can estimate the stability, durability and longevity of documents and media made with unstable pigments that might inherently weaken documents.
The purpose of the project is to create an “atlas” of pigments, imaged by a scanning electron microscope (SEM) and matched to their Energy Dispersive X-ray Spectroscopy spectra. This will provide, in conjunction with data from other institutions, a database of known pigment characteristics to aid scholars and preservation specialists in the identification of pigmented media present in the Library’s collections.
Pages in category "Forbes Pigment Labs: Library of Congress"
The following 200 pages are in this category, out of 454 total.
6
- 6.02.06 Hematite (40
- 6.02.10 Indian Red
- 6.02.13 Morello de Sale
- 6.02.14 Morelloni
- 6.02.15 Morellone Buonamici
- 6.02.16 Oxido di ferro
- 6.02.20 Red Earth from Virginia
- 6.02.23 Rosso di Pozzuoli from near Naples
- 6.02.24 Rosso Inglese
- 6.02.25 Spanish Red Oxide
- 6.02.29 Terra Paciori
- 6.02.30 Terra Pordenone
- 6.02.31 Terra Rosso
- 6.02.37 Venetian Red
- 6.02.38 Tuscan Red
- 6.02.42 Indian Red
- 6.02.43 Indian Red
- 6.02.44 Indian Red
- 6.02.46 Tuscan Red
- 6.02.47 Indian Red
- 6.02.50 (duplicate
- 6.02.50 Venetian Red
- 6.02.51 Sinopia (Venetian Red)
- 6.02.52 Venetian Red
- 6.02.53 Venetian Red
- 6.02.54 Venetian Red
- 6.02.55 Moist Venetian Red (GOUACHE)
- 6.02.56 Venetian Red
- 6.02.57 Terra Rosa di Venizia (bottles a
- 6.02.58 Red Earth
- 6.02.59 Terra Rosa Inglese
- 6.02.60 Terra Rosa Bibbiena
- 6.02.61 Red Earth from Germany
- 6.02.62 Terra Rossa
- 6.02.63 Terra Rossa
- 6.02.64 Rosso di Culce
- 6.02.65 Morellone
- 6.02.66 Morellone
- 6.02.67 Morellone
- 6.02.68 Morellone
- 6.02.69 Terra di Siena Brucciata
- 6.02.70 Rosso Angelica fr. Verona grd. in Bologna
- 6.02.71 Rouge Indien
- 6.02.72 Russo Angelico
- 6.02.73 Oxide di Ferro
- 6.02.74 Rosso di Pozzuoli
- 6.02.75 Tierra roja
- 6.02.76 Ocra roja
- 6.02.78 Indian Red
- 6.02.79 Indian Red
- 6.02.80 Colcothar
- 6.02.82 Venetian Red
- 6.02.83 Oxide di Ferro
- 6.02.84 Colcothar
- 6.02.86 Kidney Haemetite
- 6.02.87 Rosso Inglese
- 6.02.88 Terra Rosa
- 6.02.90 Venetian Red
- 6.02.91 Indian Red
- 6.02.92 Red Earth from toll road
- 6.02.93 ?
- 6.03.03 Dragons Blood resin from rattan palm Calamus Draco
- 6.03.04 Indian Lake (Lac lake) Resinous product of coccue
- 6.03.23 Indian Lake
- 6.03.24 Indian Lake
- 6.03.25 Indian Lake
- 6.03.26 Rose Madder
- 6.03.27 Rose Madder
- 6.03.28 Orange Madder
- 6.03.29 Laque de Garance (Rose No. 6?en)
- 6.03.30 Laque de Garance (Rose No. 5)
- 6.03.31 Laque fine garance
- 6.03.32 Lacca Rosa
- 6.03.33 Rose Pink
- 6.03.34 Burnt Alizarin Crimson
- 6.03.35 Permanent Crimson
- 6.03.36 Alizarin Lake
- 6.03.37 Carmine (No.40)
- 6.03.38 Madder
- 6.03.39 Madder (a and b bottles)
- 6.03.40 Madder Seed
- 6.03.42 Madder
- 6.03.43 Madder Root
- 6.03.44 Brazilwood (lign. Pernambuco) (a and b bottles)
- 6.03.45 Brazilwood cuttings
- 6.03.46 Cochineal from Coccus Cacti
- 6.03.48 Purple Madder
- 6.03.49 Brown Madder
- 6.03.50 Deep Rose Madder
- 6.03.51 Madder Red
- 6.03.52 Cocciniglia (cochineal)
- 6.03.53 Crimson Madder
- 6.03.54 Crimson Lake
- 6.03.55 Garance Rose Dores
- 6.03.56 Indian Lake
- 6.03.57 Madder Red
- 6.03.58 Purple Madder
- 6.03.60 Logwood
- 6.03.61 Rose Madder
- 6.03.62 Rose Madder
- 6.04.14 Rhodamine
- 6.05.03 Cinnabar (200 screen)
- 6.05.04 Vermilion
- 6.05.05 Vermilion
- 6.05.06 (not on NYU list)
- 6.05.07 Vermilion
- 6.05.08 Vermilion
- 6.05.09 Vermilion
- 6.07.18 Cadmium Red
- 6.07.19 Cadmium Red
- 6.07.20 Cadmium Scarlet
- 6.08.05 Synthetic Venetian Red
- 6.08.08 Mars Orange
- 6.08.09 Mars Orange
- 6.08.10 Mars Orange
- 6.08.11 Mars Orange
- 6.08.12 Mars Orange
- 6.08.13 Mars Red
- 6.08.14 Mars Orange
- 6.09.01 Armenian Bole (Red Bole)
- 6.09.03 Minium
- 6.09.04 Mimium
- 6.09.05 Minium (purer)
- 6.09.06 Red Lead
- 6.09.07 Red Earth from ranch
- 6.09.08 Red Earth
- 6.09.10 Red Earth from Mount Serat
- 6.09.11 Unidentified
- 6.09.13 Unidentified Uranine
- 6.09.14 Unidentified Red
- 6.09.15 Red Earth (?)
- 6.09.16 ?
- 6.09.17 ?
- 6.20.07 Cinnabar with redder tone
- 6.20.09 Enji (rouge)
- 6.20.11 Kodao Shu (Burnt agaguchi) vermilion 15A
- 6.20.12 Shudo (light red
- 6.20.13 Benigara
- 6.20.14 Tai sha matsu
7
8
- 8.01.02 Pompeian Blue
- 8.01.04 Azurite
- 8.01.12 Blue verditer
- 8.01.13 Azurite
- 8.01.15 Azurite
- 8.01.16 Azurite No. 2
- 8.02.08 Artificial ultramarine
- 8.02.10 Genuine Ultramarine No. 3
- 8.02.11 Ultramarine ?
- 8.02.12 French ultramarine
- 8.02.13 French Ultramarine
- 8.02.14 Genuine Ultramarine
- 8.02.15 Permanent Blue
- 8.02.16 Ultramarine
- 8.02.18 Ultramarine ash
- 8.02.19 Genuine Ultramarine
- 8.02.20 Ultramarine ash
- 8.02.21 French Ultramarine
- 8.02.22 French Ultramarine
- 8.03.01 Smalt
- 8.03.09 Cobalt blue
- 8.03.18 Cobalt blue
- 8.03.19 Cerulean blue
- 8.03.20 Bleu de Cobalt
- 8.03.21 Cerulean blue
- 8.03.22 Cobalt blue
- 8.03.23 Cerulean blue
- 8.03.24 Smalt
- 8.03.25 Cobalt blue
- 8.03.26 Cerulean blue
- 8.04.06 Azzuri de Prerlino
- 8.06.02 Cyanine
- 8.08.02 Indigo
- 8.08.03 Indanthrene Blue (synthetic indigo)
- 8.08.05 Indigo
- 8.08.06 Flint Indigo
- 8.10.01 Unmarked partially ground blue stone
- 8.10.02 Unidentified blue - 19.B
- 8.10.03 Unidentified blue
- 8.10.04 Mineral blue
- 8.10.07 Meipener - Blaugrun
- 8.20.01 Gunjo (azurite) blue
- 8.20.02 Usugun (another tone of pale blue
- 8.20.03 Byakugun (pale blue) finer grain of 8.20.1
- 8.20.09 Gunjo (azurite) 1A
- 8.20.10 Usu Gunjo
- 8.20.11 Kyaku Gunjo (Azurite)
- 8.20.14 Wampum blue No. 1 (konjo) around clam shells