Forbes Pigment Labs: Library of Congress
Library of Congress, Preservation lab
The Library of Congress pursues preservation research with the aim to forward the National Preservation Research Agenda, which was developed by the Library's Preservation Directorate in consultation with leading scientific laboratories. This matrix of preservation science projects undertaken by libraries, archives, and museums worldwide illustrates the wide range of preservation research, from scientific and forensic characterization studies to the development of conservation treatments. The diversified labs cover projects on materials research, method development, analytical services and quality assurance. More information on current and paat projects is available at Preservation Scientce.
Analytical Projects
The Preservation Research and Testing Division analyzes the material composition of the Library's collection items to further scholarly research, conservation treatment, and the preservation of the collections. Analytical tests can characterize the chemical composition and condition of a range of materials, including paints, inks, and pigments, coatings, and substrates such as paper, parchment, and papyrus.
Reference collections of known and characterized pigment samples can aid specialists in identifying unknown, unstable, or questioned documents and other works. The Library of Congress holds a collection of pigment samples from Harvard’s Forbes’ Pigment Collection. The Forbes’ Pigment Collection is comprised of over 1000 colorants assembled by the late Edward Waldo Forbes, former Director of the Fogg Art Museum at Harvard University. Although the bulk of the collection resides at Harvard University, nineteen additional laboratories around the world share subsets of the collection, including the Library of Congress. This collection has long been used to provide reference samples to aid in the identification of pigments found in conjunction with collections in libraries, archives and museums.
Specialists study media to better understand the nature of documents and other works. Identifying pigments and other media can enable specialists to authenticate questioned documents or identify documents at risk of deterioration from acidic or other problematic media. Such studies can reduce risks to collections while adding value to the knowledge of a document’s provenance and manufacture. Some media (like iron gall ink or verdigris pigments) are acidic and consequently are at greater risk for deterioration and can even contaminate other collections. Characterizing pigments through their respective optical, chemical and physical properties can help specialists “date” documents, since certain pigments were traditionally used at specific times and places. In addition, specialists can estimate the stability, durability and longevity of documents and media made with unstable pigments that might inherently weaken documents.
The purpose of the project is to create an “atlas” of pigments, imaged by a scanning electron microscope (SEM) and matched to their Energy Dispersive X-ray Spectroscopy spectra. This will provide, in conjunction with data from other institutions, a database of known pigment characteristics to aid scholars and preservation specialists in the identification of pigmented media present in the Library’s collections.
Pages in category "Forbes Pigment Labs: Library of Congress"
The following 200 pages are in this category, out of 454 total.
1
- 1.01.01 Gypsum from Alabaster (terre alba) CaSO4.2H2O
- 1.01.09 Bone Ash
- 1.01.10 Calcium sulfate
- 1.01.12 Plaster of Paris
- 1.01.13 Gesso di Bologna
- 1.01.14 Fine Plasterer's Lime
- 1.01.15 Gesso d'Oro
- 1.01.16 Wampum Powder
- 1.01.18 Lime White
- 1.05.07 Flake White
- 1.05.08 Lead White
- 1.05.09 Flake white
- 1.06.03 (Zinc white) Lefranc
- 1.06.06 Zinc White
- 1.06.07 Green Seal (bottles a
- 1.06.08 Permanent Chinese White
- 1.06.09 Zinc Oxide (bottles a
- 1.06.10 Zinc Oxide
- 1.06.11 Zinc White
- 1.06.12 Oxide of Zinc
- 1.06.13 Zinc White
- 1.06.14 (ZnO)
- 1.07.04 Lithopone
- 1.09.10 Titanium white
- 1.09.11 Dry Titanoec
- 1.10.02 White from Spain
- 1.10.03 no label
- 1.20.02 Kirara
- 1.20.03 Gofun
- 1.20.04 Gofun
- 1.20.05 Kira mica (42)
- 1.20.06 Sui-sho
- 1.20.07 Gofun
- 10.01 Pigments found in prehistoric grave
- 10.03 Gay Head
- 10.04 Labeled Bay 202
- 10.05 Casco
- 10.06 Fayal
- 10.07 21A?
- 10.08 White of Egg
- 10.09 Powdered Resin
- 10.10 Mussel Shells
- 10.12 Bag 238 from Philippines
- 10.13 Sand from Lake Tahoe
- 10.14 Black Gum Damar
- 10.17 Clam Shell Powder
- 10.18 Earth(?) from Arthur's Seat
2
- 2.01.06 Tierra Negra (Black Earth) Don Luis Plandiura
- 2.01.07 Charcoal
- 2.01.08 Lampblack
- 2.01.10 Lamp Black
- 2.02.06 Ivory Black
- 2.02.07 Ivory Black
- 2.03.04 Vita Brucciate
- 2.03.05 Noir de Vigne
- 2.03.06 Noir
- 2.03.07 Nero della Vigna
- 2.07.01 Blue Black
- 2.07.02 Blue Black
- 2.20.01 Iwa kura
- 2.20.02 Hematite 17A
3
- 3.02.03 Orpiment
- 3.02.05 Orpiment
- 3.03.10 Terra Sienna
- 3.03.11 Terra Sienna
- 3.03.12 Terra Sienna
- 3.03.13 Terra Sienna Naturale
- 3.03.14 Raw Sienna
- 3.03.15 Raw Sienna
- 3.03.16 Raw Siena
- 3.03.17 Raw Sienna
- 3.03.18 Raw Sienna
- 3.03.19 Terra di Sienna
- 3.03.20 Terra di Sienna
- 3.03.21 Raw Sienna
- 3.03.22 Terra di Sienna Naturale
- 3.03.23 Terra di Sienna
- 3.03.24 Raw Sienna
- 3.04.01 Yellow Ochre of Constantinople
- 3.04.02 Giallo dore de Verone
- 3.04.03 Giallo ochre Scuea
- 3.04.06 (no label)
- 3.04.11 Ochre Gialla (near Naples)
- 3.04.12 Yellow Ochre
- 3.04.14 Transparent Yellow Ochre
- 3.04.18 Terra Gialla (bottles a and b)
- 3.04.19 Terra Gialla da Verona
- 3.04.21 Giallo
- 3.04.22 Terra Gialla
- 3.04.24 Yellow Ochre
- 3.04.25 Yellow Ochre (from Sienna)
- 3.04.26 Yellow Ochre (tronachs)
- 3.04.27 Yellow Ochre
- 3.04.28 Golden yellow
- 3.04.29 Ochre
- 3.04.30 Yellow Ochre
- 3.04.31 Transparent Golden Ochre
- 3.04.32 Transparent Golden ochre
- 3.04.33 Transparent Ochre
- 3.04.34 Yellow ochre of Spain (vials a and b)
- 3.04.35 Tierra amarilla
- 3.04.36 Ocre amarillo
- 3.04.37 Terra Gialla
- 3.04.38 Transparent Golden Ochre
- 3.04.39 Yellow Ochre
- 3.04.40 Yellow Ochre
- 3.04.41 ? no label on vial
- 3.05.01 Gamboge
- 3.05.03 Gamboge
- 3.05.04 Gamboge
- 3.06.11 Naples Yellow
- 3.07.06 Saffron
- 3.07.07 Saffron
- 3.07.08 Zafferano o Croco (vero.pola.)
- 3.07.09 Zafferano o
- 3.07.10 Saffron
- 3.08.16 Lemon Yellow
- 3.08.17 Lemon Yellow
- 3.08.18 Lemon Yellow
- 3.08.19 Lemon Yellow
- 3.08.20 Chrome yellow
- 3.08.20 Lemon Yellow
- 3.08.21 Lemon Yellow
- 3.08.22 Strontium Yellow
- 3.09.02 Hansa Yellow
- 3.09.05 Quercitron Bark
- 3.09.08 Bark of Quercus Tinctoria
- 3.09.14 Hansa Yellow
- 3.09.15 (Yellow Lake)
- 3.10.14 (a, b) Cadmium Yellow (a and b bottles)
- 3.10.15 Cadmium Yellow
- 3.10.16 Golden Cadmolith
- 3.10.17 Cadmium Yellow
- 3.10.19 Cadmium Yellow
- 3.10.20 Cadmium Light
- 3.11.02 Cobalt yellow
- 3.11.03 Cobalt Yellow
- 3.11.07 Aureolin
- 3.12.05 Mars Yellow
- 3.12.06 Mars Yellow
- 3.12.07 Burnt Mars Yellow
- 3.12.08 Mars Yellow
- 3.12.09 Mars Yellow
- 3.14.03 C19H16O11.Mg.5H20
- 3.15.02 Jasmine
- 3.15.03 Jasmine
- 3.15.07 Auramine
- 3.15.08 Archele Yellow
- 3.15.09 Milori Yellow
4
- 4.01.01 Burnt umber
- 4.01.09 Sombre Quernada (Burnt Umber)
- 4.01.10 Terra Umbre
- 4.01.11 Burnt Umber
- 4.01.12 Burnt Umber
- 4.02.01 Terra umbra naturo
- 4.02.02 Terra umbra naturale
- 4.02.03 Terra umbra naturo
- 4.02.04 Terra umbra naturo
- 4.02.12 Sombranatural (raw umber)
- 4.02.13 Raw umber
- 4.02.14 Umbra Grune
- 4.02.15 Terra Umbra Naturale
- 4.02.16 Terra Umbra Naturale
- 4.02.17 ? (Greece Earth)
- 4.04.02 Bitumen
- 4.04.04 Bitumen
- 4.04.05 Bitumen
- 4.06.02 Mars Brown
- 4.07.01 Designers Dry Colors
- 4.07.02 Gallstone
- 4.07.03 Probably Brown Earth from Italy
- 4.07.04 Unidentified Brown 21A
- 4.07.05 Unidentified Brown 18A
- 4.07.06 Brown Ochre
- 4.07.07 Earth from Greece
- 4.07.08 Earth from Greece
- 4.07.09 Earth from near Mt. Parnassus
- 4.07.10 Earth
- 4.07.11 Unidentified Brown
5
- 5.01.03 Realgar Mineral
- 5.02.03 Deep chrome orange
- 5.03.02 Cadmium orange
- 5.03.04 Cadmium orange
- 5.03.06 Cadmium orange
- 5.05.04 Unidentified Orange 3B
- 5.05.05 Mars Orange
- 5.05.06 Burnt Mars Orange
- 5.05.07 Unidentified Orange
- 5.05.08 Unidentified Orange
- 5.05.09 Unidentified
- 5.05.10
- 5.20.02 Ki-guchi
- 5.20.03 Meno agate 13A